DVD/Stream of the Week – LOVE & MERCY: a tale of three monsters and salvation

Paul Dano as Brian Wilson in LOVE & MERCY
Paul Dano as Brian Wilson in LOVE & MERCY

Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson, is the true life story of an extraordinarily gifted person facing three monsters. Wilson is a musical genius, one of the great songwriting, arranging and producing talents of his century. But his art and his very survival were tested by his tormentors until unselfish love found him an escape route to treatment, and, ultimately, his salvation.

In his first feature as a director, veteran producer Bill Pohlad chose to depict two phases of Wilson’s life, with Wilson played by Paul Dano and John Cusack.

The first monster is Wilson’s father Murry (Bill Camp), an abusive father whose adult sons still fear after they have fired him as their manager. What kind of father needs to belittle and sabotage his sons so he doesn’t have to acknowledge that their success surpasses his own? Brian Wilson is deaf in one ear from his father’s punches, but the psychological scars are even more deeply felt.

The second monster is Brian’s own schizoid affective disorder, a condition causing auditory hallucinations. Brilliantly, Pohlad has chosen to let the audience hear what Brian hears. This can be thrilling in moments of musical inspiration. And, of course, it is terrifying most of the time.

The third monster is charlatan psychologist Dr. Eugene Landy (Paul Giamatti), a Svengali-like manipulator, who over-medicates Brian, then confines him, while controlling and watching his every move. Landy leeches off Brian’s fortune and is ruthlessly protective of his racket.

Murry and Landy are so scary that Beach Boy Mike Love, known to be (and portrayed here as) a colossal jerk, almost seems sympathetic by comparison.

In the younger Dano segments, we see Brian at his creative peak, emotionally tortured by Murry and about to be driven into a breakdown by his condition. In the middle-aged Cusack parts, we see Brian, broken down by his illness, utterly helpless against and captive to Landy’s web of control.

Dano shows us Brian’s vulnerable genius. Cusack shows us Brian as gentle and genuine. The story of Love & Mercy is about how he escapes being under the thumb of his monsters, chiefly from the perspective of Melinda Ledbetter (Elizabeth Banks), the woman who would become his second wife. As good as are Dano and Cusack, Banks is absolutely stellar; her character must continually react to the unpredictability of Brian’s illness and the increasing horror of Landy’s tyranny.

From the beginning, Love & Mercy sweeps us up into the highs and lows of Brian Wilson’s life – and it’s a helluva life. Love & Mercy is one of the Best Movies of 2015 – So Far. Watch the end credits all the way to the end.

Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.

DVD/Stream of the Week – LOVE & MERCY: a tale of three monsters and salvation

Paul Dano as Brian Wilson in LOVE & MERCY
Paul Dano as Brian Wilson in LOVE & MERCY

Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson, is the true life story of an extraordinarily gifted person facing three monsters. Wilson is a musical genius, one of the great songwriting, arranging and producing talents of his century. But his art and his very survival were tested by his tormentors until unselfish love found him an escape to treatment, and, ultimately, his salvation.

In his first feature as a director, veteran producer Bill Pohlad chose to depict two phases of Wilson’s life, with Wilson played by Paul Dano and John Cusack.

The first monster is Wilson’s father Murry (Bill Camp), an abusive father whose adult sons still fear after they have fired him as their manager. What kind of father needs to belittle and sabotage his sons so he doesn’t have to acknowledge that their success surpasses his own? Brian Wilson is deaf in one ear from his father’s punches, but the psychological scars are even more deeply felt.

The second monster is Brian’s own schizoid affective disorder, a condition causing auditory hallucinations. Brilliantly, Pohlad has chosen to let the audience hear what Brian hears. This can be thrilling in moments of musical inspiration. And, of course, it is terrifying most of the time.

The third monster is charlatan psychologist Dr. Eugene Landy (Paul Giamatti), a Svengali-like manipulator, who over-medicates Brian, then confines him, while controlling and watching his every move. Landy leeches off Brian’s fortune and is ruthlessly protective of his racket.

Murry and Landy are so scary that Beach Boy Mike Love, known to be (and portrayed here as) a colossal jerk, almost seems sympathetic by comparison.

In the younger Dano segments, we see Brian at his creative peak, emotionally tortured by Murry and about to be driven into a breakdown by his condition. In the middle-aged Cusack parts, we see Brian, broken down by his illness, utterly helpless against and captive to Landy’s web of control.

Dano shows us Brian’s vulnerable genius. Cusack shows us Brian as gentle and genuine. The story of Love & Mercy is about how he escapes being under the thumb of his monsters, chiefly from the perspective of Melinda Ledbetter (Elizabeth Banks), the woman who would become his second wife. As good as are Dano and Cusack, Banks is absolutely stellar; her character must continually react to the unpredictability of Brian’s illness and the increasing horror of Landy’s tyranny.

From the beginning, Love & Mercy sweeps us up into the highs and lows of Brian Wilson’s life – and it’s a helluva life. Love & Mercy is one of the Best Movies of 2015 – So Far. Watch the end credits all the way to the end.

Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.

LOVE & MERCY: a tale of three monsters and salvation

Paul Dano as Brian Wilson in LOVE & MERCY
Paul Dano as Brian Wilson in LOVE & MERCY

Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson, is the true life story of an extraordinarily gifted person facing three monsters.  Wilson is a musical genius, one of the great songwriting, arranging and producing talents of his century.  But his art and his very survival were tested by his tormentors until unselfish love found him an escape to treatment, and, ultimately, his salvation.

In his first feature as a director, veteran producer Bill Pohlad chose to depict two phases of Wilson’s life, with Wilson played by Paul Dano and John Cusack.

The first monster is Wilson’s father Murry (Bill Camp), an abusive father whose adult sons still fear after they have fired him as their manager.  What kind of father needs to belittle and sabotage his sons so he doesn’t have to acknowledge that their success surpasses his own?  Brian Wilson is deaf  in one ear from his father’s punches, but the psychological scars are even more deeply felt.

The second monster is Brian’s own schizoid affective disorder, a condition causing auditory hallucinations.  Brilliantly, Pohlad has chosen to let the audience hear what Brian hears. This can be thrilling in moments of musical inspiration.  And, of course, it is terrifying most of the time.

The third monster is charlatan psychologist Dr. Eugene Landy (Paul Giamatti), a Svengali-like manipulator, who over-medicates Brian, then confines him, while controlling and watching his every move.  Landy leeches off Brian’s fortune and is ruthlessly protective of his racket.

Murry and Landy are so scary that Beach Boy Mike Love, known to be (and portrayed here as) a colossal jerk, almost seems sympathetic by comparison.

In the younger Dano segments, we see Brian at his creative peak, emotionally tortured by Murry and about to be driven into a breakdown by his condition.   In the middle-aged Cusack parts, we see Brian, broken down by his illness, utterly helpless against and captive to Landy’s web of control.

Dano shows us Brian’s vulnerable genius. Cusack shows us Brian as gentle and genuine. The story of Love & Mercy is about how he escapes being under the thumb of his monsters, chiefly from the perspective of Melinda Ledbetter (Elizabeth Banks), the woman who would become his second wife. As good as are Dano and Cusack, Banks is absolutely stellar; her character must continually react to the unpredictability of Brian’s illness and the increasing horror of Landy’s tyranny.

From the beginning, Love & Mercy sweeps us up into the highs and lows of Brian Wilson’s life – and it’s a helluva life. Love & Mercy is one of the Best Movies of 2015 – So Far.  Watch the end credits all the way to the end.

 

MAPS TO THE STARS: biting Hollywood satire and Original Sin

Mia Wasikowska and Julianne Moore in MAPS TO THE STARS
MAPS TO THE STARS

David Cronenberg’s Maps to the Stars is funny, dark and disturbing, but is ultimately unsatisfying.  The disturbing part shouldn’t surprise us, Cronenberg having been responsible for the exploding heads in Scanners, the auto accident sexual fetishes of Crash (1996) and the nightmarish druggy hallucinations of Naked Lunch.  But Cronenberg’s most recent A History of Violence and Eastern Promises have been very accessible, albeit with striking violence.  Maps to the Stars lures us in with a brutally witty show biz satire, and then clubs us with the most twisted family violence.

John Cusack and Olivia Williams play a rich Hollywood couple who had unknowingly committed their unique form of Original Sin, which has resulted in two damaged and dangerous kids.   Julianne Moore plays a needy and neurotic movie star grappling with middle age and her own family heritage.  These are people who take astonishing privilege for granted and treat their minions in contempt.   They react to the most even the most horrific tragedies by assessing how it will affect a book tour.  Cusack’s faux-shaman-to-the-stars ponders fixing the worst possible PR disaster by going “on Oprah and pulling a Lance Armstrong”.

What makes this such a nasty show biz satire, is that the eveil doesn’t just come from the Hollywood suits.  Here, the talent and the creatives are just as biz-oriented – always focused on box office, their fees, and cut throat competition for the next career-enhancing and remunerative gig.  There is very smart humor and lines like, “You know, for a disfigured schizophrenic, you’ve got the town pretty wired”.

Brilliant as always, Julianne Moore is a very good sport here (even with a fart gag).  The most memorable performances are by the very underutilized Olivia Williams (The Ghost Writer, Hyde Park on Hudson) – always teetering with desperation just under the surface – and Evan Bird, a monstrous teen star who isn’t to blame for how he is.  Cusack and Mia Wasikowska are also very good.  I just can’t figure out the appeal of Robert Pattinson, who is in this move to be a love interest, and doesn’t add anything special.

Although there’s a lot to enjoy about Maps to the Stars, it just doesn’t pay off. There’s very disturbing violence, some involving children, and sending up Hollywood foibles with the level of sickness in these characters, just isn’t worth it.

Maps to the Stars, after a blink-and-you-missed-it theatrical release, is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

DVD of the Week: The Paperboy

Set in 1969 Florida, The Paperboy is a coming of age film nestled within a deliciously pulpy crime drama.  The story is centered around an overlooked younger son (talented up-and-comer Zac Efron) who is thrilled when his older brother (Matthew McConaughey) returns to their swampy backwater after making it in the big time of Miami.  The older brother is an investigative reporter who seeks the truth about a sensational death row case.

The strength of the film is in the supporting characters.  David Oyelowo plays the older brother’s cynical and self-absorbed partner.  John Cusack’s death row inmate is utterly animalistic, a real departure for Cusack.  Nicole Kidman plays the convict’s pen pal fiance; the younger brother falls for her, but she’s apparently screwing everyone except him.

But the surprise performance in The Paperboy is by recording artist Macy Gray, who plays the family domestic.  With complete authenticity, Gray is playful, hurt, dignified, angry, funny, tough, cagy and vulnerable and, as the narrator, she keeps the movie together.  It’s a really superb performance, and I look forward to seeing Gray in more high profile parts.

This is director Lee Daniels’ follow up to his heart rending Precious.  Once again, his  character driven story-telling is first rate.  The Paperboy is dark, violent, sexy and gripping with vivid characters.

Watch for Kidman’s particularly alarming treatment for jellyfish stings.

The Paperboy: a trashy Nicole Kidman and a canny Macy Gray

Set in 1969 Florida, The Paperboy is a coming of age film nestled within a deliciously pulpy crime drama.  The story is centered around an overlooked younger son (talented up-and-comer Zac Efron) who is thrilled when his older brother (Matthew McConaughey) returns to their swampy backwater after making it in the big time of Miami.  The older brother is an investigative reporter who seeks the truth about a sensational death row case.

The strength of the film is in the supporting characters.  David Oyelowo plays the older brother’s cynical and self-absorbed partner.  John Cusack’s death row inmate is utterly animalistic, a real departure for Cusack.  Nicole Kidman plays the convict’s pen pal fiance; the younger brother falls for her, but she’s apparently screwing everyone except him.

But the surprise performance in The Paperboy is by recording artist Macy Gray, who plays the family domestic.  With complete authenticity, Gray is playful, hurt, dignified, angry, funny, tough, cagy and vulnerable and, as the narrator, she keeps the movie together.  It’s a really superb performance, and I look forward to seeing Gray in more high profile parts.

This is director Lee Daniels’ follow up to his heart rending Precious.  Once again, his  character driven story-telling is first rate.  The Paperboy is dark, violent, sexy and gripping with vivid characters.

Watch for Kidman’s particularly alarming treatment for jellyfish stings.