Jirga

Movies to See Right Now

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Jenna Lyng Adams in BEFORE THE FIRE, an indie thriller premiering at Cinequest

This time of year, there are good movie-viewing choices – they’re just not the ones being newly released into theaters. Now it’s the time to catch up on unseen Oscar-winners and to binge good episodic TV.

For example, this week’s new Will Ferrell/Julia Louis-Dreyfus release Downfall (which I haven’t seen) is by all reports a very dumbed-down remake of the sharp Swedish Force Majeure. Stream the original instead.

I’m currently buried in screening films from the upcoming Cinequest (March 3-15). The best of this year’s festival is pretty good, and here’s a teaser – I’ll be recommending at least three premieres:

  • the world premiere of a gripping thriller, written by its female star and the first feature by its female director. Hang on to your seats.
  • the world premiere of a gay Muslim romantic comedy.
  • the North American premiere of the year’s best Czech film.

Stay tuned.

OUT NOW

  • The masterpiece Parasite explores social inequity, first with hilarious comedy, then evolving into suspense and finally a shocking statement of the real societal stakes. This is one of the decade’s best films.
  • Adam Driver and Scarlett Johannson are brilliant in Noah Baumbach’s career-topping Marriage Story. A superb screenplay, superbly acted, Marriage Story balances tragedy and comedy with uncommon success. Marriage Story is streaming on Netflix.
  • Martin Scorsese’s gangster epic The Irishman is tremendous, and features performances by Al Pacino and Joe Pesci that are epic, too. It’s streaming on Netflix.
  • Rian Johnson’s Knives Out turns a drawing room murder mystery into a wickedly funny send-up of totally unjustified entitlement. Knives Out is streaming.
  • Refusing to play it safe, director Francisco Meirelles elevates The Two Popes from would have been a satisfying acting showcase into a thought-provoker. It’s streaming on Netflix.
  • 1917 is technically groundbreaking, but the screenplay neither thrilled me nor moved me.

ON VIDEO

My Stream of the Week is Jirga, from my list of 10 Overlooked Movies of 2019. A man goes on a quest in this parable of atonement. The film was shot guerilla-style, under cover in wartorn, terrorist-infested Afghanistan. Stream from Amazon, iTunes, Vudu and Redbox.

ON TV

Turner Classic Movies’ 31 Days of Oscar continues on February 27 with the classic film noir Kiss of Death. Victor Mature plays an ex-con with horrific luck – he gets caught on a heist and takes the rap for his cohorts; this leads to a long sentence and a double-cross with impacts to his wife and kids. Seeking to see his kids again, he is released back on the streets to set up the double-crossers for the DA. Mature, too often dismissed for his campy sword-and-sandal movies, did his finest work in film noir – especially I Wake Up Screaming, Kiss of Death and The Long Haul. Kiss of Death includes Richard Widmark’s breakthrough performance as psychopath Tommy Udo.

Richard Widmark in THE KISS OF DEATH

Stream of the Week: JIRGA – a quest to atone

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Sam Smith in JIRGA

In Jirga, the Australian soldier Mike (Sam Smith) returns alone to Afghanistan three years after his tour of duty. Mike begins a quest that takes him into the stark desolation of the hinterlands, where he must survive both the unforgiving elements and the Taliban. We don’t know his objective until it is revealed 44 minutes into the film. What we do immediately understand is that the stakes are very high.

The tension builds as we wonder if Mike will survive, but Jirga is a contemplation. How do you redress a wrong that you’ve committed? By paying compensation? By asking for forgiveness? By an act of atonement? Or of self-sacrifice?

The Afghanistan in Jirga is as dramatic a desolate landscape as I’ve ever seen, often starkly beautiful. At one point, Gilmour relieves the severity of the desert by dropping in a totally incongruous and unexpected paddle boat in the form of a pastel swan.

Sam Smith is in almost every frame of Jirga, and his performance is impeccable.

Jirga is a notable achievement in filmmaking. Gilmour had received permission to film among the Pashtun in Pakistan’s tribal areas, but was frustrated (and finally harassed) by the ISI, Pakistan’s notorious intelligence force. Gilmour bought a small Sony camera in Islamabad and flew himself and Smith to Kabul. There, under the constant protection of bodyguards, Gilmour was able to shoot the film on the fly; conditions were safe enough to shoot during 20 days of a two-month sojourn. Only two of the Afghan cast had ever been in a movie. Gilmour’s previous film Son of a Lion was also set among the Pashtun and is available on Amazon Prime.

JIRGA

I saw Jirga at Cinema Club Silicon Valley, with a Q&A with writer-director-camera operator Benjamin Gilmour. Gilmour got the idea for the film in his other work as a paramedic, encountering the PTSD of Australian veterans of the Middle East wars.

Gilmour observed that “male bravery is taught as how well you can fight”, and focused Jirga on Mike’s non-violent courage in risking – and even offering -his life. Gilmour developed Mike’s story so the “moral injury he suffered doesn’t take the tragic path” of alcoholic self-medication or suicide that Gilmour has observed firsthand in combat vets.

Jirga was Australia’s submission to the Academy Awards. It made my list of 10 Overlooked Movies of 2019. You can stream Jirga from Amazon, iTunes, Vudu and Redbox.

10 overlooked movies of 2019

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Luke Lorentzen’s MIDNIGHT FAMILY. Courtesy of SFFILM

I posted my traditional Top Ten list – Best Movies of 2019. Now here are some gems that you probably haven’t heard of.

  • Midnight Family. This gripping documentary takes us on ridealongs with an all-night ambulance crew in Mexico City. It’s even wilder than you may expect. Midnight Family is just finishing a brief theatrical release, and I expect it will be available to stream soon.
  • Light from Light. Three portraits of personal awakening are ingeniously embedded into what looks like a familiar haunted house movie. I’ll let you know when it’s streamable.
  • Sword of Trust. This is a wickedly funny comedy with an emotionally powerful personal story underneath it all. Great performances by Marc Maron and the film’s director Lynn Shelton. You can buy, but not yet rent, Sword of Trust. I’ll let you know when it’s available.
  • Auggie. In this superb indie, augmented reality glasses fulfill every need and insidiously trigger even more inner desires.  Stream from Amazon, iTunes and Vudu.
  • The Sound of Silence. Peter Sarsgaard stars in this novel and engrossing character study about obsession. Stream from Amazon, iTunes, Vudu, YouTube and Google Play.
  • Rojo. Set just before Argentina’s bloody coup in the 1970s, this moody, atmospheric film works as a slow-burn thriller. Stream from Amazon, iTunes and Vudu.
  • Mine 9. This race-against-the-clock rescue thriller is both a mine safety exposé and a mining procedural.  I’ll let you know when it’s available to stream.
  • Jirga. A man goes on a quest in this parable of atonement. The film was shot guerilla-style, under cover in wartorn, terrorist infested Afghanistan. Stream from Amazon, iTunes, Vudu and Redbox.
  • Making Montgomery Clift. This biodoc is an unexpectedly insightful and nuanced probe into the life of Montgomery Clift, and it explodes some of the lore that has shaped popular understanding of the movie star. Stream from Amazon, iTunes, Vudu, YouTube, Google Play and Redbox.
  • Long Day’s Journey into Night. This brilliantly original film explores memory – a man obsessed with a doomed romance from twenty years ago plunges into a neo-noir underworld.  After a slow burn beginning, his search reaches its climax in a spectacular ONE-HOUR single shot. It can be streamed on Amazon, iTunes and Vudu.
  • Mr. Klein. This is actually a reissue of a 1976 film that almost nobody has seen in 43 years. Joseph Losey’s slowburn thriller is a searing critique of French collaboration with the Nazis. Mr. Klein stars Alain Delon as a predator trapped by his own obsession. It is not currently available on the major streaming platforms, nor can it be found on DVD, except for some bootlegs from Asia.

Yes, two of my Overlooked movies are also on my Best of 2019 list. I’ll let you know when you can stream the ones that aren’t yet available.

Marc Maron in SWORD OF TRUST

Movies to See Right Now

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THEY SHALL NOT GROW OLD

Wow, I gotta say that the offerings in movie theaters this August/September are as unappealing as I can remember, even for this period of traditional cinematic doldrums. There are a couple of good indies that I’ve seen coming to art houses in mid-September, but that’s about it until October.

However, now is a good time to catch up on films from my list of Best Movies of 2019 – So Far. The Last Black Man in San Francisco, They Shall Not Grow Old, Amazing Grace and Booksmart are all available to be streamed.

OUT NOW

  • Once Upon a Time…in Hollywood is a Must See – one of Quentin Tarantino’s very, very best.
  • The family dramedy The Farewell is an audience-pleaser.
  • You can find, if you look hard enough, Jirga, an indie parable about atonement that was Australia’s submission to the Academy Awards.
  • Bay Area filmmaker John Maringouin’s inventive satire Ghostbox Cowboy, skewers white entitlement and sneaks a peek inside the shadiest corners of the Chinese boom economy. Ghostbox Cowboy earned a NY Times Critic’s Pick and can be streamed on Amazon (included with Prime).
  • Here’s my rant on the latest Olivier Assayas film, Non-Fiction.

ON VIDEO

My Stream of the Week is the cautionary documentary Jimmy Carter – about the American people asking for something that they didn’t warm to once they got it. To stream Jimmy Carter from iTunes, search for “Jimmy Carter” under TV Episodes (not under Movies). Jimmy Carter is also available on DVD from American Experience. 

ON TV

On September 10, Turner Classic Movies will be airing the 1940 version of Gaslight. Here is my essay on the movie versions of Gaslight and gaslighting as domestic violence, including a reference to the Film Noir Foundation’s fine podcast on the topic.

Ingrid Bergman and Charles Boyer in GASLIGHT

Movies to See Right Now

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Leonardo DiCaprio and Brad Pitt in ONCE UPON A TIME…IN HOLLYWOOD

Once Upon a Time…in Hollywood is a marvelously entertaining masterpiece. I’m just going to keep beating this drum until I run out of friends who haven’t seen it yet (including The Wife).

OUT NOW

  • Once Upon a Time…in Hollywood is a Must See – one of Quentin Tarantino’s very, very best.
  • The family dramedy The Farewell is an audience-pleaser.
  • You can find, if you look hard enough, Jirga, an indie parable about atonement that was Australia’s submission to the Academy Awards.
  • Here’s my rant on the latest Olivier Assayas film, Non-Fiction.

ON VIDEO

My Stream of the Week is The East, a smart and gripping thriller that explores both our response to corporate criminality and the unfamiliar world of anarchist collectives. The East is available on DVD from both Netflix and Redbox and streaming from Amazon, Vudu, iTunes, GooglePlay and other VOD outlets.

ON TV

Kirk Douglas in SPARTACUS

On August 31, Turner Classic Movies offers Kirk Douglas’ testosterone exploding across the screen in Spartacus, The Vikings and Gunfight at the OK Corral. The latter is the John Sturges 1957 version with Douglas and with Dennis Hopper as Billy Clanton; (I prefer the 1946 John Ford version of the same story – My Darling Clementine, with Henry Fonda, Victor Mature, Ward Bond, Walter Brennan and John Ireland.)

Kirk keeps his shirt on in OK Corral, but Spartacus and The Vikings are filled with shirtless virile charisma. There’s really nothing to The Vikings except action adventure (and a scary contact lens), but it’s been a guilty pleasure of mine since the first time it played on TV.

Kirk Douglas in THE VIKINGS

JIRGA: a quest to atone

by
Sam Smith in JIRGA

In Jirga, the Australian soldier Mike (Sam Smith) returns alone to Afghanistan three years after his tour of duty. Mike begins a quest that takes him into the stark desolation of the hinterlands, where he must survive both the unforgiving elements and the Taliban. We don’t know his objective until it is revealed 44 minutes into the film. What we do immediately understand is that the stakes are very high.

The tension builds as we wonder if Mike will survive, but Jirga is a contemplation. How do you redress a wrong that you’ve committed? By paying compensation? By asking for forgiveness? By an act of atonement? Or of self-sacrifice?

The Afghanistan in Jirga is as dramatic a desolate landscape as I’ve ever seen, often starkly beautiful. At one point, Gilmour relieves the severity of the desert by dropping in a totally incongruous and unexpected paddle boat in the form of a pastel swan.

Sam Smith is in almost every frame of Jirga, and his performance is impeccable.

Jirga is a notable achievement in filmmaking. Gilmour had received permission to film among the Pashtun in Pakistan’s tribal areas, but was frustrated (and finally harassed) by the ISI, Pakistan’s notorious intelligence force. Gilmour bought a small Sony camera in Islamabad and flew himself and Smith to Kabul. There, under the constant protection of bodyguards, Gilmour was able to shoot the film on the fly; conditions were safe enough to shoot during 20 days of a two-month sojourn. Only two of the Afghan cast had ever been in a movie. Gilmour’s previous film Son of a Lion was also set among the Pashtun and is available on Amazon Prime.

JIRGA

I saw Jirga at Cinema Club Silicon Valley, with a Q&A with writer-director-camera operator Benjamin Gilmour. Gilmour got the idea for the film in his other work as a paramedic, encountering the PTSD of Australian veterans of the Middle East wars.

Gilmour observed that “male bravery is taught as how well you can fight”, and focused Jirga on Mike’s non-violent courage in risking – and even offering -his life. Gilmour developed Mike’s story so the “moral injury he suffered doesn’t take the tragic path” of alcoholic self-medication or suicide that Gilmour has observed firsthand in combat vets.

Jirga was Australia’s submission to the Academy Awards. It has secured a late July limited release in NY and LA. I’ll let you know if Jirga opens in Bay Area theaters and when it is available to stream.