BETWEEN THE TEMPLES: prodded out of his funk

In Nathan Silver’s comedy Between the Temples:, Jason Schwartzman plays a cantor whose wife’s death the year before has plunged him into despair; he is so paralyzed by depression, he has even lost his ability to sing. He has a chance meeting with his childhood music teacher (Carol Kane), now a retired widow.

Despite her age and his resistance, she insists on joining the bat mitzvah class he teaches at the temple. She’s a force of nature and may have enough gusto to overcome his angst. As their friendship evolves, will it bring him out of his funk?

Between the Temples is co-written by C. Mason Wells and director Nathan Silver. There are plenty of chuckles arising from Schwartzman’s character trying to neutralize his former teacher’s tsunami of will. And there are LOL moments from Madeleine Weinstein’s hilarious turn as as the rabbi’s lovelorn daughter Gabby.

Kane is excellent, and so is Dolly De Leon, who stole Triangle of Sadness, sparkles as a relentlessly determined Jewish mother. The prolific comedy writer Robert Smigel appears as the rabbi.

I screened Between the Temples for this year’s San Francisco Jewish Film Festival; Between the Temples opens in Northern California theaters this weekend.

The SFJFF is here

Photo caption: Amer Hlehel and Ashraf Farah in Maha Haj’s MEDITERRANEAN FEVER at the SLO Film Fest Courtesy of San Francisco Jewish Film Festival.

The San Francisco Jewish Film Festival (SFJFF) always a major event for Bay Area cinephiles, opens today. The SFJFF is the world’s oldest and largest Jewish film festival, and the program offers over 60 films from Israel, Palestine, Australia, Canada, Colombia, Cyprus, Ethiopia, France, Germany, Hungary, Italy, Poland, Ukraine, the US and the UK. Here’s my festival preview.

This year, I’m recommending three comedies.

  • Mediterranean Fever: A depressive writer becomes friends with his shady neighbor and the two embark on a dark journey. Second feature for Israeli Arab director Maha Haj. Although it’s dark and funny, I don’t want to describe Mediterranean Fever, like I do many films, as “darkly funny” because the tone is singular. Haj has written a story about that unfunniest of topics, depression, and keeps us watching with subtle, observational humor.  In Mediterranean Fever, we glimpse into the day-to-day life of Israeli Arabs – and middle-class Israeli Arabs at that. Won the Un Certain Regard screenplay prize at Cannes. Here’s my full review.
  • The Monkey House: This witty, twisty comedy is the latest from popular and prolific Israeli writer-director Avi Nesher. Set in pre-Internet 1989, novelist Amitay (Adir Miller) has gone a long time without a best seller, and sees his literary legacy fading. His ego is uplifted by an American grad student who plans to publish about his body of work; but, when that falls through, Amitay plans an elaborate ruse – he hires the flighty, wannabe actress Margo (Suzanna Papian) to impersonate the grad student. Plenty of unanticipated complications threaten to derail the scheme and humiliate Amitay, especially to his recently-widowed, longtime crush Tamar (Shani Cohen). Nesher, evidently a gimlet-eyed observer of human behavior, delivers lots of plot twists in this smart and funny movie. Nominated for 11 Israeli Academy Awards.
  • Between the Temples: In Nathan Silver’s comedy, Jason Schwartzman plays a cantor whose wife’s death the year before has plunged him into despair; he is so paralyzed by depression, he has even lost his ability to sing. He has a chance meeting with his childhood music teacher (Carol Kane), now a retired widow. Despite her age and his resistance, she insists on joining the bat mitzvah class he teaches at the temple. She’s a force of nature and may have enough gusto to overcome his angst. As their friendship evolves, will it bring him out of his funk? There are plenty of LOL moments. Kane is excellent, and so is Madeleine Weinstein as the rabbi’s lovelorn daughter. Dolly De Leon, who stole Triangle of Sadness, sparkles as a relentlessly determined Jewish mother.

The SFJFF runs through August 4 in select San Francisco and Oakland venues. Peruse the program and purchase tickets at SFJFFHere’s the trailer for Between the Temples.

SAN FRANCISCO JEWISH FILM FESTIVAL is here.

WHAT SHE SAID: THE ART OF PAULINE KAEL

It’s time for one of the Bay Area’s top cinema events: the 39th annual San Francisco Jewish Film Festival (SFJFF), which opens this Thursday, July 18, and runs through August 4 at five locations throughout the Bay Area. As usual, the fest presents a broad range of feature films from 17 countries (but mostly from the US and Israel), plus 2 programs of short films (Jews in Shorts).

My top recommendation is Rob Garver’s What She Said: The Art of Pauline Kael, a remarkably thorough and insightful biodoc of the iconic film critic and her drive for relevance. It’s illustrated with clips of the movies that she loved and hated. I’ll publish my long form review when What She Said is released in the Bay Area.

Two more SFJFF entries about the movies are Curtiz, a narrative film about the prolific director Michael Curtiz and Carl Laemmle, a documentary about the pioneering movie impresario

SFJFF always presents an excellent slate of docs. This year’s batch includes Golda, with footage from Golda Meir’s last interview.

There are also comedies. The sibling roadtrip comedy Dancing Dogs of Dombrova looks promising. I’ve seen the comedy of manners How About Adolf? – a family provocateur trying to get under his brother-in-law’s skin unintentionally ignites an eruption of family resentments and revelations.

I haven’t seen it, but my favorite SFJFF title this year is the animated film Seder-Masochism.

One of the most appealing features of the SFJFF39 is that, wherever you live in the Bay Area, the fest comes to you. SFJFF39 will present films at the Castro in San Francisco, CIneArts in Palo Alto, the Albany Twin in Albany, the Rafael in San Rafael and the Piedmont in Oakland. You can peruse the entire program and buy tickets and passes at San Francisco Jewish Film Festival.

Jut for fun, here’s the delightful trailer from the 2016 version of SFJFF.