THE LITTLE THINGS: worth it for Denzel

Photo caption: Denzel Washington in THE LITTLE THINGS. Courtesy of Warner Bro. Pictures.

I finally caught up with caught up with the neo-noir crime procedural The Little Things on Netflix, and it’s much better than I expected. I had skipped it until now because, upon its 2021 release, it disappointed critics who were eagerly awaiting this neo-noir with Oscar-winners Denzel Washington, Rami Malek and Jared Leto. Its Metacritic rating is a middling 54. True, it’s no David Fincher or Martin Scorsese movie (or even a John Dahl movie) but, compared to the other noirish crime procedurals that you could be streaming (and I watch scores of them), it’s pretty good.

Denzel plays Joe Deacon, who is a deputy sheriff in Kern County, not an exalted position in law enforcement. We learn that Deacon used to be a crack detective in Los Angeles County, but something happened that caused him to leave that department. A Kern County departmental errand takes him back to his old stomping grounds in LA, where some old-timers greet him warmly and some warily. There’s a murder that bears resemblance to an unsolved serial killer case that still obsesses Deacon and the young up-and-coming detective Jimmy (Rami Malek) invites him to help.

The two hash through clues, augmented by Deacon’s institutional memory and his hunches. After some wrong turns, the evidence hints at a primary suspect, Albert Sparma (Jared Leto). Yes, it’s a whodunit, but the real story is about how the earlier unsolved case broke Deacon emotionally, and whether this unsolved case will do the same to Jimmy. Late in the film, there is a reveal of the moment that devastated Deacon. I loved the ending, which is about whether Deacon can find a way to save Jimmy.

Denzel Washington elevates any material and that’s the case here. Nobody does a profoundly sad and very masculine man as well as Denzel. There’s a scene where he drops by and greets his ex-wife which is wrenching, all because of the heartbreak in his eyes. Plenty of actors can portray an emotionally tortured character in a showy performance (think Nic Cage), but Denzel, in an utterly contained performance, can make us understand how a man who is doing everything to conceal his pain, is really shattered to the core.

Malek, whom I have never warmed to, is as reptilian as usual, contrasting oddly with his character’s suburban poolside family.

Jared Leto in THE LITTLE THINGS. Courtesy of Warner Bro. Pictures.

Leto does creepy magnificently, and his Albert Sparma has an especially twisted menace about him.

The Little Things was written and directed by John Lee Hancock, who directs better movies that others write (The Rookie, Saving Mr. Banks, The Founder) than the ones he writes (The Alamo, The Blind Side, Midnight in the Garden of Good and Evil). The Little Things is a bit too long at 2:08.

Still, Denzel’s performance and the ending make The Little Things a worthwhile watch for fans of neo-noir and of crime procedurals. The Little Things is included with Netflix and Max subscriptions and rentable from Amazon, AppleTV, VUDU and YouTube.

Dallas Buyers Club: worth it for Jared Leto

Jared Leto and Matthew McConaughey in DALLAS BUYERS CLUB
Jared Leto and Matthew McConaughey in DALLAS BUYERS CLUB

Dallas Buyers Club is a well-paced us-against-bureaucracy drama.  It’s yet another fine acting performance by its star, Matthew McConaughey, who – in a superb second career phase – has turned in a remarkable spate of winning performances in the past three years (Killer Joe, The Paperboy, Mud, Magic Mike, The Wolf of Wall Street, True Detective).  Set in the early panicky days of the AIDS epidemic, it’s the based-on-fact story of a homophobic Texas cowboy who contracts AIDS and wages a guerrilla war against the FDA, Big Pharma and the medical establishment to distribute non-approved but effective medications.  Dallas Buyers Club has been nominated for the Best Picture Oscar but I found it too formulaic to be THAT good.

The best reason to see Dallas Buyers Club is the supporting performance by Jared Leto as a drag queen.  I am generally skeptical about performances that get a lot of buzz because the roles require the actor to take on a handicap or another gender, to age many years or some other flashy crap  – but Leto is the real deal here, and he deserves his Academy Award nomination – and I would be pleased if he won the Oscar. He goes beyond the wise cracking queen to plumb many layers of charisma, addiction, self-expression and family rejection. It’s a profoundly affecting and ultimately  heartbreaking performance.  (And, in a couple early scenes, he’s actually prettier than the female lead Jennifer Garner.)