IT’S NOT ME: his life as an art film

Photo caption: Leos Carax and Denis Lavant in IT’S NOT ME. Courtesy of Janus Films.

I generally only write about feature-length films, but there’s a lot of interest among cinephiles for the mid-length It’s Not Me. A European museum asked the artistic renegade filmmaker Leos Carax for a project that answers the question, Who are you? Although the title of this film is cheeky, It’s Not Me is Carax’s reflection on what has formed him – cinema, the 20th century, his Jewishness – and who he is – an artist, a parent, a moral critic.

It’s Not Me is rapidly-paced montage of bits from classic cinema, Carax’s own films (augmented by some new footage) and historical stills and clips. There’s even cell phone footage of his daughter as a child and now playing the piano as an adult.  It is a curated mush mash, decidedly not as random as it sometimes seems. The clips are interspersed with bold color titles a la Jean-Luc Goddard. Movies can be LIKE fever dreams; this one may BE an actual fever dream.

Carax is known for Holy Motors, which I mostly liked, and Annette, which I didn’t. One thing is for sure – each Carax movie will be like nothing you’ve seen before.

Carax isn’t usually very political, but here he explicitly vents his hatred for haters like Hitler and current right wing, nationalist leaders. There’s a very creepy scene where a mother reads her kids a bedtime story that applauds Hitler’s Final Solution. There’s footage of the 1939 pro-Nazi rally at Madison Square Garden, and of the corpses of contemporary would-be immigrant children sloshing on a European beach.  Tough stuff.

It’s Not Me runs only 42 minutes, but there’s almost two minutes of opening credits, and then the closing credits start at the 37-minute mark.  After the closing credits, there’s a a final 2-minute puppet performance that is brilliant, even if I have no idea why Carax included it.

Denis Lavant reprises his role as Monsieur merde, the outré character in Holy Motors and other Carax films. If you want to know just how outré, read my post on Holy Motors.

Clips of the 27-year-old Juliette Binoche from the 1991 Carax film The Lovers on the Bridge remind us what a breath-taking beauty Binoche has been in every stage of her career.

It’s Not Me is streaming on Amazon and Fandango.