IFFNOHO is showcasing the LA premiere of Gazelle: The Love IssueLA premiere as the festival’s opening night film on Thursday, April 28, and it’s a sure-fire crowd-pleaser.
The Cross of the Moment helps us understand the bleakness of the “or else” if we fail to stall or reverse climate change. The IFFNOHO screening is the world premiere of this absorbing and important film.
Peter Miller’s documentary Projections of America reveals the story of American-made World War II propaganda films, designed to reassure the soon-to-be-occupied Europeans. “Propaganda” is a sinister word, and the surprise in Projections of America is how indirect, subtle and superficially benign these slice-of-American-life movies were.
The most popular of the propaganda films in the Projections of America series, Autobiography of a Jeep, has its own separate screening at IFFNOHO.
There’s no slick TED Talk or cool graphics in the compelling and sometimes chilling documentary The Cross of the Moment. In that way, it’s exactly the film that An Inconvenient Truth was trying NOT to be. But The Cross of the Moment is actually the more ambitious film because it’s not trying to convince us that global warming exists or is caused by humans – it’s helping us understand the bleakness of the “or else” if we don’t stall or reverse climate change.
Indeed, we hear from talking heads (really, really smart talking heads). Director Jacob Freydont-Attie has selected scientists who are as able as the great scientific popularizers like Carl Sagan and James Burke. It’s stripped down, undiluted science from scientists – but ever lively. As a result, we in the audience are able to connect the dots ourselves. We are in Deep Shit. And capitalism itself may keep us from digging our way out.
The International Film Festival of North Hollywood (IFFNOHO) will present the world premiere of The Cross of the Moment on Sunday, May 1.
PROJECTIONS OF AMERICA. Photo courtesy of PBS International.
Peter Miller’s documentary Projections of America reveals the story of American-made World War II propaganda films, designed to reassure the soon-to-be-occupied Europeans. “Propaganda” is a sinister word, and the surprise in Projections of America is how indirect, subtle and superficially benign the filmmakers were. The goal of the films was to make the liberating Americans seem not so scary, even though they were bombing Europe and then showing up heavily armed en masse and speaking only English.
The government tapped Hollywood screenwriter Robert Riskin (It Happened One Night, Mr. Deeds Goes to Town) to make a series of movies, and Projections of America is also very much Riskin’s story. We even see Riskin’s family home movies and hear directly from his children (whose mother was the actress Fay Wray).
We are used to government propaganda being bombastic, obvious and heavy handed, which these films are not. Riskin’s team made slice-of-American-life films to showcase workaday America through the daily experiences of Americans – with their implicit American values shining through.
One film, Swedes in America, hosted by Ingrid Bergman, showed just one tile in the American mosaic, but the everyday lives of Swedish-Americans resonated with other European ethnicities, who could imagine themselves comfortable in American society. Another movie focused on a popular American immigrant from Italy, Arturo Toscanini. And still another film brought a boy from bombed-out Britain to the American West to show him the real-life cowboy experience firsthand (how cool that must have been!).
The most popular movie in the series was Autobiography of a Jeep, which tracked every step of a Jeep’s journey from its American assembly plant to its use in wartime Europe – with the Jeep’s internal dialogue as the film’s narration.
The movies, of course, show a favorable and idealized, but not completely phony, view of America. Certainly, the films did not dwell on problems of American society, such as racial segregation. One movie depicts a small town receiving European refugees at first with distrust, but finally with acceptance. The overall impact of the movies was to depict America and Americans as free, boisterous and alive with possibilities. That, at its core, was not untruthful.
Projections of America is narrated by John Lithgow.
The International Film Festival of North Hollywood (IFFNOHO) will host Projections of America’s LA premiere on Saturday, April 30. Autobiography of a Jeep is also playing separately at IFFNOHO.
I challenge anyone to watch the first one minute of the absorbing documentary Gazelle: The Love Issue without wanting to see more of Gazelle Paulo and his art. Gazelle’s art defies easy description – an unusual combination of fashion and performance art. He dresses, models, takes photos of others and has turned his photo blog (FreakChic.com) into the magazine Gazelle. In Gazelle: The Love Issue, director Cesar Terranova gives us the unvarnished Gazelle, with glimpses of the most personal aspects of his life and relationships.
Gazelle creates striking clothes and makeup that project ideas and feelings. Descriptions like “drag queen” or Gazelle’s own understated “dressing up to go out” are totally inadequate and misleading. Whether it’s funny or disturbing, this stuff is real art, more avant-garde than campy. And as art must be to be good, Gazelle’s is ever evocative.
Spending 94 minutes with Paulo is pretty easy because he’s so gentle and humble despite his flamboyant, even exhibitionistic, behavior. He’s an island of genuine kindness in a sea of snark and bitchiness.
The International Film Festival of North Hollywood (IFFNOHO) is showcasing the LA premiere of Gazelle: The Love Issue as the festival’s opening night film on Thursday, April 28, and it’s a sure-fire crowd-pleaser.
