Ida – The Movie Gourmet

Movies to See Right Now

November 12, 2017November 10, 2017 by movie gourmet

So the highly acclaimed Novitiate, Lady Bird, Last Flag Flying, Darkest Hour and The Square have reached the Bay Area, but only in a few theaters. The festival audience favorite Three Billboards Outside Ebbing Missouri arrives next weekend. Of these, I’ve only seen The Square, an ambitious satire that I liked, but which is not for everyone; I’ll be posting about it soon. I liked LBJ, an effective Cliff Notes history lesson. I’ll also soon be writing about LBJ and Murder on the Orient Express. Stay tuned.

Because the big Prestige Movies are arriving in theaters and Oscar campaigns are being launched, I’m giving you a movie that you can compare to 2017’s Oscar Bait. The Polish drama Ida won the 2015 Academy Award for Best Foreign Language Picture and the International Critics’ Award at the Toronto International Film Festival. Ida was my pick as the best film at Cinequest, where it won the Jury Prize for Best Narrative Feature. Ida is available on DVD from Netflix and streaming from Amazon Instant, YouTube, Google Play and Xbox Video.

On November 15 , Turner Classic Movies presents the Otto Preminger masterpiece Anatomy of a Murder (1959). This movie has everything: Jimmy Stewart’s portrayal of a wily lawyer, content to underachieve in the countryside, Stewart’s electrifying courtroom face-off with George C. Scott, great performances by a surly Ben Gazzara and a slutty Lee Remick, a great jazz score by Duke Ellington and a suitably cynical noir ending. That jazz score is one of the few movie soundtrack CDs that I own. The music perfectly complements the story of a murder investigation that reveals more and more ambiguity as it proceeds. Stewart’s character relaxes by dabbling in jazz piano, and Duke himself has a cameo leading a bar band in the Upper Peninsula of Michigan (of all places).

James Stewart and George C. Scott tangle in Anatomy of a Murder — James Stewart (right) and George C. Scott (seated) tangle in ANATOMY OF A MURDER

DVD/Stream of the Week: IDA – something to compare with this year’s best

November 7, 2017 by movie gourmet

The big Prestige Movies are arriving in theaters and Oscar campaigns are being launched, so this week I’m giving you a movie that you can compare to 2017’s Oscar Bait – the recent Polish drama Ida.

The title character is a novice nun who has been raised in a convent orphanage. Just before she is to take her vows in the early 1960s, she is told for the first time that she has an aunt. She meets the aunt, and Ida learns that she is the survivor of a Jewish family killed in the Holocaust. The aunt takes the novice on an odd couple road trip to trace the fate of their family.

The chain-smoking aunt (Agata Kulesza) is a judge who consumes vast quantities of vodka to self-medicate her own searing memories. But the most profound difference isn’t that the aunt is a hard ass and that the nun is prim and devout. The most important contrast is between their comparative worldliness – the aunt has been around the block and the novice is utterly naive and inexperienced (both literally and figuratively virginal). The young woman must make the choice between a future that follows her upbringing or one which her biological heritage opens to her. As Ida unfolds, her family legacy makes her choice an informed one.

The novice Ida, played by newcomer Agata Trzebuchowska, is very quiet – but hardly fragile. Saying little, she takes in the world with a penetrating gaze and a just-under-the-surface magnetic strength.

Superbly photographed in black and white, each shot is exquisitely composed. Watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other. Ida was directed and co-written by Pawel Pawlikowski, who also recently directed the British coming of age story My Summer of Love (with Emily Blunt) and the French thriller The Woman in the Fifth (with Kristin Scott Thomas and Ethan Hawke). He is an effective and economic story-teller, packing textured characters and a compelling story into an 80 minute film.

Ida is also successful in avoiding grimness. Pawlikowski has crafted a story which addresses the pain of the characters without being painful to watch. There’s some pretty fun music from a touring pop/jazz combo and plenty of wicked sarcasm from the aunt.

Ida won 2015 Academy Award for Best Foreign Language Picture and the International Critics’ Award at the Toronto International Film Festival. Ida was my pick as the best film at Cinequest, where it won the Jury Prize for Best Narrative Feature.

Ida is available on DVD from Netflix and streaming from Amazon Instant, YouTube, Google Play and Xbox Video.

One last glance at the Oscars

February 23, 2015 by movie gourmet

The Academy has just gotta do something because this show is becoming more and more unwatchable every year. The three hours and 9 minutes of this year’s extravanagnza had only seven memorable “Oscar moments” and six of them were not in the script – the heartfelt acceptance speeches of winners J.K. Simmons, Patricia Arquette, Pawel Pawlikowski, Common, Graham Moore and Alejandro G. Iñárritu. The ONLY brilliant moment in the telecast that had been planned by the producers was John Legend’s performance of the song Glory from the movie Selma.

But, generally, the Best Song category chews up way too much time and is often a buzz kill. Except for Legend, it was bad this year, too – and the Everything Is Awesome number was hallucinogenicly bad.

In the last two years, the Academy has even ruined the Memorium montage – usually one of the most moving and evocative moments. This year, the producers didn’t even show any stills or clips from the artist’s cinematic work, and they bracketed it with an acting school emoting lesson by Meryl Streep and an irrelevant song by Jennifer Hudson.

The worst of the broadcast, of course, was the serious of forced gags like the one about Octavia Spencer guarding the Neil Patrick Harris’ Oscar predictions; unfunny the first time, it wore and wore until Harris’ and Spencer’s dignity were completely eroded. Horrible.

As to the awards themselves? I was deliriously happy that Ida got its due as Best Foreign Language Picture, a choice that proved that some taste and decency lingers in the Academy. I was sorry that Boyhood – the best movie of the decade, let alone the year – didn’t win Best Picture, but Birdman is pretty special, too.

Coincidentally, I was recording the 2006 Children of Men during the Oscar broadcast, so afterwards I could revisit the amazing 8-minute battle scene shot by cinematographer Emmanuel Lubezki (deserving winner for Birdman). One of the greatest single shots in cinema. Felicidades, Chivo.

Movies to See Right Now

October 31, 2014 by movie gourmet

My top two recommendations for this weekend are:

The brilliant indie comedy about personal identity, Dear White People; and
The best Hollywood movie of 2014, the thriller Gone Girl, with a career-topping performance by Rosamund Pike.

I saw Dear White People at the San Francisco International Film Festival, and have been telling folks about it for months – it’s on my list of Best Movies of 2014 – So Far. I’m gonna add Gone Girl to the list as well.

I haven’t seen it, but the universally praised Birdman, with Michael Keaton and Edward Norton, opens more widely today.

Other recommendations:

J.K. Simmons is brilliant in the intense indie drama Whiplash, a study of motivation and abuse, ambition and obsession.
The dark little French psychological drama The Blue Room packs a cleverly constructed story in its brisk 75 minutes.
The successful period thriller The Two Faces of January sets a dark-hearted and shadowy story in sunny Greece. The Two Faces of January is in theaters and is also available streaming on Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.
The exceptionally well-acted dramedy The Skeleton Twins contains several inspired moments.
I liked the meditatively paced nature documentary Pelican Dreams.
If you’re in the mood for a brutal, brutal World War II tank movie, there’s Fury.

I’m a fan of writer-director Greg Araki and actress Shailene Woodley, but I didn’t find enough in White Bird in a Blizzard to recommend it.

My DVD/Stream of the week is ONCE AGAIN the exquisite Polish drama Ida – the best foreign film of 2014. Ida is available on DVD from Netflix and streaming from Amazon Instant, YouTube, Google Play and Xbox Video.

Don’t miss the campy Vincent Price horror classic The Tingler; it’s on Turner Classic Movies tonight, and it’s perfect for Halloween.

Next week, TCM is bringing us some of my faves:

Brute Force (1947): This Jules Dassin noir is by far the best of the Hollywood prison dramas of the 30s and 40s. A convict (Burt Lancaster) is taunted by a sadistic guard (Hume Cronyn) and plans an escape. It’s a pretty violent film for the 1940s, and was inspired by the 1946 Battle of Alcatraz in which three cons and two guards were killed. Charles Bickford, Whit Bissell and Sam Levene are excellent as fellow cons. On my list of Best Prison Movies.
The Third Man (1949): Shot amid the ruins of post-war Vienna, this film noir classic sets an American pulp novelist (Joseph Cotten) to find out what happened to his pre-ward buddy, who turns out to have become a notorious black marketeer (Orson Welles) with a set of associates each shadier than the last. This has it all, a fated relationship with a European beauty (Alida Valli), stunningly effective black-and-white photography, an enchanting musical theme and one of cinema’s most sharply surprising reveals of a new character. There are two unforgettable set pieces – a nervous interview in a Ferris Wheel and a climactic chase through the sewers.
Bullitt (1968) features Steve McQueen and one of cinema’s most iconic and influential chase scenes. McQueen’s 1968 Ford Mustang Fastback and the bad guy’s 1968 Dodge Charger careen through San Francisco, taking almost 11 minutes to race from Fisherman’s Wharf to Brisbane. Classic.
Hot Rods to Hell (1967): Not a good movie, but amusing as an unintentionally funny guilty pleasure.

Orson Welles in THE THIRD MAN - the most iconic smirk in cinema — Orson Welles in THE THIRD MAN – the most iconic smirk in cinema

DVD/Stream of the Week: It’s still the Must See IDA

October 28, 2014 by movie gourmet

I’m repeating last week’s recommendation of the Polish drama Ida. It’s a Must See. Ida is available on DVD from Netflix and streaming from Amazon Instant, YouTube, Google Play and Xbox Video.

Movies to See Right Now

October 24, 2014 by movie gourmet

The brilliant comedy about personal identity Dear White People opens today, along with the Sundance hit Whiplash and the Bill Murray crowd pleaser St. Vincent. I saw Dear White People at the San Francisco International Film Festival, and have been telling folks about it for months – it’s on my list of Best Movies of 2014 – So Far.

Other recommendations:

The thriller Gone Girl – the best Hollywood movie of 2014, with a career-topping performance by Rosamund Pike.
The successful period thriller The Two Faces of January sets a dark-hearted and shadowy story in sunny Greece. The Two Faces of January is in theaters and is also available streaming on Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.
The exceptionally well-acted dramedy The Skeleton Twins contains several inspired moments.
If you’re in the mood for a brutal, brutal World War II tank movie, there’s Fury.

My DVD/Stream of the week is the exquisite Polish drama Ida – the best foreign film of 2014. Ida is available on DVD from Netflix and streaming from Amazon Instant, YouTube, Google Play and Xbox Video.

This week, Turner Classic Movies will air the 1962 Ben Gazzara prison movie Convicts 4. TCM will also deliver two film noir masterpieces:

In a Lonely Place (1950): The most unsettlingly sexy film noiress Gloria Grahame falls for the troubled screenwriter Humphrey Bogart, a guy with a MAJOR anger management issue; once she’s hooked, she realizes that he might be a murderer after all…
Touch of Evil (1958): This Orson Welles masterpiece begins with one of cinema’s great opening scenes, as our lead characters walk from a Mexican border town into an American border town in a single tracking shot of well over 3 minutes. Unbeknownst to them, they are being shadowed by a car bomb. There’s a lot to enjoy here in this cesspool of corruption: a repellent sheriff-gone-bad played by Welles himself, one of Joseph Calleia’s finest supporting turns, one of Dennis Weaver’s first roles (written just for him by Welles) and Charlton Heston as a Mexican.

DVD/Stream of the Week: IDA

October 21, 2014 by movie gourmet

The Polish drama Ida, which I first saw at this year’s Cinequest, is now available on video. I currently rate it as (next to Boyhood) the best movie I’ve seen this year.

Ida won the International Critics’ Award at the Toronto International Film Festival. Ida was my pick as the best film at Cinequest, where it won the Jury Prize for Best Narrative Feature.

Ida is available on DVD from Netflix and streaming from Amazon Instant, YouTube, Google Play and Xbox Video.

Movies to See Right Now

June 20, 2014 by movie gourmet

This a GREAT WEEK for cinema. The wonderfully wry German dark comedy A Coffee in Berlin opens today. In a brilliant debut feature, writer-director Jan Ole Gerster has created a warm-hearted but lost character who needs to connect with others – but sabotages his every opportunity. Besides laughing through A Coffee in Berlin, you’ll probably also notice the singularly complementary soundtrack and the vivid sense of time and place.

And don’t miss the two MUST SEE movies out now. The first is the Canadian knee-slapper The Grand Seduction – the funniest film of the year so far and a guaranteed audience pleaser. The second is my pick for the year’s best movie so far – the Polish drama Ida, about a novice nun who is stunned to learn that her biological parents were Jewish victims of the Holocaust – watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other. Ida may only be in theaters for another week or so.

Here are other good movie choices:

Gore Vidal: The United States of Amnesia, an affectionate portrait of the novelist/provocateur who invented snark.
The raucous comedy Neighbors is a pleasant enough diversion.

My DVD/Stream of the week is the Italian Caesar Must Die, with maximum security prisoners putting on a performance of Shakespeare’s Julius Caesar. Caesar Must Die is available on DVD from Netflix and streaming on Netflix Instant, Amazon, iTunes, Vudu and Hulu.

Okay, fire up the DVR for something special coming up on June 22 on Turner Classic Movies: the masterpiece Three Colors trilogy Blue, White and Red from the mid-1990s. The films are in French, and made by the director that I may admire more than any other, Krzysztof Kieslowski of Poland. The first film, Blue, stars Juliette Binoche and addresses grief; it is somber but its humanity is inspiring. Julie Delpy stars in White the second and much lighter film – a relationship dramedy. In Red, Irene Jacob stars in a story about how strangers treat each each other in modern society, with a redemptive conclusion to the trilogy. Together, the three movies profoundly explore aspects of the human condition, and the result is evocative, intelligent and emotionally satisfying. The stories of the three films intersect – and you can spot the characters from the first two movies in the third.

Kieslowski labored in obscurity in Communist Poland until he attained European recognition and US art house hits with The Decalogue (1988) and The Double Life of Véronique (1990). The Blue/White/Red trilogy came out in 1993 and 1994 to international acclaim, but Kieslowski, reportedly suffering from AIDS, had to retire and died two years later at age 54. I can’t imagine what cinematic masterpieces would have been produced in two more decades of Kieslowski.

Just so folks can calibrate my taste, I keep a list of the 50 Greatest Movies of All Time, and the Blue/White/Red trilogy is in the first ten films on that list. This trilogy is very special – and perfect for binge viewing.

Movies to See Right Now

May 30, 2015June 13, 2014 by movie gourmet

Don’t miss the two MUST SEE movies out now. The first is the Canadian knee-slapper The Grand Seduction – the funniest film of the year so far and a guaranteed audience pleaser. The second is my pick for the year’s best movie so far – the Polish drama Ida, about a novice nun who is stunned to learn that her biological parents were Jewish victims of the Holocaust – watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other. Ida may only be in theaters for another week or so.

Here are other good movie choices:

Words and Pictures is an unusually thoughtful romantic comedy.
The raucous comedy Neighbors is a pleasant enough diversion.

My DVD/Stream of the Week is Run & Jump, an Irish film by a Bay Area filmmaker that works equally well as a romance and as a family drama. Run & Jump is available on DVD from Netflix and streaming on Netflix Instant, Amazon, iTunes, Google Play, YouTube and Xbox Video.

Set your DVR to Turner Classic Movies for next Friday’s showing of the wonderful noir mystery Laura from 1944. What lifts any great film above the others in its genre is the depth of the characterization, and here we have the unforgettable star columnist Waldo Lydecker (Clifton Webb) – a compelling mixture of megalomania and insecurity; there’s also the proto-career woman Laura Hunt (Gene Tierney at her most stunning) and the cynical detective Mark McPherson (Dana Andrews), a guy whose emotions have been depleted but are rekindled by a murder victim he’s never met. Watch for future horror movie regular Vincent Price in an early role as an oily gigolo. David Raksin composed one of cinema’s most evocative musical themes. Laura makes my list of Greatest Movies of All Time.

Movies to See Right Now

June 6, 2014 by movie gourmet

There are two MUST SEE movies out now. The first is the Canadian knee-slapper The Grand Seduction – the funniest film of the year so far and a guaranteed audience pleaser. The second is my pick for the year’s best movie so far – the Polish drama Ida, about a novice nun who is stunned to learn that her biological parents were Jewish victims of the Holocaust – watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other.

Here are other good movie choices:

Words and Pictures is an unusually thoughtful romantic comedy.
Fading Gigolo, a wonderfully sweet romantic comedy written, directed and starring John Tuturro is a crowd-pleaser.
Locke is a drama with a gimmick that works.
In the documentary Finding Vivian Maier, we go on journey to discover why one of the great 20th Century photographers kept her own work a secret.
The raucous comedy Neighbors is a pleasant enough diversion.
Like all Wes Anderson movies, The Grand Budapest Hotel is wry and imaginative, but it’s not one of his most engaging.

My DVD/Stream of the Week is the powerful drama Short Term 12, newly available on Netflix Instant. It’s ranked as number 7 on my Best Movies of 2013. Short Term 12 is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video.

This week Turner Classic Movies offers two fine revisionist Westerns from the 1970s. A Man Called Horse (1970). In the early 19^th century, Richard Harris is captured by American Indians and becomes assimilated into their culture. Modern viewers will recognize most of the plot of Avatar herein. Harris’ initiation into the tribe is one of cinema’s most cringe-worthy moments. The film still stands up well today. Although why is it that when the white guy encounters a native girl, it’s always the chief’s beautiful, unattached, nubile daughter?

In Sam Peckinpah’s 1973 Pat Garrett and Billy the Kid, the title characters are played by James Coburn and Kris Kristofferson. The great Katy Jurado and Chill Wills join Peckinpah company players, including Luke Askew, L.Q. Jones, Harry Dean Stanton, Slim Pickins, Jack Elam, R.G. Armstrong, Dub Taylor, Richard Bright (Al Neri in The Godfather) and Richard Jaeckel. Bob Dylan also holds his own; Dylan wrote the score, including the iconic Knockin’ on Heaven’s Door, featured in a heartbreaking scene with Jurado and Wills. I maintain that, if you delete the unfortunate scenes with Emilio Fernandez, you have a Western masterpiece. Still, it’s one of my favorites.

If you want some nasty film noir, there’s The Hitch-Hiker from 1953, directed by movie star Ida Lupino – one of the very few female directors of the 1950s. The bad guy is played by William Talman, who baby boomers will recognize as the never victorious DA Hamilton Burger in Perry Mason.