I Origins

DVD/Stream of the Week: I ORIGINS – a thoughtful romance that muses on the boundaries of science and spirituality

by
Michael Pitt and Brit Marling in I ORIGINS
Michael Pitt and Brit Marling in I ORIGINS

The romance I Origins explores the conflict between science and spirituality. Our scientist protagonist (Michael Pitt) is completely empirical and militantly anti-spiritual. He is obsessed with the study of iris scans and patterns of the eye (the “I” in the title is a pun). He is hoping to prove that eyes can be evolved, which he believes will debunk the Creationist pseudo-science of Intelligent Design. He meets a model (Astrid Berges-Frisbey) – and they don’t meet CUTE, they meet HOT. Through a string of scientifically improbable coincidences, he is able to track her down for a second encounter that is sharply romantic. They fall in love – an attraction of opposites because she is mercurial and vaguely New Agey.

Along the way, he gains a new lab assistant (Brit Marling), who is just as smart and more driven than is he. Together they find the lab breakthrough to prove his theory. The main three characters are affected by a life-altering tragedy. Seven years later, the story resumes with the public release of the discovery. As our hero takes his victory lap over religion, he is faced with new evidence that cannot be explained by science…

Writer-director Mike Cahill (Another Earth, also starring Marling) has constructed a story that sets up a discussion on the limits of empiricism. I give Cahill extra points for raising the issue without ponderosity or pretension. Some critics have harshly judged the movie, but they see it wrongly as a corny religion-beats-science movie instead of a contemplation on the possibilities. And they altogether miss the fact that the film is basically a romance, which Cahill himself sees as one of the two central aspects of I Origins. Cahill explores and compares the intense lust-at-first-sight, opposites-attract type of love with the love relationship based on common values and aspirations.

There are, however, two shots involving pivotal moments in the story (and both involving billboards) that are such self-consciously ostentatious filmmaking that they distracted me, rather than bringing emphasis to each moment.

Pitt, an actor of sometimes unsettling affect, is very good here, as he was in The Dreamers and Last Days. Berges-Frisbey and Marling deliver fine performances, too. If Marling is in a movie, it aspires to being good – I loved The East, which she co-write and starred in. Archie Panjabi, without the boots and the upfront sexiness she wears on The Good Wife, is solid in a minor part.

I Origins works both as a scientific detective story and as a meditation on romance. I found it to be smart and entertaining. I Origins is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

by
Laura Dern in WILD
Laura Dern in WILD

I really liked Reese Witherspoon and Laura Dern in WILD.  Just saw THE IMITATION GAME and liked it too.  I’ll be writing about both of them this weekend.  The Theory of Everything, Foxcatcher and Whiplash are really good, too. And Birdman, Force Majeure and Gone Girl are three of the VERY BEST OF THE YEAR.   Here are the links to my recommendations:

  • The Theory of Everything is a successful, audience-friendly biopic of both Mr. AND Mrs. Genius.
  • Set in the macho world of Olympic wrestling, Foxcatcher is really a relationship movie with a stunning dramatic performance by Steve Carell.
  • The cinematically important and very funny Birdman.
  • The best Hollywood movie of 2014, the thriller Gone Girl, with a career-topping performance by Rosamund Pike.
  • I liked the droll Swedish dramedy Force Majeure, which won an award at Cannes and is Sweden’s submission for the Best Foreign Language Oscar.
  • If you want a stark and grim look at the Old West, there’s Tommy Lee Jones’ feminist Western The Homesman.
  • J.K. Simmons is brilliant in the intense indie drama Whiplash, a study of motivation and abuse, ambition and obsession.
  • Bill Murray’s funny and not too sentimental St. Vincent.
  • If you’re in the mood for a brutal, brutal World War II tank movie, there’s Fury.

I very rarely recommend a sci-fi movie, but I really liked the thought-provoking romance I Origins that explores the tension between science and spirituality.  I Origins is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Instant Video.

Tomorrow, Turner Classic Movies airs John Huston’s 1949 The Treasure of the Sierra Madre. It’s still a gripping yarn – three down-and-outers improbably (and literally) strike gold. But can they trust each other enough to realize their gains once envy and greed appear? The Treasure of the Sierra Madre features one of Humphrey Bogart’s most colorful and compelling performances, which is reason enough to watch this classic.

But I also love watching director Huston’s real life father Walter Huston, who is cast as another of the trio. Most of us know Walter Huston, with his Gabby Hayes visage, from this movie, but Walter Huston was a major movie star as cinema moved to the talkies. Just between 1929 and 1939, he starred in thirty films. I love Huston’s work in this era, and I think that, with his very modern sensibility, he would be successful if he were working in today’s cinema. This is a good introduction to his work. (He also appeared very briefly in John Huston’s directorial debut The Maltese Falcon – as Captain Jacoby, the guy who staggers into Sam Spade’s office with the titular black bird and expires.)

Michael Pitt and Brit Marling in I ORIGINS
Michael Pitt and Brit Marling in I ORIGINS

DVD/Stream of the Week: I ORIGINS – a thoughtful romance that muses on the boundaries of science and spirituality

by
Michael Pitt and Brit Marling in I ORIGINS
Michael Pitt and Brit Marling in I ORIGINS

The romance I Origins (which opens tomorrow) explores the conflict between science and spirituality. Our scientist protagonist (Michael Pitt) is completely empirical and militantly anti-spiritual. He is obsessed with the study of iris scans and patterns of the eye (the “I” in the title is a pun). He is hoping to prove that eyes can be evolved, which he believes will debunk the Creationist pseudo-science of Intelligent Design. He meets a model (Astrid Berges-Frisbey) – and they don’t meet CUTE, they meet HOT. Through a string of scientifically improbable coincidences, he is able to track her down for a second encounter that is sharply romantic. They fall in love – an attraction of opposites because she is mercurial and vaguely New Agey.

Along the way, he gains a new lab assistant (Brit Marling), who is just as smart and more driven than is he. Together they find the lab breakthrough to prove his theory. The main three characters are affected by a life-altering tragedy. Seven years later, the story resumes with the public release of the discovery. As our hero takes his victory lap over religion, he is faced with new evidence that cannot be explained by science…

Writer-director Mike Cahill (Another Earth, also starring Marling) has constructed a story that sets up a discussion on the limits of empiricism. I give Cahill extra points for raising the issue without ponderosity or pretension. Some critics have harshly judged the movie, but they see it wrongly as a corny religion-beats-science movie instead of a contemplation on the possibilities. And they altogether miss the fact that the film is basically a romance, which Cahill himself sees as one of the two central aspects of I Origins. Cahill explores and compares the intense lust-at-first-sight, opposites-attract type of love with the love relationship based on common values and aspirations.

There are, however, two shots involving pivotal moments in the story (and both involving billboards) that are such self-consciously ostentatious filmmaking that they distracted me, rather than bringing emphasis to each moment.

Pitt, an actor of sometimes unsettling affect, is very good here, as he was in The Dreamers and Last Days. Berges-Frisbey and Marling deliver fine performances, too. If Marling is in a movie, it aspires to being good – I loved The East, which she co-write and starred in. Archie Panjabi, without the boots and the upfront sexiness she wears on The Good Wife, is solid in a minor part.

I Origins works both as a scientific detective story and as a meditation on romance. I found it to be smart and entertaining.  I Origins is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Instant Video.

Movies to See Right Now – more than one MUST SEE

by
Eller Coltrane, Ethan Hawke and Lorelei Linklater in BOYHOOD
Eller Coltrane, Ethan Hawke and Lorelei Linklater in BOYHOOD

Feedback from my readers is almost unanimous – Richard Linklater’s family drama Boyhood is a special movie experience – and possibly the best film of the decade.  But two other movies that are ALSO on my list of Best Movies of 2014 – So Far open this weekend:

  • The emotionally gripping documentary Alive Inside, showing Alzheimer patients being pulled out of isolation by music.  This will be one of the two favorites for the Academy Award for Best Documentary Feature.
  • The mesmerizing drama Calvary, starring Brendan Gleeson. Gleeson again teams with John Michael McDonagh, the writer-director of The Guard.

Boyhood and Alive Inside, in particular, are MUST SEEs.  Don’t miss them.

Also in theaters:

  • Philip Seymour Hoffman’s explosive final performance in the John le Carré espionage thriller A Most Wanted Man.
  • The smart and entertaining I Origins, which works both as a scientific detective story and as a meditation on romance.
  • The quirky comedy Land Ho!, with an uproarious and yet genuine geezer road trip to Iceland.
  • The sci fi thriller Snowpiercer is both thoughtful and exciting, plus it features amazing production design. You can also stream Snowpiercer on Amazon, iTunes, Vudu, YouTube, Google Play, Xbox Video and DirecTV.
  • Lucy – a Scarlet Johansson action vehicle that rocks.
  • The credible and politically important HBO documentary The Newburgh Sting, which exposes the FBI’s manufacture of a fake terrorist attack to arrest some New York dumbasses. It’s playing on HBO.

I nodded off during Woody Allen’s disappointing romantic comedy of manners Magic in the Moonlight.

There’s also an assortment of recent releases to Video on Demand:

        • I loved the rockin’ Spanish Witching and Bitching – a witty comment on misogyny inside a madcap horror spoof, which you can stream on Amazon Instant, iTunes and Xbox Video.
        • Life Itself, the affectionate but not worshipful documentary on movie critic Ebert’s groundbreaking career, courageous battle against disease and uncommonly graceful death Life Itself is streaming on Amazon Instant, iTunes, Vudu and Xbox Video.
        • The oddly undisturbing documentary A Brony Tale, about grown men with very unusual taste in television shows. Brony Tale is available streaming on iTunes.
        • The Congress: a thoughtful live action fable followed by a less compelling an animated sci fi story. The Congress is available streaming on iTunes, Vudu, YouTube and Google Play.
        • Robert Duvall’s geezer-gone-wild roadtrip in A Night in Old Mexico. A Night in Old Mexico is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.
        • The art vs. technology documentary Tim’s Vermeer is a yawner.

One of my all-time favorite comedies, Twentieth Century, shows up on Turner Classic Movies on August 10. The next day, TCM will air The Wild One and The Gold Rush. The Wild One has the iconic 1953 Marlon Brando performance as the leader of bikers that terrorize a small town (based on a real incident in Hollister, California). Brando is asked “What are you rebelling against?” and replies “Whadda you got?”. Charlie Chaplin’s comic masterpiece The Gold Rush includes the wonderful scene where hulking Mack Swain, crazed by winter starvation, imagines Charlie to be a succulent chicken and chases him around their Alaskan cabin.

Charlie Chaplin and Mack Swain in THE GOLD RUSH
Charlie Chaplin and Mack Swain in THE GOLD RUSH

Movies to See Right Now – the really good movies are here

by
Patricia Arquette and Eller Coltrane in BOYHOOD
Patricia Arquette and Eller Coltrane in BOYHOOD

Our patience has been rewarded – an onslaught of really good movies is finally out now. I haven’t yet seen two of the highly anticipated movies that are out today:

    • Richard Linklater’s family drama Boyhood – potentially the best movie of the year.
    • Philip Seymour Hoffman’s final performance in the John LeCarre espionage thriller A Most Wanted Man.

I HAVE seen and recommend:

  • The smart and entertaining I Origins , which works both as a scientific detective story and as a meditation on romance.
  • The sci fi thriller  Snowpiercer is both thoughtful and exciting, plus it features amazing production design. You can also stream Snowpiercer on Amazon, iTunes, Vudu, YouTube, Google Play, Xbox Video and DirecTV.
  • Lucy – a Scarlet Johansson action vehicle that rocks.
  • The credible and politically important HBO documentary The Newburgh Sting, which exposes the FBI’s manufacture of a fake terrorist attack to arrest some New York dumbasses.  It’s playing on HBO.

There’s also an assortment of recent releases to Video on Demand:

    • I loved the rockin’ Spanish Witching and Bitching – a witty comment on misogyny inside a madcap horror spoof, which you can stream on Amazon instant, iTunes and Xbox Video.
    • Life Itself, the affectionate but not worshipful documentary on movie critic Ebert’s groundbreaking career, courageous battle against disease and uncommonly graceful death Life Itself is streaming on Amazon Instant, iTunes, Vudu and Xbox Video.
    • The oddly undisturbing documentary A Brony Tale, about grown men with very unusual taste in television shows.  Brony Tale is available streaming on iTunes.
    • The Congress: a thoughtful live action fable followed by a less compelling an animated sci fi story.  The Congress is available streaming on iTunes, Vudu, YouTube and Google Play.
    • Robert Duvall’s geezer-gone-wild roadtrip in A Night in Old Mexico.  A Night in Old Mexico is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.
    • The art vs. technology documentary Tim’s Vermeer is a yawner.

I recommend setting your DVR to record Wild Strawberries on July 28. If you have found the work of Ingmar Bergman just too dreary, this is a great choice. There’s no denying that Bergman is a film genius, and he’s influenced the likes of Woody Allen, Scorsese, Coppola, Altman, Kieślowski and basically much of the last two generations of filmmakers. But I don’t recommend that casual movie fans watch gloomy movies that “are good for you” – I want you to have a good time at the movies. Wild Strawberries is the story of an accomplished but cranky geezer.  His indifferent daughter-in-law is taking him to be honored at his college. On their road trip, they pick up some young hitch-hikers and then a stranded couple. Each encounter reminds the old doctor of an episode in his youth. As he reminisces, he can finally emotionally process the experiences that had troubled him, helping him finally achieve an inner peace. It’s a wonderful film.

WILD STRAWBERRIES
WILD STRAWBERRIES

I Origins: a thoughtful romance that muses on the boundaries of science and spirituality

by
Michael Pitt and Brit Marling in I ORIGINS
Michael Pitt and Brit Marling in I ORIGINS

The romance I Origins (which opens tomorrow) explores the conflict between science and spirituality. Our scientist protagonist (Michael Pitt) is completely empirical and militantly anti-spiritual. He is obsessed with the study of iris scans and patterns of the eye (the “I” in the title is a pun). He is hoping to prove that eyes can be evolved, which he believes will debunk the Creationist pseudo-science of Intelligent Design. He meets a model (Astrid Berges-Frisbey) – and they don’t meet CUTE, they meet HOT. Through a string of scientifically improbable coincidences, he is able to track her down for a second encounter that is sharply romantic. They fall in love – an attraction of opposites because she is mercurial and vaguely New Agey.

Along the way, he gains a new lab assistant (Brit Marling), who is just as smart and more driven than is he. Together they find the lab breakthrough to prove his theory. The main three characters are affected by a life-altering tragedy. Seven years later, the story resumes with the public release of the discovery. As our hero takes his victory lap over religion, he is faced with new evidence that cannot be explained by science…

Writer-director Mike Cahill (Another Earth, also starring Marling) has constructed a story that sets up a discussion on the limits of empiricism. I give Cahill extra points for raising the issue without ponderosity or pretension. Some critics have harshly judged the movie, but they see it wrongly as a corny religion-beats-science movie instead of a contemplation on the possibilities. And they altogether miss the fact that the film is basically a romance, which Cahill himself sees as one of the two central aspects of I Origins.  Cahill explores and compares the intense lust-at-first-sight, opposites-attract type of love with the love relationship based on common values and aspirations.

There are, however, two shots involving pivotal moments in the story (and both involving billboards) that are such self-consciously ostentatious filmmaking that they distracted me, rather than bringing emphasis to each moment.

Pitt, an actor of sometimes unsettling affect, is very good here, as he was in The Dreamers and Last Days.  Berges-Frisbey and Marling deliver fine performances, too. If Marling is in a movie, it aspires to being good – I loved The East, which she co-write and starred in. Archie Panjabi, without the boots and the upfront sexiness she wears on The Good Wife, is solid in a minor part.

I Origins works both as a scientific detective story and as a meditation on romance. I found it to be smart and entertaining.