Movies to See Right Now



Hong-Chi Lee in a scene from Long Day’s Journey Into Night. Photo by Liu Hongyu, courtesy Kino Lorber.

The Must See for cinephiles is Long Day’s Journey into Night.

7’3″ tall actor Peter Mayhew died last week. His screen career centered around one unforgettable role, under a mask and bushel of fur as Chewbacca in the Stars Wars franchise.

OUT NOW

  • Elisabeth Moss’ powerhouse performance as a monstrously narcissistic and drug-deranged rock star Her Smell is the acting tour de force of 2019.
  • The brilliantly original Chinese neo-noir Long Day’s Journey into Night is a Must See.
  • The Aretha Franklin concert film Amazing Grace is, at once, the recovery of a lost film, the document of an extraordinary live recording and an immersive, spiritual experience
  • In The Chaperone, Downton Abbey’s writer Julian Fellowes and star Elizabeth McGovern reunite for a pleasing character study of self-discovery in 1921 America – it’s deeper than it first appears to be.
  • Ramen Shop is a lightly-rooted dramedy about a Singaporean-Japanese family’s reconciliation. There’s also a metaphorical foodie angle.

ON VIDEO

My Stream of the Week is the slow burn thriller Hunting Lands, an indie from the 2018 Cinequest. Now everyone can stream Hunting Lands from Amazon, Vudu, YouTube and Google Play.

ON TV

On May 13, Turner Classic Movies will air the 1964 serial killer movie The Strangler, with its brilliant and eccentric performance by Victor Buono.
And on May 14, TCM presents Orson Welles’ Shakespearean masterpiece Chimes at Midnight. Welles’ genius was in braiding together parts of Henry IV Parts 1 and 2, some Richard III, Henry V and The Merry Wives of Windsor into a cohesive story of what he called “betrayal of friendship”.
Orson Welles and Keith Baxter in CHIMES AT MIDNIGHT

Stream of the Week: HUNTING LANDS – in this thriller, we watch the watcher

Marshall Cook in HUNTING LANDS

In the slow burn thriller Hunting Lands, Frank (Marshall Cook) is living a solitary life as a subsistence hunter in a forest cabin, a long pickup drive outside his northern Michigan hometown. Frank is a guy with serious wilderness skills, loading his own ammo and field dressing the large mammals that he fells with a single shot. He witnesses a serious crime in the woods and is immediately driven to make things right – but not in the way we expect.

Frank has nobody to talk to, and we see him silently triage the situation and begin a hunt for the perpetrator. Silent observation comes naturally to a hunter, and we see him wordlessly patrolling the small towns in his pickup, as he tracks down his human prey. We see what Frank sees, and one of the most pivotal characters is only seen in long shot until the last 15 minutes or so.

HUNTING LANDS

HUNTING LANDS

Hunting Lands is the first feature from writer-director Zack Wilcox, a story-teller who is thankfully willing to let the audience connect the dots. Because Hunting Lands is only 83 minutes long, Wilcox can take his time watching Frank watch others. Even as Frank is still and quiet, the audience is gripped by what he is going to do next.

An original character, Frank seems unusually self-aware for a hermit. When he finally gets in a conversation, he turns out to be an articulate guy who understands and can explain why he has become a recluse.

Wilcox follows Billie Wilder’s screenwriting advice – “don’t hang around”; the ending is not even one second too long. And Wilcox knows that a little ambiguity about what happens afterwards can pack a punch.

Cinequest hosted the word premiere of Hunting Lands. You can stream it now on Amazon, Vudu, YouTube and Google Play.

HUNTING LANDS

Cinequest: HUNTING LANDS

Marshall Cook in HUNTING LANDS

In the slow burn thriller Hunting Lands, Frank (Marshall Cook) is living a solitary life as a subsistence hunter in a forest cabin, a long pickup drive outside his northern Michigan hometown.  Frank is a guy with serious wilderness skills, loading his own ammo and field dressing the large mammals that he fells with a single shot.  He witnesses a serious crime in the woods and is immediately driven to make things right – but not in the way we expect.

Frank has nobody to talk to, and we see him silently triage the situation and begin a hunt for the perpetrator.  Silent observation comes naturally to a hunter, and we see him wordlessly patrolling the small towns in his pickup, as he tracks down his human prey.  We see what Frank sees, and one of the most pivotal characters is only seen in long shot until the last 15 minutes or so.

HUNTING LANDS

HUNTING LANDS

Hunting Lands is the first feature from writer-director Zack Wilcox, a story-teller who is thankfully willing to let the audience connect the dots.  Because Hunting Lands is only 83 minutes long, Wilcox can take his time watching Frank watch others.  Even as Frank is still and quiet, the audience is gripped by what he is going to do next.

An original character, Frank seems unusually self-aware for a hermit.  When he finally gets in a conversation, he turns out to be an articulate guy who understands and can explain why he has become a recluse.

Wilcox follows Billie Wilder’s screenwriting advice – “don’t hang around”; the ending is not even one second too long.  And Wilcox knows that a little ambiguity about what happens afterwards can pack a punch.

Cinequest will host the word premiere of Hunting Lands.

HUNTING LANDS