Movies to See Right Now

TRUMAN
TRUMAN

Recommended movies to see in theaters this week:

  • The gentle and insightful end-of-life drama Truman. Often funny, it’s a weeper that is never maudlin. One of the best movies of the year.  Hard to find, but worth it.
  • The droll dark comedy Radio Dreams explores the ambivalence of the immigrant experience through the portrait of a flamboyant misfit, a man who rides the roller coaster of megalomania and despair. Radio Dreams opens today for a one-week-only run at the Roxie Theater in San Francisco.
  • The Lost City of Z, a thoughtful and beautifully cinematic revival of the adventure epic genre.
  • In Norman: The Moderate Rise and Tragic Fall of a New York Fixer, writer-director Joseph Cedar and his star Richard Gere combine to create the unforgettable character of Norman Oppenheimer, a Jewish Willy Loman who finally gets his chance to sits with the Movers and Shakers. This may be Gere’s best movie performance ever.
  • The Dinner is an emotional potboiler that showcases Richard Gere, Laura Linney Steve Coogan and Rebecca Hall.
  • Free Fire is a witty and fun shoot ’em up.
  • Their Finest is an appealing, middling period drama set during the London Blitz.
TRUMAN
TRUMAN

And movies to avoid:

  • A Quiet Passion, a miserably evocative portrait of a miserable Emily Dickinson.
  • I found the predictable Armenian Genocide drama The Promise to be a colossal waste of Oscar Isaac and Christian Bale.

My DVD/Stream of the week is the historical Feel Good Hidden Figures, which tells the hitherto generally unknown story of some African-American women whose math wizardry was key to the success of the US space program in the early 1960s. The audience at my screening burst into applause, which doesn’t happen that often. Hidden Figures is available on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

On May 23, Turner Classic Movies will air two great, great, great Westerns: John Ford’s classic The Searchers with John Wayne and a much less famous film, Sydney Pollack’s under recognized 1972 masterpiece Jeremiah Johnson, which features a brilliantly understated but compelling performance by Robert Redford. If you want to understand why Redford is a movie star, watch this movie. Give lots of credit to Pollack – it’s only 108 minutes long, and today’s filmmakers would bloat this epic tale by 40 minutes longer.

Then on May 25, there is a real curiosity on TCM, the 1933 anti-war movie Men Must Fight, which predicts many aspects World War II with unsettling accuracy. If you haven’t seen it, it’s a trip.

Also on May 25, TCM brings us another two movies from my list of Least Convincing Movie MonstersThe Killer Shrews and The Wasp Woman.

Robert Redford in JEREMIAH JOHNSON
Robert Redford in JEREMIAH JOHNSON

DVD/Stream of the Week: HIDDEN FIGURES – Woman Power, Black Power, Brain Power

Taraji P. Henson in HIDDEN FIGURES
Taraji P. Henson in HIDDEN FIGURES

Hidden Figures tells the hitherto generally unknown story of some African-American women whose math wizardry was key to the success of the US space program in the early 1960s. It’s pretty rare that someone can make a historical movie about something I had never heard of, but here we are. The screenplay is based on real events, and we see the images of the real thee women at the end of the movie. It’s a good story.

I had forgotten that engineers used to do even the complicated calculations by hand. Indeed, lots of aeronautical engineering calculations were needed to send the first NASA astronauts into space, and this was before the government used mainframe computers, let alone handheld calculators. So the answer was to have, for every room of (all male) engineers, a room full of women with the job title of “Computer” to do and check the math problems.

Hidden Figures’ heroines, including an authentic math prodigy and pioneer in computer programming, are perfectly played by Taraji P. Henson, Olivia Spencer and Janelle Monae (fresh from another acting triumph this fall in Moonlight). Remember that these women had to overcome the automatic sexism of the Mad Men era. On top of that, they were black women working in still-segregated Virginia. And, just to make things even more difficult, they were working for engineers, too!

The entire cast is excellent, especially Mahershala Ali (hunky and compelling yet again), Kevin Costner and Jim Parsons as a particular officious and sexist foil.

We see one of the first massive, room-filling but delicate IBM mainframe computers. That, calling people “computers” and the use of the programming language FORTRAN all drew chuckles from the Silicon Valley audience at my screening.

Hidden Figures does an especially fine job in depicting the tension during John Glenn’s communications blackout. Glenn’s space capsule had a problem with the heat shield. When it re-entered the atmosphere, there was a period of a few minutes when Glenn’s communications went dead. During this time (and I remember it well), everyone on the planet was watching on TV and no one knew whether the craft and Glenn were being consumed by a fireball or on the way to a successful splashdown. Those moments were unbearable.

Hidden Figures is eminently watchable, but not a perfect movie. There are some obviously over-dramatized and over-simplified segments. I thought I heard a character – in this movie about math whizzes – refer to “an altitude of 116 miles per hour” (which should be either an altitude of 116 miles or a velocity of 116 miles per hour). And John Glenn has hair even though, in real life, he was balding at the time (perform a Google Image search for “john glenn mercury 7” if you want to see for yourself).

But those flaws don’t detract from the core story, which is compelling. The audience at my screening burst into applause, which doesn’t happen that often. Hidden Figures is available on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

QUALITY PROBLEMS at CINEQUEST on Saturday night
QUALITY PROBLEMS at CINEQUEST on Saturday night

Silicon Valley’s own major film festival, Cinequest, is underway. I’ll be linking more festival coverage to my Cinequest 2017 page, including both features and movie recommendations. Follow me on Twitter for the very latest coverage.

On March 6, the 2017 Cinequest will feature The Commune, the latest from Danish director Thomas Vinterburg. So my video pick this week is Vinterburg’s The Hunt, which was the high point of the 2013 Cinequest. The Hunt is available to rent on DVD from Netflix and to stream from Amazon Video, iTunes, Vudu, YouTube and Google Play.

In theaters:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.
  • Winner of the Best Picture Oscar, the remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • The Salesman is another searing and authentic psychological family thriller from Iranian writer-director Asghar Farhadi (A Separation, The Past).  It won the Best Foreign Language Oscar.

On March 5, Turner Classic Movies presents Babette’s Feast (1987), one of my Best Foodie Movies.  Two aged 19th century Danish spinster sisters have taken in a French refugee as their housekeeper. The sisters carry on their father’s severe religious sect, which rejects earthly pleasures. After fourteen years, the housekeeper wins the lottery and, in gratitude, spends all her winnings on the ingredients for a banquet that she prepares for the sisters and their friends. As the dinner builds, the colors of the film become warmer and brighter, reflecting the sheer carnality of the repast. The smugly ascetic and humorless guests become less and less able to resist pleasure of the epicurean delights.The feast’s visual highlights are Caille en Sarcophage avec Sauce Perigourdine (quail in puff pastry shell with foie gras and truffle sauce) and Savarin au Rhum avec des Figues et Fruit Glacée (rum sponge cake with figs and glacéed fruits). This was the first Danish film to win Best Foreign Language Oscar.

Babette’s Feast

Movies to See Right Now

Taraji P. Henson in HIDDEN FIGURES
Taraji P. Henson in HIDDEN FIGURES

This week’s best choices in theaters are:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • The Founder: the enjoyably addictive story of how a the money-grubbing visionary Ray Kroc built the McDonald’s food service empire.
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.
  • I Am Not Your Negro, the documentary about the American public intellectual James Baldwin. It’s a searing examination of race in America as analyzed through Baldwin’s eyes and as expressed through his elegant words.
  • The Salesman is another searing and authentic psychological family thriller from Iranian writer-director Asghar Farhadi (A Separation, The Past).

For the second consecutive week, my DVD/Stream of the Week is the Argentine neo-noir The Aura. Featured last week at San Francisco’s Noir City film fest, The Aura is available to rent on DVD from Netflix and to stream on Amazon Instant.

On February 13, Turner Classic Movies presents one of the greatest ever courtroom dramas, Stanley Kramer’s brilliant Inherit the Wind from 1960. The story is taken from the real-life Scopes Monkey Trial in 1925, so it has elements of culture wars and politics that resonate today. Spencer Tracy and Fredric March are superb as the warring thought-leaders (based on Clarence Darrow and William Jennings Bryan).

Spencer Tracy, Harry Morgan and Fredric March in INHERIT THE WIND
Spencer Tracy, Harry Morgan and Fredric March in INHERIT THE WIND

Movies to See Right Now

TONI ERDMANN
TONI ERDMANN

This week’s absolute MUST SEE is the wholly original German comedy Toni Erdmann.

You’ll also enjoy these four movies:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • The Founder: the enjoyably addictive story of how a the money-grubbing visionary Ray Kroc built the McDonald’s food service empire.
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.

I also recommend I Am Not Your Negro, the documentary about the American public intellectual James Baldwin. It’s a searing examination of race in America as analyzed through Baldwin’s eyes and as expressed through his elegant words.

Other top recommendations:

  • Manchester by the Sea: MUST SEE. Don’t miss Casey Affleck’s career-topping performance in the emotionally authentic drama .
  • Elle: MUST SEE (but increasingly hard to find in theaters). A perverse wowzer with the year’s top performance by Isabelle Huppert. Manchester by the Sea is #2 and Elle is #4 on my Best Movies of 2016.
  • Paterson, Jim Jarmusch’s gently funny portrait of a poet’s inner life. Starring Adam Driver.
  • The Salesman is another searing and authentic psychological family thriller from Iranian writer-director Asghar Farhadi (A Separation, The Past).
  • The Eagle Huntress: This documentary is a Feel Good movie for the whole family, blending the genres of girl power, sports competition and cultural tourism.

Also in theaters:

  • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • Skip the dreary and somnolent Jackie – Natalie Portman’s exceptional impersonation isn’t enough.

This week’s DVD/Stream of the Week is the Argentine neo-noir The Aura.  Featured last week at San Francisco’s Noir City film fest, The Aura is available to rent on  DVD from Netflix and to stream on Amazon Instant.

On February 6, Turner Classic Movies brings us two INTENSE movies. First, there’s The Deer Hunter from 1978. This was director Michael Cimino’s three hour masterpiece. Cimino chose to spend the first hour setting up the characters and their hometown life – just so we can later measure the personal cost of the Vietnam War. When we are plunged into the War, it is terrifying. Then Cimino’s third act – also with some suspenseful moments unmatched in cinema – explores the personal aftermath. After I saw this in a theater for the first time in 1979, I settled myself with a whisky.

And then we have another classic just as INTENSE: Deliverance from 1972. It’s one of my all-time favorites – still gripping today – with a famous scene that still shocks. Jon Voigt, Burt Reynolds, Ned Beatty and Ronny Cox form an impressive ensemble cast. Beautifully and dramatically shot by the late great cinematographer Vilmos Zsigmond.

DELIVERANCE
DELIVERANCE

Movies to See Right Now

TONI ERDMANN
TONI ERDMANN

I love the wholly original German comedy Toni Erdmann, and today it opens widely throughout the Bay Area. It’s a Must See.

You’ll also enjoy these four movies:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • The Founder:  the enjoyably addictive story of how a the money-grubbing visionary Ray Kroc built the McDonald’s food service empire.
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.

I also recommend Noir City, the world’s best festival of film noir, running through Sunday in San Francisco. This year’s festival theme is the Heist Film, and they’ve got some bang up choices from classic film noir, international noir and neo-noir.

Other top recommendations:

  • Manchester by the Sea: MUST SEE. Don’t miss Casey Affleck’s career-topping performance in the emotionally authentic drama .
  • Elle: MUST SEE (but increasingly hard to find in theaters). A perverse wowzer with the year’s top performance by Isabelle Huppert. Manchester by the Sea is #2 and Elle is #4 on my Best Movies of 2016.
  • Paterson, Jim Jarmusch’s gently funny portrait of a poet’s inner life. Starring Adam Driver.
  • The Salesman is another searing and authentic psychological family thriller from Iranian writer-director Asghar Farhadi (A Separation, The Past).
  • The Eagle Huntress: This documentary is a Feel Good movie for the whole family, blending the genres of girl power, sports competition and cultural tourism.

Also in theaters:

  • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • Skip the dreary and somnolent Jackie – Natalie Portman’s exceptional impersonation isn’t enough.

This is Imogen Poots Week at The Movie Gourmet, and my Stream of the Week is A Country Called HomeA Country Called Home can be streamed from Netflix Instant, Amazon Instant, iTunes, Vudu, YouTube and Google Play. And last week’s pick was the TOTALLY OVERLOOKED neo-noir romance Frank & Lola, available to stream on the very same streaming services.  After seeing it at the San Francisco International Film Festival, I put Frank & Lola on my Best Movies of 2016.

On January 28, Turner Classic Movies will play Robert Altman’s superb 1992 satire of Hollywood, The Player. Wickedly funny, it features a stellar cast: Tim Robbins, Greta Scacchi, Fred Ward, Lyle Lovett, Dean Stockwell, Whoopi Goldberg, Richard E. Grant, Vincent D’Onofrio, Peter Gallagher, Sydney Pollack and Dina Merrill.

Ricardo Darin in THE AURA at Noir City
Ricardo Darin in THE AURA at Noir City

Movies to See Right Now

Michael Shannon and Imogen Poots in my DVD/Stream of the Week RANK & LOLA
Michael Shannon and Imogen Poots in my DVD/Stream of the Week RANK & LOLA

I love the wholly original German comedy Toni Erdmann, and it opens this weekend in San Francisco and throughout the Bay Area next weekend.  It’s a Must See.  I’m sure that you’ll also enjoy these three movies:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.

I also recommend Noir City, the world’s best festival of film noir, opening today in San Francisco and running through January 29. This year’s festival theme is the Heist Film, and they’ve got some bang up choices from classic film noir, international noir and neo-noir.

Other top recommendations:

  • Manchester by the Sea: MUST SEE. Don’t miss Casey Affleck’s career-topping performance in the emotionally authentic drama .
  • Elle: MUST SEE (but increasingly hard to find in theaters). A perverse wowzer with the year’s top performance by Isabelle Huppert. Manchester by the Sea is #2 and Elle is #4 on my Best Movies of 2016.
  • Paterson, Jim Jarmusch’s gently funny portrait of a poet’s inner life.  Starring Adam Driver.
  • The Eagle Huntress: This documentary is a Feel Good movie for the whole family, blending the genres of girl power, sports competition and cultural tourism.

Also in theaters:

  • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • Skip the dreary and somnolent Jackie – Natalie Portman’s exceptional impersonation isn’t enough.

My Stream of the Week is the TOTALLY OVERLOOKED neo-noir romance Frank & Lola. After a brief and tiny theatrical release in December which did not reach the Bay Area, Frank & Lola is now available to stream on Amazon Instant, iTunes, Vudu, YouTube and Google Play. After seeing it at the San Francisco International Film Festival, I put it on my Best Movies of 2016.

On January 21, Turner Classic Movies brings us Beyond a Reasonable Doubt, another film noir from the great Fritz Lang: seeking to discredit capital punishment, a reporter (Dana Andrews) gets himself charged with and CONVICTED of a murder – but then the evidence of his innocence suddenly disappears! Crackerjack (and deeply noir) surprise ending.

Then, on January 25, TCM presents Sam Peckinpah’s very underrated neo-noir crime drama The Getaway (1972) starring Steve McQueen and Ali MacGraw. McQueen and MacGraw are delightful to watch as they move between violent clashes and double- and triple-crosses. There’s a still-shocking but funny plot thread involving a sadistic villain (Al Lettieri – Sollozzo the Turk in The Godfather), a trashy bimbo (Sally Struthers) and her poor hubbie (Jack Dodson – Howard Sprague in The Andy Griffith Show). The wonderful cast is rounded out with Peckinpah regulars: Slim Pickens, Ben Johnson, Dub Taylor, Richard Bright and Bo Hopkins.

Steve McQueen and Ali MacGraw in THE GETAWAY
Steve McQueen and Ali MacGraw in THE GETAWAY

Movies to See Right Now

Emma Stone and Ryan Gosling in LA LA LAND
Emma Stone and Ryan Gosling in LA LA LAND

It’s a pretty sure bet that you’ll enjoy these three:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.

Other top recommendations:

  • Manchester by the Sea: MUST SEE. Don’t miss Casey Affleck’s career-topping performance in the emotionally authentic drama .
  • Elle: MUST SEE (but increasingly hard to find in theaters). A perverse wowzer with the year’s top performance by Isabelle Huppert. Manchester by the Sea is #2 and Elle is #4 on my Best Movies of 2016.
  • The Eagle Huntress: This documentary is a Feel Good movie for the whole family, blending the genres of girl power, sports competition and cultural tourism.

Also in theaters:

  • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • Skip the dreary and somnolent Jackie – Natalie Portman’s exceptional impersonation isn’t enough.

My DVD/Stream of the Week is the silent action comedy Seven Chances by the brilliant Buster Keaton. It’s available to rent on DVD from Netflix and to stream on Amazon Instant, and you can keep an eye out for it on Turner Classic Movies.

Janelle Monae, Taraji P. Henson and Olivia Spencer in HIDDEN FIGURES
Janelle Monae, Taraji P. Henson and Olivia Spencer in HIDDEN FIGURES

HIDDEN FIGURES: Woman Power, Black Power, Brain Power

Taraji P. Henson in HIDDEN FIGURES
Taraji P. Henson in HIDDEN FIGURES

Hidden Figures tells the hitherto generally unknown story of some African-American women whose math wizardry was key to the success of the US space program in the early 1960s.  It’s pretty rare that someone can make a historical movie about something I had never heard of, but here we are.  The screenplay is based on real events, and we see the images of the real thee women at the end of the movie.  It’s a good story.

I had forgotten that engineers used to do even the complicated calculations by hand.  Indeed, lots of aeronautical engineering calculations were needed to send the first NASA astronauts into space, and this was before the government used mainframe computers, let alone handheld calculators.  So the answer was to have, for every room of (all male) engineers, a room full of women with the job title of “Computer” to do and check the math problems.

Hidden Figures’ heroines, including an authentic math prodigy and pioneer in computer programming, are perfectly played by Taraji P. Henson, Olivia Spencer and Janelle Monae (fresh from another acting triumph this fall  in Moonlight). Remember that these women had to overcome the automatic sexism of the Mad Men era.   On top of that, they were black women working in still-segregated Virginia.  And, just to make things even more difficult,  they were working for engineers, too!

The entire cast is excellent, especially Mahershala Ali (hunky and compelling yet again), Kevin Costner and Jim Parsons as a particular officious and sexist foil.

We see one of the first massive, room-filling but delicate IBM mainframe computers.  That, calling people “computers” and the use of the programming language FORTRAN all drew chuckles from the Silicon Valley audience at my screening.

Hidden Figures does an especially fine job in depicting the tension during John Glenn’s communications blackout.  Glenn’s space capsule had a problem with the heat shield.  When it re-entered the atmosphere, there was a period of a few minutes when Glenn’s communications went dead.  During this time (and I remember it well), everyone on the planet was watching on TV and no one knew whether the craft and Glenn were being consumed by a fireball or on the way to a successful splashdown.  Those moments were unbearable.

Hidden Figures is eminently watchable, but not a perfect movie.  There are some obviously over-dramatized and over-simplified segments.  I thought I heard a character – in this movie about math whizzes – refer to “an altitude of 116 miles per hour” (which should be either an altitude of 116 miles or a velocity of 116 miles per hour).  And John Glenn has hair even though, in real life, he was balding at the time (perform a Google Image search for “john glenn mercury 7” if you want to see for yourself).

But those flaws don’t detract from the core story, which is compelling.  The audience at my screening burst into applause, which doesn’t happen that often.