Helen Mirren

THE DUKE: he finally gets his audience

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Photo caption: Jim Broadbent in THE DUKE. Courtesy of Sony Pictures Classics.

The Duke is a showcase for character actor Jim Broadbent, who plays, fittingly, an overlooked man who finally gets the audience that he has yearned for. This true life story is an audience-pleaser.

Broadbent plays Kempton Bunton,the a working class guy in grimy 1961 Newcastle. Bunton is one of those people who needs to litigate every grievance, particularly slight, ordinary ones that the rest of us choose to bypass on the way to living our lives. The current outrage that has derailed Bunton’s life is the tiny fee charged to every Briton with a television; Bunton believes that the poorest widows and disabled vets should be excused from paying. He has elevated this to such a matter of principle that he has actually gone to prison for it. Yet no one takes notice of his campaign. His longsuffering wife (Helen Mirren) would prefer that he shut up and get a job.

Kempton Bunton is also a witty autodidact, with more mastery of literature and history than most college grads. And what he lacks in common sense, he makes up with a genius for the instantaneous barbed bon mot.

Bunton is incensed when the British government spends 140,000 pounds on a Goya portrait of the Duke of Wellington. Bunton objects to the government’s priorities (and is needled by Wellington’s post-military career as a reactionary politician).

It turns out that the painting is housed in a museum with some very significant security lapses, and soon it is hidden in Bunton’s Newcastle flat, with Bunton sending demands to the government, seeking to ransom the Duke’s portrait for relief in the television fee. A nationwide manhunt ensues.

Again, Kempton Bunton was a real person and these events really happened. Jim Broadbent is very fun to watch as they transpire.

Despite his eccentric passions, Bunton has never gotten the attention of any authority higher than the lowest government functionary or any audience bigger than passersby on his street corner. Events take a turn, and Bunton suddenly has a national stage. When Bunton gets to match wits with the poshest of his antagonists, Broadbent’s performance soars.

Movie goers have appreciated Broadbent’s gifts since he played Col the sympathetic bartender in The Crying Game. Since then, he’s been seen widely in the Harry Potter franchise and plenty of big movies. But I like him best in the most observational and character-driven films: Widow’s Peak, Little Voice, Smilla’s Sense of Snow, Iris, Another Year, The Sense of an Ending:

Jim Broadbent and Helen Mirren in THE DUKE. Courtesy of Sony Pictures Classics.

Mirren, of course, is brilliant and hilarious in a part that is severely glammed-down from her usual roles.

Matthew Goode sparkles with playful charm as Bunton’s realistic defense lawyer. I first noticed Goode as the scary thug in The Lookout (2007), but he is best known for playing Lady Mary’s sleek beau Henry Talbot in Downton Abbey.

Make sure you watch until the very end to see a cameo by James Bond and Dr. No.

The Duke is an amiable entertainment that finishes very strong. The Duke is in theaters.

Movies to See Right Now (at home)

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Helen Mirren in PRIME SUSPECT

This week: a binging recommendation for Labor Day Weekend, a revealing new documentary, a remembrance and the most eclectic watch-at-home recommendations you’ll find ANYWHERE.

REMEMBRANCE

Chadwick Boseman in MARSHALL. Photo credit: Barry Wetcher; courtesy of Open Road Films

Actor Chadwick Boseman, an emerging superstar after his iconic role in Black Panther, was able to humanize real life icons like Jackie Robinson, Thurgood Marshall and James Brown. My favorite Boseman performance was in Marshall, available from all the major streaming platforms,

ON VIDEO

Prime Suspect: Binge the 25 hours of Prime Suspect, with Helen Mirren’s extraordinary performance as Detective Jane Tennison. And here’s a look at its great supporting performances. All seven series of Prime Suspect can be streamed from Amazon (included with Prime).

Coup 53: Superbly researched documentary on the 1953 Iranian coup d’etat manufactured by the UK and the US, complete with new revelations. Available to stream on Virtual Cinema; I watched it at the Roxie.

APOCALYPSE ’45

Apocalypse ’45: Never-before-seen color film and the memories of survivors bring to life the grisly final two years of WWII in the Pacific. It premieres this weekend on the Discovery Channel .

The August Virgin: In the best movie of summer 2020, a young woman switches up Madrid neighborhoods to mix things up in her life. It’s a lovely and genuine story of self-invention, and it’s on my list of Best Movies of 2020 – So Far. The August Virgin is streaming on Virtual Cinemas, like San Rafael’s Rafael or Laemmle’s in LA.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

On September 6, Turner Classic Movies will broadcast the top heist film ever, the pioneering French classic Rififi: After the team is assembled and the job is plotted, the actual crime unfolds in real-time – over thirty minutes of nerve-wracking silence.

RIFIFI

binging PRIME SUSPECT and Helen Mirren’s Jane Tennison

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Helen Mirren in PRIME SUSPECT

Prime Suspect, the perfect Labor Day weekend binge, pairs one of cinema’s greatest actresses, Helen Mirren, with one of the most compelling characters ever on episodic television, Detective Jane Tennison. At once a sensational crime show and a high brow character study, the seven seasons of Prime Suspect follow a female protagonist over fifteen years.

Prime Suspect is a set of nine separate stories over 25 hours. Jane Tennison’s career spans from Chief Detective Inspector to Superintendent to Chief Superintendent. The episodes were created between 1991 and 20O5, and Helen Mirren herself ages from 46 to 60 in the role.

The core of Prime Suspect is the character of Jane Tennison, forged by writer Lynda La Plante and Mirren. Jane is a driven woman, in a career that ranges from when women cops were unwelcome novelties to more politically correct times. In the entire span, Jane is, at best, barely tolerated.

Jane gives as well as she gets. She can force her superiors to promote her by using the same heavy-handed methods they use to suppress her.

Indeed, each Prime Suspect story has multiple threads of conflict. There is, of course, Jane against the criminal she is trying to catch. At the same time, Jane is being distracted and hampered by forces inside her own department. And Jane is in a constant battle to hold herself together amid overbearing stress.

Jane Tennison is a solitary figure, alone with her demons. She faces the daily challenges to her career survival and advancement with an ever-prickly demeanor.

Jane is a person of overwhelming ambition. In the very first season, it’s clear that she cannot advance by being pleasant and waiting her turn. She recognizes that sometimes she has to be unpleasant, and she will need to seize advancement at other’s expense; (in season 3, she receives a critical favor from a peer and then swipes his dream job).

Jane Tennison is also a fully sexual Woman of a Certain Age, but career rock stars like Jane can’t have it all. Her obsession with career leaves a trail of relationship carnage. At one point, Jane has fallen in love with the one man who gets her and adores her, but she has learned about herself and about life and…

And there’s always too much stress. Jane smokes too much and drinks too much. In Prime Suspect 3, her jaw is constantly pounding away on nicotine gum. In one later episode, she drops into her neighborhood market to buy four microwaveable frozen dinners and two fifths of whisky.

At first, Jane faces the most open and unapologetic misogyny, which evolves in later episodes into more veiled and insidious sexism. Being a flawed feminist hero is complicated. As the series evolves, Jane herself discriminates against a subordinate who is parenting. And she is betrayed by a female protege and, later, fights being forced out to pasture by a gender-integrated set of bosses.

Prime Suspect is always topical. Besides the ever-present sexism, the stories touch on race, abortion, postpartum depression, AIDS, sex work and pedophilia.

Most of the Prime Suspect plots are serial killer whodunits, and one story turns on whether she got it wrong in solving her breakthrough case. In one story, we know the culprit right away, but Jane is a race against the clock to prevent further victims.

In an astounding performance, Mirren grips us each time she fiercely deflects yet another indignity, as she waves her hand through her hair when she needs a reset from a setback and as her eyes reveal that she is connecting the dots. Her entire body coils in frustration and stiffens in insubordination. It’s a tour de force.

Between seasons of Prime Suspect, Helen Mirren was compiling an imposing body of work: The Madness of King George, Gosford Park and her Oscar-winning Elizabeth II in The Queen.

I believe that Mirren’s Jane ranks, with James Gandolfini’s run as Tony Soprano, as one of the greatest in episodic dramas. I’m guessing that Mirren was on screen for over twenty hours of Prime Suspect and that Gandolfini was on screen as Tony Sopranos for about 35 of The Sopranos‘ 86 hours. Of course, Prime Suspect’s Jane Tennison is distinguished from most episodic protagonists by being female and by aging fifteen years.

Mirren is surrounded by two generations of the best British actors. For tomorrow, I’ve also written PRIME SUSPECT: the supporting performances.

This is one of the best and most entertaining episodic series ever on television. All seven series of Prime Suspect can be streamed from Amazon (included with Prime).

THE LEISURE SEEKER: Mirren and Sutherland on a road trip

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Donald Sutherland and Helen Mirren in THE LEISURE SEEKER, Photo courtesy of Sony Pictures Classics.

In The Leisure Seeker, a strong-willed suburban retiree (Helen Mirren) finds her longtime husband (Donald Sutherland) sinking into Alzheimer’s.   Having been a teacher who has found the greatest joy in his recall of literature, the impact of the memory disease will be very specific.  Facing a health issue of her own, she decides to take him on a road trip all the way down the Eastern Seaboard to Ernest Hemingway’s house in Key West. Off they go in their trusty Winnebago and adventures ensue.

There’s plenty of humor here, and this is not a particularly heartbreaking Alzheimer’s movie.  Mirren and Sutherland are both just so good in their roles.  Sutherland’s hubby is good-natured as long as he can pilot his 20-foot RV and get a decent hamburger without having to learn a restaurant server’s first name; he slips into a literary revelry at the slightest provocation.   Mirren is the social navigator, now faced with corralling somebody who now dips into another reality.

It’s the first American film for the accomplished Italian director Paolo Virzi (Like Crazy).  Unfortunately, there’s just something about the iconic American road trip and, perhaps, America itself that Virzi just doesn’t get, and The Leisure Seeker never quite ascends to greatness.

I was amused more than thrilled or moved by The Leisure Seeker.  Yet the performances of Helen Mirren and Donald Sutherland can justify catching the movie.

EYE IN THE SKY: thriller meets thinker

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Helen Mirren in EYE IN THE SKY
Helen Mirren in EYE IN THE SKY

Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare.  Eye in the Sky poses this question: is it acceptable to neutralize the very worst evil in the world when it requires the simultaneous taking of the most innocent life?

If we are to pursue drone warfare as a morally acceptable military option, we must see what happens on the ground so we understand it.  Eye in the Sky asks if we can stomach it once we’ve seen it.

Is the choice framed too simplistically in Eye in the Sky?  No, the starkness of the choice in this film brings clarity to the question that we must ponder.  Star Helen Mirren and director Gavin Hood have said in interviews that they expected married couples to argue different points of view after seeing this movie.

As Eye in the Sky’s star, Mirren commands the screen as few can and is especially fierce here.  Jeremy Northam excels as the chief ditherer.  Barkhad Abdi (Oscar-nominated as the Somali pirate in Captain Phillips) delivers another charismatic performance.

But this is Alan Rickman’s movie.  In one of his final performances, Rickman plays the military commander who understands how difficult the choice is – because he’s already made it.  Now he must navigate through all the other characters as they behave with varying degrees of belligerence, ambivalence and avoidance.  It’s a supremely textured performance, layered with his wry humor, contained frustration and quiet determination.

At its Cinequest screening, director Gavin Hood said that he is as proud of Eye in the Sky as he is of his earliest films, A Reasonable Man and the Oscar-winning Tsotsi.  He should be.

Alan Rickman in EYE IN THE SKY
Alan Rickman in EYE IN THE SKY

Phil Spector: look at the freak

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Who better to play the explosively wacked-out music genius in Phil Spector than Al Pacino?  Here, Spector is living in self-delusional isolation and still taking way too many drugs, and he’s on trial for his life.  His defense lawyer (Helen Mirren) faces a dilemma – the only way the court will hear her best evidence is if she first calls her very unsympathetic client to the stand.

Phil Spector is written and directed by David Mamet (Glengarry Glen Ross, House of Games), but it’s very minor Mamet.  The only reason to watch Phil Spector is for the inevitable Pacino meltdown.  That meltdown is a doozy, but it exposes Phil Spector as more of a freak show than a complete film.

DVD/Stream of the week: the orginal Downton Abbey

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Fans of Downton Abbey – do not despair because Season 3 has run its course.   Before he created Downton Abbey, Julian Fellowes wrote the 2001 film Gosford Park, also set at the estate of an English aristocrat in the 1920s. The period between the world wars marked the final decline of the Upstairs Downstairs world, and Fellowes, descended from such an upper class family, grew up with relatives who had lived through it.  In fact, he modeled the scathingly dismissive character of Constance, Countess of Trentham (Maggie Smith), after his own great-aunt.

Gosford Park won an Oscar for its legendary director, Robert Altman.  Altman was a master of weaving together characters and multiple story lines, employing the kind of simultaneous, overlapping speech that people use in real life.  In Gosford Park, instead of recording all the actors with the normal boom microphone, he placed radio microphones on each of twenty actors in the large scenes.  The result, a triumph of cinematic sound design, is that we can hear key lines of dialogue amidst the realistic cacophony of a large gathering, and our attention can move from group to group within a single camera shot.

Ever unconventional, Altman also showed his genius in the solitary scenes.  In one, Helen Mirren’s character has repaired to her own room to reflect on an emotionally shattering development.  Instead of a closeup on Mirren’s face, Altman shoots in long shot, allowing Mirren to act with her whole body and emphasizing the loneliness of her life and the situation.

Altman was also known for attracting very deep, top rate casts.  Gosford Park contains exceptional performances by Mirren, Kelly Macdonald and Emily Watson.  Watson has an outburst at a formal dinner that leaves the audience gasping.  American audiences had only seen Clive Owen in the modest art house film Croupier, and the brooding determination in his Gosford Park performance helped make him a star.

As in Downton Abbey, Maggie Smith gets some great lines and makes the most of them.  Her performance triggered a stream of spunky roles for Smith, including in the Harry Potter movies, The Best Exotic Marigold Hotel, Quartet and, of course, as Downton Abbey’s Violet Crawley, Dowager Countess of Grantham.

Gosford Park is a great movie, and you’ll recognize its world as Downton Abbey’s.  Gosford Park is available on DVD and streaming from Netflix Instant.

DVD of the Week: The Debt

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What is the cost of truth?  And of untruth?

A team of three Mossad agents are charged with kidnapping a Nazi war criminal out of 1964’s East Berlin.  One aspect of the mission remains incomplete, and the three must address it 30 years later.   It’s a ripping yarn with some serious comments on the costs of both truth and untruth.  Helen Mirren is brilliant as one of the team, as is Jessica Chastain, playing her younger self.  Directed by John Madden (Shakespeare in Love).

The Debt: What is the cost of truth? And of untruth?

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A team of three Mossad agents are charged with kidnapping a Nazi war criminal out of 1964’s East Berlin.  One aspect of the mission remains incomplete, and the three must address it 30 years later.   It’s a ripping yarn with some serious comments on the costs of both truth and untruth.  Helen Mirren is brilliant as one of the team, as is Jessica Chastain, playing her younger self.  Directed by John Madden (Shakespeare in Love).

Helen Mirren nekked!

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indieWIRE has this article (with photos) on the almost 65-year-old Dame Helen Mirren posing nude for New York Magazine.

But don’t overlook the 1969 film Age of Consent, where Mirren plays about a third of the movie naked, and the other two thirds wearing nothing but the most threadbare and easily discardable short cotton dress.

Shot when Mirren was 24, she plays a teen wild child abused and neglected by a hateful aunt in the remotest Australian coastal settlement.  James Mason, artistically blocked and on the run from his fame as a painter, shows up, and she becomes his muse.  Age of Consent is available on DVD, Netflix streaming  and occasionally on TCM.

This photo is substantially cropped