Heavenly Shift

2014 at the Movies: most overlooked

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Macon Blair in BLUE RUIN
Macon Blair in BLUE RUIN

Talk about “overlooked” – there were some great movies this year that didn’t even get a meaningful theatrical release. Let’s start with Blue Ruin – a completely fresh take on the revenge thriller.

Then there’s the romantic drama a la Twilight Zone, The One I Love, with brilliant performances by Elisabeth Moss and Mark Duplass.

The year’s best documentary – Alive Inside – didn’t even get shortlisted for the best Documentary Oscar. I dare you to watch this movie without tearing up.

I thought that the Canadian comedy The Grand Seduction would become a long running art house hit like The Best Exotic Marigold Hotel or The Full Monty. But, despite being the year’s funniest and most audience-friendly comedy, it came and went quickly.

I loved the darkly droll German slacker comedy A Coffee in Berlin, but only a few other folks saw it in this country.  It was a big hit in Europe – for a reason.

Fortunately, Blue Ruin, The One I Love, The Grand Seduction and A Coffee in Berlin are all available on DVD and/or streaming. Follow the links above to find out how to watch them. But two wonderful films that I saw at Cinequest – the outrageously dark Hungarian comedy Heavenly Shift and the provocative Slovenian classroom drama Class Enemy are not currently available to US audiences. When they are, I’ll let you know.

Best Movies of 2014 – So Far

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IDA
IDA

I’ve started my running list of the Best Movies of 2014 – So Far and three of them – Ida, The Grand Seduction (I’ll write about it next Thursday) and Locke – you can see in theaters in the next two weekends.

By the end of the calendar year, I will have a Top Ten plus another 8-18 or so. I’m pretty sure that Ida will end up in my Top Ten.

I’ve also included Dear White People, which you’ll be able to see when it gets into theaters in October.  And I’m also considering including the mesmerizing Brendan Gleeson drama Calvary (saw it at San Francisco International Film Festival and it releases widely August 1). I’m also mulling over adding two films that I saw at Cinequest – the outrageously dark Hungarian comedy Heavenly Shift and the provocative Slovenian classroom drama Class Enemy; neither is currently available to US audiences.

CINEQUEST 2014: festival recap

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IDA
IDA

A deep selection of comedies, international cinema and spotlight films combined for a very strong program at Cinequest 2014. My pick for the festival’s best film is the Polish drama Ida. Although not all of the films engaged me, the only bad movie this year was the incoherent Chinese thriller Parallel Maze.

COMEDIES

This year, Cinequest programmed 22 comedy features (which seems like an unusually high number), and that paid off with some of the festival’s most popular films. I thought the funniest was the dark, dark Hungarian comedy Heavenly Shift about a rogue ambulance crew. Probably two of the top four most popular movies at Cinequest (along with Ida and the Canadian weeper Down River) were the opening night’s The Grand Seduction and the Israeli caper comedy Hunting Elephants. The American indie satire Friended to Death (which had its world premiere at Cinequest) also broke through – and I wouldn’t be surprised to see it soon in theatrical release.

INTERNATIONAL CINEMA

As I said, my pick for best film at Cinequest was Ida, about a Polish novice nun in 1962 who, just before she takes her vows, learns that she is the child of Jewish Holocaust victims. Also remarkable for its authentic and textured characters was the Slovenian classroom drama Class Enemy. And, of course, Heavenly Shift from Hungary and Hunting Elephants from Israel were festival highlights.

Once again, it’s just impossible to give too much credit to Cinequest’s international programmer Charlie Cockey. Unfortunately, just before the fest, Charlie developed a cough that kept him home in Brno, Czech Republic, so we missed him here in San Jose. Before the fest, I profiled Charlie with Cinequest’s Charlie Cockey: The Man Who Goes to Film Festivals.

SPOTLIGHT FILMS

Cinequest’s program of spotlight films are the bigger movies that are screened just once, usually at the California Theatre. In the past these have included some celebrity-driven events that have been the weakest links in the fest (only Grand Piano fit this profile in 2014).  But, over all, in the 2014 Cinequest, the spotlight films sparkled, especially: The Grand Seduction, Mystery Road, Words and Pictures, Teenage, Unforgiven and Dom Hemingway.  Cinequest also gets a lot of cred for having LA Times critic Kenneth Turan introduce last year’s Bay Area masterpiece Fruitvale Station.  In 2014’s Cinequest, you could do well just by showing up to the California Theatre every night at 7 PM.

For my comments on over 20 of this year’s Cinequest movies, see my CINEQUEST 2014 page.

photo courtesy of The Wife
photo courtesy of The Wife

Cinequest: best bets for the final weekend

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CLASS ENEMY
CLASS ENEMY

FRIDAY

  • Friended to Death: this sharply funny indie satirizes our obsession with social media. TMI becomes LOL.
  • Heavenly Shift: the hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival.

SATURDAY

  • One of Cinequest’s most thought-provoking films, the Slovenian classroom drama Class Enemy.
  • The British crime lark Dom Hemingway with Jude Law – a probable crowd pleaser.

SUNDAY

  • The Encore Day selections have yet to be announced (except for The Farmer and the Chef and Slingshot), but I wouldn’t be surprised if one of Cinequest’s biggest hits so far, the Israeli caper comedy Hunting Elephants, gets another screening.

Cinequest at festival midpoint

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photo courtesy of The Wife
photo courtesy of The Wife

The 2014 edition of Cinequest has emphasized comedy, and that has paid off with some of the festival’s biggest hits:

  • The Grand Seduction: Cinequest’s opening night film was this uproarious Canadian knee-slapper – a Waking Ned Devine with random acts of cricket.
  • Friended to Death: this sharply funny idie satirizes our obsession with social media. TMI becomes LOL.
  • Heavenly Shift: the hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival.
  • Hunting Elephants: an Israeli caper comedy with Patrick Stewart (as you’ve never seen him).

The other most popular Cinequest hits have been the exquisite Polish drama Ida and the Canadian weeper Down River.  I also particularly like the Slovenian class room drama Class Enemy.

Most of these films are still scheduled to play in the last half of the festival.  Subject to Cinequest’s exhibition rights, I’m guessing that the most likely candidates for Cinequest’s Encore Day on Sunday, March 16 are Ida, Friended to Death, Down River, Hunting Elephants and Class Enemy.

This weekend at Cinequest

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Don't miss IDA at noon on Saturday
Don’t miss IDA at noon on Saturday

My feature articles and comments on individual Cinequest movies and my feature articles are linked at CINEQUEST 2014.  Follow @themoviegourmet on twitter for real-time Cinequest coverage.  Here are my tips for Cinequest films this weekend:

TODAY

Heavenly Shift: I howled at this hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival. North American premiere at 2:30 PM.

SATURDAY

A special screening of Fruitvale Station: the masterpiece debut from Bay Area filmmaker Ryan Coogler, introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan.

Haven’t seen it, but the chatter in festival queues is universally positive for the Canadian weeper Down River.

Words and Pictures: I haven’t seen this romantic comedy starring Clive Owen and the ever-radiant Juliette Binoche as sparring teachers, but it figures to be a crowd pleaser.

SUNDAY

A noon screening is your last chance to see one of the very best films at Cinequest, the polish drama Ida, which won the International Critics’ Award at the Toronto International Film Festival.  Justifiably very popular at Cinequest.

Hunting Elephants: I haven’t seen this Israeli caper comedy starring Patrick Stewart, but it’s picked up positive buzz at the festival.

Here’s the 2014 Cinequest program and ticket information.

Cinequest: Heavenly Shift

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Heavenly Shift1The dark Hungarian comedy Heavenly Shift (Isteni mûszak) is deliriously funny.  A rogue ambulance crew gets kickbacks from a shady funeral director if the patient dies en route to the hospital.  Said undertaker also uses his coffin inventory for his human smuggling ring, and he makes his payoffs in a Chinese restaurant.  The ambulance driver is addicted to laughing gas and scolds everyone about the difference between samurai and ninja swords.  Then there’s the addict who lives in the subway and repeatedly slashes herself so she can jump the responding ambulance crew and steal their morphine.

The laughs are enhanced by spaghetti western music, complete with showdown-in-the-main-street power chords for dramatic confrontations.  The cast delivers wonderfully dead pan performances, especially Roland Rába (Question in Details in the 2011 Cinequest).  There’s an especially messy emergency tracheotomy in a produce market and a hysterically madcap runaway ambulance sequence near the end.

Now this is a DARK comedy – and if you don’t find the likes of Killer Joe, The Guard, Bernie and Headhunters really funny, then this may not be for you.  For cynics like me, the more noir the better, and I think Heavenly Shift is a freaking riot.

Heavenly Shift’s North American Premiere is March 7 at Cinequest, and it plays again on March 12 and 14.

Best Bets at Cinequest

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HEAVENLY SHIFT
HEAVENLY SHIFT

17 movies to watch for at Cinequest:

Most likely to be crowd pleasers:

  • The Grand Seduction: In Cinequest’s opening night film, Brendan Gleeson (In Bruges, The Guard, The General, Braveheart) and Gordon Pinsent (Away from Her) play isolated Canadians try to snooker a young doctor (Taylor Kitsch of Friday Night Lights) into settling in their podunk village.
  • Friended to Death: Bromantic comedy about a jerk who fakes his own death to see how many of his social media “friends” will attend his funeral.  Very funny.
  • Words and Pictures: Romantic comedy starring Clive Owen and the ever-radiant Juliette Binoche as sparring teachers.
  • Dom Hemingway: Jude Law and Richard E. Grant star as two cheesy British hoods in a reportedly funny and fast-paced crime caper. Opens widely in theaters in April.
  • Unforgiven: the Japanese remake of Clint Eastwood’s Oscar-winning Unforgiven  starring Ken Watanabe (Inception, The Last Samurai, Letters from Iwo Jima).   Since Clint’s career was boosted by a remake of Yojimbo (A Fistful of Dollars), it’s fitting that his Unforgiven is remade  as a samurai film.
  • Fruitvale Station: the masterpiece debut from Bay Area filmmaker Ryan Coogler, introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan.

Most promising foreign entries:

  • Ida: This Polish story of a young nun who learns that she is the survivor of a Jewish family killed in the Holocaust won the International Critics’ Award at the Toronto International Film Festival.
  • The Verdict:  This Belgian drama won Best Director at the Montreal Film Festival.  I’ll be writing about The Verdict early this week.
  • The Illiterate:  Paulina Garcia, the star of the popular Gloria, stars in this metaphorical emotional Chilean drama.
  • Class Enemy: You’ll be rocked by this classroom drama, Slovenia’s entry for the Best Foreign Language Oscar.  I’ll be writing about Class Enemy early this week.
  • Heavenly Shift: A hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival.  I howled at Heavenly Shift, and I’ll be writing about it early this week.
  • Zoran: My Nephew the Idiot: OK, this Italian comedy has a great title, and it was a hit at the Venice Film Festival.  I’ll be writing about Zoran before its US Premiere.

Documentaries:

  • Teenage: Great subject material: chronicling that 20th century American phenomenon – the evolution of “the teenager”.
  • Sex(ed): The Movie: Sampling Sex Ed instructional films from 1910 through today.  Should be a howl.  May be thoughtful, too.  World Premiere at Cinequest.

Something you haven’t seen before:

  • Happenings on the Eighth Day: This is a pure art film, juxtaposing the attempts to create art against forces seeking to censor or obliterate it.  Filmed in the Bay Area by Iranian filmmakers. World Premiere at Cinequest.
  • The Circle Within: A Turkish fable that turns into a psychological drama.  Not a favorite of mine, but it provides a rare glimpse into the Kurdish religion of yezidism.

Here’s the Cinequest program and ticket information.