INDIANA JONES AND THE DIAL OF DESTINY: just a whole lotta fun

Photo caption: Harrison Ford and Phoebe Waller-Bridge in INDIANA JONES AND THE DIAL OF DESTINY. Courtesy of Walt Disney Studio Motion Pictures.

What everyone wants out of the new Indiana Jones and the Dial of Destiny is to enjoy Harrison Ford’s relatable Indiana Jones survive a series of harrowing chases, and director James Mangold’s Dial of Destiny delivers. This is pure entertainment.

The opening set piece in Raiders of the Lost Ark was breathtaking to audiences in 1981, and the opening of Dial of Destiny meets that standard. Once again, the plot has the characters, good guys, bad guys and, this time, an ambiguously-motivated woman, hunting an archaeological MacGuffin. Once again, they cover the globe, dipping from thrilling action set piece to thrilling action set piece. As in Raiders, history’s worst actual villains, the Nazis, make for the best movie villains.

Harrison Ford is 80-years-old and convincingly plays Indy at the approximate ages of 41 in 1945 and 65 in 1969. The filmmakers de-aged him by four decades with astounding computer effects. I totally suspended disbelief and never thought about Indy being decades younger than Ford now is. I will say that Harrison Ford can move his body with remarkable suppleness for an 80-year-old.

Fitting for a movie with its star playing forty years younger, the story revolves around time travel.

Phoebe Waller-Bridge, the creator and star of Fleabag, co-stars as Helena, the daughter of Indy’s old pal; Helena is as smart and daring as Indy, and even more obsessive. Helena’s motives, however, are in question and Waller-Bridge brings the needed edginess to the role. Future Raiders sequels starring Waller-Bridge are possible.

Mads Mikkelsen, one of my favorite screen actors, plays the villain, a guy who aspires to be more effective than Hitler. Mikkelsen, who often plays villains in big budget Hollywood thrillers, is a brilliant actor in a wide range of Scandinavian movies, having delivered some of the best performances of the past two decades in After the WeddingThe HuntAnother Round, and Riders of Justice.

Shaunette Renée Wilson makes a compelling presence early in the film as a mysterious secret agent. As expected, Toby Jones, Antonio Banderas come through with solid performances. There are sentimental and rewarding cameos by Ford’s Raiders of the Lost Ark co-stars Karen Allen and John Rhys-Davis.

Ethann Isidore ably plays Helena’s 12-year-old partner-in-crime. Since Ke Huy Quan played Indy’s child sidekick in Temple of Doom 38 years ago and won an acting Oscar THIS YEAR, let’s not dismiss Ethann as a one-hit-wonder.

The enormous henchman is played by Dutch actor Olivier Richters, who really is a 7 foot 2 bodybuilder.

Indiana Jones and the Dial of Destiny is just a whole lotta fun.

Cowboys & Aliens gets a Super Bowl commercial

The Super Bowl audience just got a glimpse of the newest genre mutant – a sci fi blended with a Western.  Universal recently released the trailer for its $100 million summer 2011 blockbuster Cowboys & Aliens.  In this article, the New York Times reports that the trailer’s first showing to a live audience evoked gales of laughter – but it’s not supposed to be a comedy.

According to the trailer, Harrison Ford’s torch-bearing mounted lynch mob is interrupted by laser attack from an alien spaceship.  Daniel Craig, playing a Clint Eastwoodesque Man With No Name, awakes with his memory erased by aliens and a futuristic bracelet.  Saloon gal Olivia Wilde (House, The OC) is pulled into the sky by alien forces.

It turns out that this isn’t the first Western with space aliens, although Oblivion aimed a lot lower. This 1994 schlockfest starred Andrew Divoff (as the alien Redeye), Richard Joseph Paul, Meg Foster, Isaac Hayes and Julie Newmar, with George Takei as the Jim Beam-swilling town doctor.  Amazingly, Oblivion rated a 1996 sequel, Oblivion 2:  Backlash.

Here’s the real trailer for Cowboys & Aliens.

Morning Glory

If you’re looking for a light comedy with an appealing lead, then Morning Glory with Rachel McAdams will work for you.  McAdams is funny, cute and sympathetic.  There is promise in the setting – the achingly insipid world of morning television shows. And Diane Keaton nails her supporting role as a jaded but desperate TV anchor.

But Morning Glory would have been more successful if it trusted its source material and performers and didn’t TRY so hard to be funny.  Harrison Ford plays a wooden character woodenly.  There is no electricity in the thread about McAdams’ love interest with Patrick Wilson.  And – here’s a pet peeve of mine – there are two utterly random musical interludes.