Guillaume Canet

NON-FICTION: Olivier Assayas has wasted too many hours of my life

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Guillaume Canet (left) and Vincent Macaigne in NON-FICTION

I finally got around to watching writer-director Olivier Assayas’ Non-Fiction. I had been eager to see it because I generally find the French actor Vincent Macaigne hilarious, and I will pretty much watch Juliette Binoche in anything. My conclusion: Olivier Assayas has wasted too many hours of my life, and I am over his films.

Non-Fiction is a comedy of manners that revolves around the once-successful novelist Leonard, whose books are very lightly disguised re-tellings of his own sordid romantic life, and Leonard’s publisher Alain (Guillaume Canet). Alain is married to Selena (Juliette Binoche), an actress in TV cop shows. Everybody sleeps with somebody else’s partner, and everyone wrings their hands over e-books, audio books, blogs and the impending death of the book industry. That’s about it. None of it is engaging.

In 2006, Assayas, a veteran screenwriter, wrote and directed an okay segment (the one with Maggie Gyllenhaal as an actress pining for her drug dealer) in the delightful anthology Paris, je t’aime. He followed it in 2008 with the fine family drama Summer Hours. And then, in 2011, he did the excellent true crime mini-series Carlos. This was a promising start, and he developed a fan base of admiring critics.

But since then, Assayas has wasted brilliant performances by Binoche and Kristen Stewart in the Clouds of Sils Maria and Personal Shopper – two muddled messes that masquerade as cinema. And now, the off-putting Non-Fiction. I am over this guy.

SPOILER: There is one funny moment in Non-Fiction, which I shall now spoil for you, so you won’t need to watch the movie. In the last quarter of the film, the characters decide to publish an audio book read by a celebrity, and they aspire to get Juliette Binoche (who is, of course, in this scene playing her character). I’ll concede that this is a genuinely witty moment, if self-referential.

Non-Fiction is now streaming on Amazon and other platforms.

More Movies I'm Looking Forward To

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September is approaching, and so is the Fall movie season, when the studios push their Oscar contenders.  So I have updated my Movies I’m Looking Forward To page with new titles and new trailers.

There are films by Clint Eastwood, Mike Leigh, Terrence Malick, Peter Weir, Sophia Coppola, Julie Taymor and the Coen Brothers.  Two of my favorite lesser-known directors, Suzanne Bier (Brothers, After the Wedding, Things We Lost in the Fire) of Denmark and Guillaume Canet (Tell No One) of France, have new movies.  Darren Aronofsky will release his newest film after hitting it big with The Wrestler – Black Swan with Natalie Portman.

Helen Mirren will star in three movies: The Debt, Brighton Rock and The Tempest.

The Oscar Bait includes The Town, The Fighter, Another Year, Somewhere, Hereafter, True Grit, Howl, The Way Back and The Tree of Life.  Wall Street: The Money Never Sleeps and The Girl Who Kicked the Hornet’s Nest look to me like the surest Fall hits.   Another Year, The Town, Hereafter and The Way Back look like they will be the best movies.  We should have a better feel for the buzz after Toronto’s film fest in mid-September.

Visit Movies I’m Looking Forward To for more descriptions and trailers.

Farewell (L'affaire Farewell)

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Emir Kusturica

Farewell (L’affaire Farewell) is mostly a riveting Cold War espionage film, with an unfortunately off kilter secondary story that doesn’t belong in the same movie. The main story is based on fact:  a senior KGB colonel becomes dissatisfied with the stagnant corruption of the Soviet Union and decides to bring about revolutionary change by leaking Soviet secrets to the West.  To avoid detection, he chooses to pass the secrets in plain sight to an amateur civilian, a midlevel French corporate manager in Moscow.

The Russian lead is played by Serbian director Emir Kusturica, who gave good acting performances in The Good Thief and The Widow of St. Pierre.  Kusturica is outstanding here as the canny and world-weary master spy, and he carries the film when he is on-screen.

The French lead is played by French director Guillaume Canet, who directed one of my recent favorites,  Tell No One, and played a villain in that movie.  Tell No One is on my list of 10 Great Movies You Missed in the 2000s.  Niels Arestrup  (from The Prophet, this week’s DVD choice) is excellent as the French security chief.

The spycraft, the complex Francophile character played by Kusturica (code-named “Farewell”), his struggling family life and the attempts by the amateur Frenchman to keep his head bobbing above water combine for a compelling story.

So far, so good.  But then the film tries to tell another story – the geopolitical impact of Farewell’s leaks.   And the tone of the film switches from the serious spy tale with serious consequences to its main characters to not-so-dark comedy.  Suddenly, we see Fred Ward broadly playing Ronald Reagan as if in a Saturday Night Live skit, Philippe Magnan as a somber, one-note Francois Mitterand and Willem Dafoe lacking any kind of gravitas as a CIA chieftain.   Fortunately, although this mini-farce distracts from a good film, Kusturica’s character and his performance maintain the movie’s worthiness to see.