Movies to See Right Now

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Paula Beer and Franz Rogowski in TRANSIT, playing at Cinequest next Wednesday. Courtesy of Music Box Films

The Oscars are finally over, And I was pretty much OK with the whole shebang – I loved Roma, and I really love Green Book, too. I was and am still grumpy about Rami Malek winning an ACTING Oscar for a performance in which he was often LIP SYNCHING; this was several rungs below Jamie Foxx’ Ray Charles and Joaquin Phoenix’ Johnny Cash; and Bradley Cooper acted as a singer, sang the song himself and even WROTE the song!

Anyway, The Wife and I did enjoy our annual Oscar Dinner, although we had to sub out a Bohemian Rhapsody pub ale because we couldn’t source the novelty teeth in time.

The Movie Gourmet’s Oscar Dinner 2019

Starting this weekend, my coverage of Cinequest will explode on to the Internet. Stay tuned.

OUT NOW

  • In They Shall Not Grow Old, Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This is a generational achievement and a Must See.
  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Won multiple Oscars. It is streaming now on Netflix.
  • Green Book: The Best Picture Oscar winner. Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Vice: in this bitingly funny biopic of Dick Cheney by writer-director Adam McKay (The Big Short), Cheney is played by a physically transformed and unrecognizable Christian Bale. A superb performance, .pretty good history, biography from a sharp point of view and a damn entertaining movie.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.

ON VIDEO

The Hollywood movie Gloria Bell, starring Julianne Moore, is coming to theaters on March 8. Gloria Bell is a remake of the the Chilean gem Gloria. Fortunately, Sebastián Lelio, the original writer-director of Gloria (and A Fantastic Woman) is also directing Gloria Bell. Here’s your chance to see the original.

ON TV

Great movies abound on TV as Turner Classic Movies concludes its 31 Days of Oscar, but here’s a curiosity that I don’t remember ever seeing. On March 2, TCM plays the 1968 astronaut-lost-in-space drama Marooned with Gregory Peck, Richard Crenna and David Jannsen. A 1970 Mexican audience is shown watching Marooned n ALfonso Cuaron’s Roma; it’s a hint that Marooned may have been an influence on Cuaron’s Oscar-winning Gravity.

On March 4, TCM presents John Huston’s under-appreciated Fat City (1972). Stacy Keach plays a boxer on the slide, his skills unraveled by his alcoholism. He inspires a kid (a very young Jeff Bridges), who becomes a boxer on the rise. Keach and Susan Tyrrell give dead-on performances as pathetic, sad sack barflies. Tyrrell was nominated for the Best Supporting Actress Oscar.

Susan Tyrrell in FAT CITY
Stacy Keach and Jeff Bridges in FAT CITY

Stream of the Week: GLORIA -resiliency, thy name is woman

GLORIA
GLORIA

The Hollywood movie Gloria Bell, starring Julianne Moore, is coming to theaters on March 8. Gloria Bell is a remake of the the Chilean gem Gloria. Fortunately, Sebastián Lelio, the original writer-director of Gloria (and A Fantastic Woman) is also directing Gloria Bell. Here’s your chance to see the original.

In Gloria, we meet a 58-year-old woman who has been divorced for ten years. This ain’t An Unmarried Woman where a woman must learn to adapt and become independent. She supports herself with an office job, and she gets along with her adult kids, but they have their own lives. She doesn’t stay cooped up in her apartment, she tries out yoga and laugh therapy and cruises a certain Santiago disco – a meat market for the over 50 set. She already is plenty independent, and she knows what she wants – some adult companionship and a friendship with benefits.

On one outing to the disco, she meets a distinguished and sweet-tempered gentleman who is a great dancer and who absolutely adores her. Of course, he also has some flaws, to be discovered later. Gloria eagerly embraces the good things that happen to her, and when there are bumps in her road, she refuses to wilt.

Gloria was a big hit at last year’s Berlin Film Festival. Part of Gloria’s appeal to some audiences is, no doubt, an unusual amount of nudity and sex for a film about people in their late 50s and 60s. But I think the best part about Gloria is the resiliency of the main character – she takes her lumps for sure but refuses to withdraw into victimhood.

Paulina Garcia is extraordinarily good as Gloria – her performance carries the movie. She has the ability to suffer an indignity without becoming pathetic. Sergio Hernandez is very, very good as Gloria’s new flame, as is Alejandro Goic as her ex. Gloria is a crowd pleaser.

Movies to See Right Now

GLORIA
GLORIA

The Chilean drama Gloria is about an especially resilient 58-year-old woman.  The Palestinian Omar is a heartbreaking romance inside a tense thriller; Omar is nominated for the Best Foreign Language Oscar.

My DVD/Stream of the Week is the flawless true story thriller Captain Phillips, my choice as the best Hollywood movie of the year. It’s now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013. I also strongly recommend Best Picture nominees The Wolf of Wall Street and PhilomenaDallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch.

I saw this year’s Oscar Nominated Live Action Shorts and was disappointed.  There was nothing to match recent gems like The God of Love or Curfew.  I liked the British short about a particularly bored and malevolent God masquerading as a convict, but that 13 minutes didn’t justify the two hours that I had invested.  A 30-minute Spanish film about child soldiers in Africa was to excruciatingly brutal to justify the trite attempt at a redemptive payoff.  (I haven’t seen the Oscar Nominated Animated Shorts, but I have heard good things about that program.)

Check out my first post on Cinequest – and follow me on Twitter for my Cinequest coverage.

I love 31 Days of Oscar, Turner Classic Movies magical month of Oscar-nominated films. On March 1, TCM is showing all five Best Picture nominees from 1967: The winner was In the Heat of the Night, which I can’t imagine holds up as well today as The Graduate or the groundbreaking Bonnie and Clyde. The other nominees were Doctor Doolittle and the now embarrassingly dated Guess Who’s Coming to Dinner.

Movies to See Right Now

AMERICAN HUSTLE
AMERICAN HUSTLE

The Palestinian Omar is a heartbreaking romance inside a tense thriller; Omar is nominated for the Best Foreign Language Oscar. The Chilean drama Gloria is about an especially resilient 58-year-old woman. Harder to find, Stranger by the Lake is an effective French thriller with LOTS of explicit gay sex.

My DVD/Stream of the Week is the flawless true story thriller Captain Phillips, my choice as the best Hollywood movie of the year. It’s now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013. I also strongly recommend Best Picture nominees The Wolf of Wall Street and Philomena. Dallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch. The Oscar Nominated Live Action Shorts is also a good bet.

The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence. I also like the Mumblecore romance Drinking Buddies, now available on VOD.

We’re still enjoying Turner Classic Movies magical month of Oscar-nominated films – 31 Days of Oscar. This week I recommend the brilliant 1971 drama The Last Picture Show and the classic Bogart/Bacall thriller Key Largo.

Movies to See Right Now

SHORT TERM 12
SHORT TERM 12

This week, I’m featuring three movies that are flying under the radar. The Chilean drama Gloria is about an especially resilient 58-year-old woman.  Harder to find, Stranger by the Lake is an effective French thriller with LOTS of explicit gay sex.

And my DVD/Stream of the Week is the compelling and affecting foster care drama Short Term 12. This movie made both my Best Movies of 2013 and my Most Overlooked Movies of 2013, with its star making performance by Brie Larson.   Short Term 12 is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013.  I also strongly recommend Best Picture nominees The Wolf of Wall Street and PhilomenaDallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch.

The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence. I also like the Mumblecore romance Drinking Buddies, now available on VOD.

I saw this year’s Oscar Nominated Live Action Shorts and was disappointed.  There was nothing to match recent gems like The God of Love or Curfew.  I liked the British short about a particularly bored and malevolent God masquerading as a convict, but that 13 minutes didn’t justify the two hours that I had invested.  A 30-minute Spanish film about child soldiers in Africa was to excruciatingly brutal to justify the trite attempt at a redemptive payoff.  (I haven’t seen the Oscar Nominated Animated Shorts, but I have heard good things about that program.)

Turner Classic Movies has launched its wonderful annual 31 Days of Oscar – filling the entire month with Oscar-nominated movies. This week I recommend the romantic French musical The Umbrellas of Cherbourg (1964) which is notable for three things: 1) the actors sing all of the dialogue; 2) the breakout performance by then 20-year-old Catherine Deneuve; and 3) an epilogue scene at a gas station – one of the great weepers in cinema history.  I also recommend two great performances by Peter O’Toole screening on February 20, as a lethally driven movie director in The Stunt Man (1980) and as a gloriously dipsomaniacal screen icon in the comedy My Favorite Year (1982).

Gloria: resiliency, thy name is woman

GLORIA
GLORIA

In the Chilean gem Gloria, we meet a 58-year-old woman who has been divorced for ten years.  This ain’t An Unmarried Woman where a woman must learn to adapt and become independent.  She supports herself with an office job, and she gets along with her adult kids, but they have their own lives.  She doesn’t stay cooped up in her apartment, she tries out yoga and laugh therapy and cruises a certain Santiago disco – a meat market for the over 50 set.  She already is plenty independent, and she knows what she wants – some adult companionship and a little nookie.

On one outing to the disco, she meets a distinguished and sweet-tempered gentleman who is a great dancer and who absolutely adores her.  Of course, he also has some flaws, to be discovered later.  Gloria eagerly embraces the good things that happen to her, and when there are bumps in her road, she refuses to wilt.

Gloria was a big hit at last year’s Berlin Film Festival.  Part of Gloria’s appeal to some audiences is, no doubt, an unusual amount of nudity and sex for a film about people in their late 50s and 60s.  But I think the best part about Gloria is the resiliency of the main character – she takes her lumps for sure but refuses to withdraw into victimhood.

Paulina Garcia is extraordinarily good as Gloria – her performance carries the movie.  She has the ability to suffer an indignity without becoming pathetic.  Sergio Hernandez is very, very good as Gloria’s new flame, as is Alejandro Goic as her ex.  Gloria is a crowd pleaser.