Catherine DeNeuve has heard it one too many times in Potiche
Potiche opens this week, and this delightful French farce of feminist self-discovery is the funniest movie in over a year, and another showcase for Catherine DeNeuve (as if she needs one). The Music Never Stopped is a crowd-pleaser, especially for Baby Boomers. Certified Copy is a well-acted puzzler of an art film.
The best holdovers in theaters now are the combo thriller/love story The Adjustment Bureau and the fun and unpretentious comedy Cedar Rapids. Nora’s Will is a wry family dramedy, which is also now playing on HBO Signature as Cinco Dias Sin Nora (Five Days Without Nora).
Ripped from the headlines, this is the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn. We already knew the story of Joe Wilson exposing the Bush Administration’s false WMD pretext for the Iraq war, and the White House striking back by outing an American covert intelligence operative – Wilson’s wife, Plame. But this film adds two more dimensions to the story.
First, this screenplay is based on Plame’s book, and the first act chronicles Plame’s exploits as a CIA officer. She indeed ran undercover operations. The depiction of real life, contemporary spycraft is even more thrilling than a fictional spy movie.
Second, the story also explores the excruciating pressure on the Plame/Wilson marriage. Joe is an able and principled guy with a little too much testosterone. His short fuse leads him to act impulsively to pick a fight that has even more severe consequences for his wife. In principle, Joe is right, but Valerie’s career is ruined, her family’s safety is threatened and her social life is shattered; she is both scared and resentful. And at the moment that they are under the most unbearable stress, each of them wants to react by moving in an opposite direction. Will the relationship survive? This dimension – a study of an adult relationship – makes this film much more than a typical history.
Ruth Sheen and Jim Broadbent in Mike Leigh's Another Year
There are more excellent movies in the theaters RIGHT NOW than any other time of the year. Right now, you can see Another Year, True Grit, The King’s Speech, Black Swan, The Way Back, Somewhere, Biutiful, The Fighter, Rabbit Hole and Fair Game. It just doesn’t get any better than this for movie fans.
True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey. Another Year is Mike Leigh’s brilliant observation of the human condition, and asks why some people find contentment and others just cannot; Lesley Manville has the flashiest role – and gives the most remarkable performance – as a woman whose long trail of bad choices hasn’t left her with many options for a happy life.
Biutiful is a grim, grim movie with a great performance by Javier Bardem in a compelling portrait of a desperate man in desperate circumstance, directed by Alejandro Gonzalez Inarritu (Amores perros, 21 Grams, Babel).
Somewhere is Sofia Coppola’s (Lost in Translation) artsy portrait of a man so purposeless that he can find no pleasure in pleasure. An A-list movie star (Steven Dorff) is living at the Chateau Marmont with his expensive toys, booze and drugs and an inexhaustible supply of beautiful, sexually available women, but without Without any purpose or connection to others, his debauchery is completely joyless. To his surprise and discomfort, his eleven-year-old daughter (Elle Fanning) moves in for a few weeks.
The Way Back is inspired by the story of a 1940 escape from a Siberian gulag by men who walk over 4,000 miles to freedom in India – a trek of 4000 miles. It’s beautifully shot by director Peter Weir (Picnic at Hanging Rock, The Year of Living Dangerously, Witness, Master and Commander) but, eleven months of trudging through dangerous, unfamiliar territory while suffering from starvation and exposure is really impressive, but not that engaging.
I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. All are on my list of Best Movies of 2010.
I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. Red Hill is a stylish contemporary Aussie Western. Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.
Somewhere: It's Dad/Daughter Month at the Chateau Marmont
Now is the time to catch future Oscar contenders on the big screen, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.
True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.
Biutiful is a grim, grim movie with a great performance by Javier Bardem in a compelling portrait of a desperate man in desperate circumstance, directed by Alejandro Gonzalez Inarritu (Amores perros, 21 Grams, Babel).
Somewhere is Sofia Coppola’s (Lost in Translation) artsy portrait of a man so purposeless that he can find no pleasure in pleasure. An A-list movie star (Steven Dorff) is living at the Chateau Marmont with his expensive toys, booze and drugs and an inexhaustible supply of beautiful, sexually available women, but without Without any purpose or connection to others, his debauchery is completely joyless. To his surprise and discomfort, his eleven-year-old daughter (Elle Fanning) moves in for a few weeks.
I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. All are on my list of Best Movies of 2010.
I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. Red Hill is a stylish contemporary Aussie Western. Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.
Now is the time to catch future Oscar contenders on the big screen, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.
True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.
I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. All are on my list of Best Movies of 2010.
I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. Red Hill is a stylish contemporary Aussie Western. Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.
Don’t miss the great movies released during the Holidays. This is the time of year that I live for – lots of great choices in the theater, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.
True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.
I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. For some delectable food porn, see Kings of Pastry.
There are some Must See films still kicking around in theaters this week: Inside Job and The Social Network. Both are on my list of Best Movies of 2010 – So Far.
Here’s my list of the best films of 2010: 1) Winter’s Bone; 2) Toy Story 3; 3)The Social Network; 4) The Secrets in their Eyes (El Secreto de Sus Ojos); 5) Rabbit Hole; 6) Black Swan; 7) A Prophet (Un Prophete); 8 ) The Girl with the Dragon Tattoo; 9) Mademoiselle Chambon; 10) (tie) Ajami and Inception.
(Note: I’m saving room for some films that I haven’t yet seen, especially Mike Leigh’s Another Year.)
Continuing with my list of 2010’s best films: The Tillman Story, True Grit, The King’s Speech, The Girl on the Train (La Fille du RER), Inside Job, Fish Tank, The Ghost Writer, Carlos, Fair Game, Hereafter, The Fighter, Solitary Man, Joan Rivers: A Piece of Work and Sweetgrass.
You can watch the trailers and see my comments on all these films at Best Movies of 2010.
(Further Note: The Secrets in their Eyes, A Prophet and Ajami were nominated for the 2009 Oscar for Best Foreign Language Film, but were widely released in the US in 2010.)
Ripped from the headline! Based on true events! 2010 featured an unusual number of movies based on real people and events, including two of the year’s very best – The Social Network and The King’s Speech.
But there were also Howl, 127 Hours, The Way Back, Fair Game, Carlos, the Mesrine films, Casino Jack and I Love You, Phillip Morris.
Here is the trailer from Carlos, the 5 1/2 hour miniseries on the 70s/80s terrorist Carlos the Jackal. Carlos begins as a playboy who thinks it would be cool to fight for the Palestinians, inadvertently gains some celebrity and LOVES IT. Carlos has a star making performance by the Venezuelan actor Edgar Ramirez who perfectly captures Carlos’ bravado, audacity, vanity, sexiness, delusion and dissolution. I strongly recommend waiting for the DVD release of the full length version (or watching for it to pop up again on Sundance Channel).
Black Swan: Natalie Portman is under a little too much pressure
It’s the Holidays – this is your best chance to see a few excellent films. I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. For some delectable food porn, see Kings of Pastry.
There are some Must See films still kicking around in theaters this week: Inside Job and The Social Network. Both are on my list of Best Movies of 2010 – So Far.
I didn’t pick a new DVD of the Week. This is the time to catch up on the year’s best, such as Winter’s Bone, Toy Story 3, Inception, The Secrets in Their Eyes, A Prophet, Mademoiselle Chambon, Ajami, The Girl on the Train, The Ghost Writer and Joan River: A Piece of Work, all available on DVD. For my recent DVD choices (including trailers), see DVDs of the Week.
Movies on TVinclude Arsenic and Old Lace, My Darling Clementine and The Producers on TCM.
This was the most welcome trend of 2010 – movies that centered on relationships between mature adults. Hollywood tends to avoid such movies because teen audiences prefer not to imagine that their parents’ peers have thoughts of love and lust (let alone act on them). And 2010 had films that understand that love doesn’t happen in a vacuum – people may have pre-existing commitments and actions have consequences.
There was an all-too-rare second chance at love in The Secrets in Their Eyes. There was the impulsive midlife lust of I Am Love and Leaving. there was the affair that is NOT rekindled in The Girl on the Train. We saw the depth and messiness of real marriages Fair Game, Rabbit Hole, Please Give and Another Year.
The year’s best romance was Mademoiselle Chambon. Finding one’s soul mate in middle age, when one may have serious commitments, can be heartbreaking. Here, the two people are not looking for romance or even for a fling. He is a happily married construction worker. She is his son’s teacher. They meet (not cute) and do not fall in love (or lust) at first sight. He is unexpectedly touched by something she does, and she is touched that he is touched. Despite their wariness, they fall in love.
The lovers are beautifully acted by Vincent Lindon and Sandrine Kiberlaine in two of the very finest performances of the year.
