Your Sister’s Sister: a promising premise and a superb performance wasted

Your Sister’s Sister wastes a promising premise and the talents of three good actors, one of whom gives a superb performance.

A young man (Mark Duplass) is grieving a loss and his friend (Emily Blunt) suggests that he spend some time at her family’s remote island getaway cabin.  Unbeknownst to them, her sister (Rosemarie Dewitt) is already staying at the cabin.  The guy and the sister get drunk on his first night at the cabin, and the friend shows up unannounced the next morning.  Each of the three does not know a key fact about the other two.  So far so good.

In fact, it’s an excellent dramedy for two-thirds of the movie until the sister bursts out with something like, “I wouldn’t have [spoiler] if I knew that [spoiler]”.  At this point, writer-director Lynne Shelton runs out of creativity and resorts to the dreaded musical interlude, in which each of the characters stomp or bike through the rainy Northwest as the music swells to set up an ending that drew loud derisive hoots from the theater audience.

Too bad, because the actors are very good.  Mark Duplass plays the smart, talented, underachieving, goofy and sweet big lug usually played by Jason Segal or Seth Rogen.  Emily Blunt plays the sarcastic, funny, smart, vulnerable and adorable cutie usually played by Emily Blunt.  But Rosemarie Dewitt creates a wholly original and utterly authentic character that looks like a real person, someone we know in real life.  All of her actions and reactions are completely authentic, whether she’s drinking way too much tequila, pondering her failed relationship or tasting her own vegan pancakes.   Dewitt was also very good as Rachel in Rachel’s Getting Married, and her performance is so good in Your Sister’s Sister that I can’t wait to see her on screen again.

The Five-Year Engagement: romantic comedy with authenticity

In The Five-Year Engagement, a couple falls crazy in love as their careers are on the verge of taking off – she’s an academic, he’s a chef. She gets the opportunity to do a post-doc at the University of Michigan, so he shelves the opening of a San Francisco restaurant to follow her to Ann Arbor, where she flourishes.  However, he sputters and finally spirals into deep unhappiness.  Can their love overcome all?  [Yes – this is not Romeo and Juliet where everybody dies].

Of course, they have zany best friends and the usual maddening parents.  And a move from the Bay Area to Ann Arbor (depicted as perpetually snow-laden, with occasional parades of reveling frat boys) creates plenty of comic opportunities, especially as he shops his skills in cutting edge cuisine among the local eateries.

But the best thing about Five-Year Engagement is the authenticity of the situation.  There are no wacky plot devices; this story could all really happen – and is the narrative for some couples today.

Another plus is that Jason Segal and Emily Blunt are very good as the appealing couple.  Overall, the cast is excellent, although the Australian actress Jacki Weaver, who carried Animal Kingdom, is wasted in a one-note role as a nagging mother.

In fact, I feel guilty that I didn’t like Five-Year Engagement more than I did, but it did seem to drag in places.  Still, it’s a worthwhile romantic comedy.

 

The Adjustment Bureau: Avoiding the Curse of the Delayed Release

My hopes were not high for The Adjustment Bureau after the studio had delayed its release for several months.  That can be the telltale marker of a movie disaster.  But not this time – The Adjustment Bureau is a first rate love story embedded in the action thriller genre. A couple meet by chance and are drawn together – only to have scary guys in hats try to enforce different destinies for them.

Matt Damon and Emily Blunt have excellent chemistry, and the screenplay by director George Nolfi is smart and inventive.  Nolfi also wrote the smart and inventive screenplay for The Bourne Ultimatum.  I’m certainly looking forward to his next project.

The supporting players – Terence Stamp, Anthony Mackie and John Slattery – are excellent.

Given the scarcity of them these days, it must be pretty hard to write a smart and authentic romance.  So all the more credit to Nolfi, and to Damon and Blunt for pulling it off.