Elena

Movies to See Right Now

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Mindy Kaling and Emma Thompson in LATE NIGHT

I’ve recently updated my Best Movies of 2019 – So Far. Two of the films on the list is in theaters right now.

OUT NOW

  • The Last Black Man in San Francisco is an absorbing exploration of inner lives reacting to a changing city – and it’s one of the best films of the year.
  • The wildly successful comedy Booksmart is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW.
  • Mindy Kaling’s very smart, privilege-skewering comedy Late Night stars Emma Thompson (and contains a performance gem by John Lithgow).

ON VIDEO

My stream of the week is the neo-noir Elena, a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia. Elena is available to be streamed from Amazon (free with Prime), iTunes and Google Play.

ON TV

On July 24, Turner Classic Movies will broadcast one of the greatest movies of all time – All About Eve (1950). Bette Davis plays the middle-aging Broadway superstar Margot Channing, who fears losing her popularity with age. Who can eclipse her in the dog eat dog world of show biz? George Sanders is wonderful as the cynical critic Addison DeWitt, whose bimbo de jour is played by Marilyn Monroe. All About Eve was nominated for fourteen Oscars and won six.


Bette Davis in ALL ABOUT EVE: “Fasten your seatbelts, it’s going to be a bumpy night!”

Stream of the Week: ELENA – a vividly dark peek into contemporary Russia

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Nadezhda Markina in ELENA

Elena is a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia. Directed and co-written by Andre Zvyagintsev (The Return, Leviathan and Loveless), Elena is the triumph of drama over melodrama. There is an absolute minimum of on-screen action and no histrionics at all, yet the story simmers throughout. It’s on my list of Best Movies of 2012.

Zvyagintsev builds the story upon his characters. It is set in a tony apartment in a quiet upscale Moscow neighborhood, home of Vladimir and Elena. Vladimir is pushing 70 and rich. I doubt that any softies got rich in post-Soviet Russia, and Vladimir is a hard man, devoid of sentimentality except for his estranged daughter. Late in life, he has married the working class Elena, his one-time nurse, now in her 50s. They have a comfortable, frank, affectionate and practical relationship.

Both have adult children from previous marriages. Vladimir’s daughter Katerina has no use for her father, but he subsidizes her lifestyle of perpetual partying. Vladimir and Katerina finally share a moment, bonding over their shared cynicism.

Elena’s nogoodnik son Sergey lives in a hard scrabble suburb and embraces his chronic unemployment with alarming indolence. His equally lazy and selfish teenage son, having an indifferent high school career, is now facing the dreaded Army unless someone can bribe his way into a college.

Elena is desperate to rescue her grandson from his self-inflicted predicament, but only Vladimir’s money can help, and Vladimir despises Elena’s trashy and shiftless family. The movie is built on this conflict, and it is Elena’s story. As Elena, the actress Nadezhda Markina reveals Elena’s affection, desperation and determination with her eyes, face and movements. Perfectly framing Markina’s outstanding performance by isolating it, Zvyagintsev delivers the film in a series of long shots, with terse dialogue and a spare soundtrack. There is no expository dialogue explaining the plot or swelling music manipulating our reaction.

Elena is a dark movie that asks its audience to invest patience, thought and energy – so it’s not for everybody. Elena is also one of the year’s best films, and an extraordinary example of a very pure breed of filmmaking.  Elena is available to be streamed from Amazon (free with Prime), iTunes and Google Play.

2012 at the Movies: most overlooked films

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Seth Rogen and Michele Williams in TAKE THIS WALTZ

What are 2012’s most overlooked films?  Take This Waltz, Elena and Once Upon a Time in Anatolia are on some Top Ten lists, including mine, but they still haven’t gotten the buzz that they deserve. These are three of the very best films of the year.  I wish that more women, especially, would experience writer-director Sarah Polley’s work and Michele Williams’ performance in Take This Waltz.  Anatolia is admittedly not for everyone, but I think that future film historians may rate it as a masterpiece.

The thriller Deadfall was solid, but got lost among the big Holiday movies.  And the brilliantly original satire King Kelly, which I saw on VOD,  wasn’t released in any theaters that I know of.

2012 at the Movies: the year’s best movies

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THE KID WITH A BIKE

Here’s my list of the best films of 2012: 1)  The Kid with a Bike, 2) Beasts of the Southern Wild, 3) Argo, 4) Lincoln, 5) A Separation, 6) Silver Linings Playbook, 7) Take This Waltz, 8) Once Upon a Time in Anatolia, 9) Elena and 10) Polisse, .

Continuing with my list of 2012’s best films, here are my honorable mentions:  Monsieur Lazhar,  End of Watch, Rampart, Moonrise Kingdom, Headhunters, Bernie and Detachment.

(Note:  I’m saving room for some films that I haven’t yet seen, especially Amour and Zero Dark Thirty, which I won’t get a chance to see until mid-January .)

You can watch the trailers and see my comments on all these films at Best Movies of 2012.

According to Metacritic, all of my picks (except Detachment) were highly rated by prominent critics.  I did disdain some well-reviewed films, most notably The Master, which made lots of critics’ end-of-year lists.

(Further Note:  A Separation won the 2011 Oscar for Best Foreign Language Film, and Monsieur Lazhar was nominated, but neither were widely released in the US until 2012.  Similarly, The Kid with a Bike was screened in October 2011 at the New York Film Festival, but was not theatrically released in the US release until March 2012.  These films are on my 2012 list because, like most Americans, I couldn’t see them until 2012.)

Movies to See Right Now

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John Hawkes in THE SESSIONS

The best bet is still Argo, Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis. It’s unquestionably the best Hollywood movie of the year so far.

But there are some other excellent choices. The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy. The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray.  I also liked the thinking person’s sci fi movie, Looper.  Perks of Being a Wallflower is an authentic coming of age story. I also recommend the indie alcoholism drama Smashed.

Cloud Atlas delivers six fast paced stories set across six centuries with lots of movie stars playing multiple roles; it’s fun to watch, but it’s not as good a film as the ones listed above.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand.  The poignant French geezer comedy All Together is also available on Video On Demand.  History buffs will appreciate Ethel, the documentary on Ethel Kennedy by her daughter Rory Kennedy, still playing on HBO.

The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying.  The Master is a visual and acting masterpiece, but the story fizzles out.  You can skip HBO’s dreary The Girl.

I haven’t yet seen the Denzel Washington blockbuster thriller Flight, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Elena, a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia.   Elena makes my list of Best Movies of 2012 – So Far.

DVD of the Week: Elena

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Elena is a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia.  Directed and co-written by Andre Zvyagintsev (The Return), Elena is the triumph of drama over melodrama.  There is an absolute minimum of on-screen action and no histrionics at all, yet the story simmers throughout. It’s on my list of Best Movies of 2012 – So Far.

Zvyagintsev builds the story upon his characters.  It is set in a toney apartment in a quiet upscale Moscow neighborhood, home of Vladimir and Elena.  Vladimir is pushing 70 and rich.  I doubt that any softies got rich in post-Soviet Russia, and Vladimir is a hard man, devoid of sentimentality except for his estranged daughter.   Late in life, he has married the working class Elena, his one-time nurse, now in her 50s.  They have a comfortable, frank, affectionate and practical relationship.

Both have adult children from previous marriages.  Vladimir’s daughter Katerina has no use for her father, but he subsidizes her lifestyle of perpetual partying.  Vladimir and Katerina finally share a moment, bonding over their shared cynicism.

Elena’s nogoodnik son Sergey lives in a hard scrabble suburb and embraces his chronic unemployment with alarming indolence.  His equally lazy and selfish teenage son, having an indifferent high school career, is now facing the dreaded Army unless someone can bribe his way into a college.

Elena is desperate to rescue her grandson from his self-inflicted predicament, but only Vladimir’s money can help, and Vladimir despises Elena’s trashy and shiftless family.  The movie is built on this conflict, and it is Elena’s story.   As Elena, the actress Nadezhda Markina reveals Elena’s affection, desperation and determination with her eyes, face and movements.  Perfectly framing Markina’s outstanding performance by isolating it, Zvyagintsev delivers the film in a series of long shots, with terse dialogue and a spare soundtrack. There is no expository dialogue explaining the plot or swelling music manipulating our reaction.

Elena is a dark movie that asks its audience to invest patience, thought and energy – so it’s not for everybody.  Elena is also one of the year’s best films, and an extraordinary example of a very pure breed of filmmaking.

Pre-autumn look at the year’s best movies so far

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My top movie pick so far in 2012 - THE KID WITH THE BIKE

Here’s a pre-autumn check in with my running list of the year’s best films – Best Movies of 2012 – So Far.  I’ve included six foreign language films, from Belgium, France, Quebec, Iran, Russia and Turkey, and five American and Canadian independent films.  That’s par for the course, because I usually call out 23-28 movies on my end of the year list.

The Kid on the Bike and A Separation had very limited US theatrical runs at the end of 2011 to qualify for the 2012 Oscars.  But they weren’t available to most Americans until this year, so they’re on my 2012 list.

And guess what – there are zero Hollywood movies on the list.  That’s not a huge surprise because Hollywood generally releases its Oscar bait in the fall.  The hyped Hollywood fare coming up in 2012 includes Argo, Cloud Atlas, The Sessions and Hyde Park on Hudson (being released by the prestige arms of major studios).  The other promising prestige movies (Killing Them Softly, Silver Linings Playbook, Lincoln, etc.) are being released by mini-majors such as The Weinstein Company and Touchstone (the prestige arm of Dreamworks) and by the smaller indie distributors.

Here’s another surprise –  there no documentaries on my list so far.  Last year at this time, Project Nim, Buck and Tabloid were all on the list.  There are several promising documentaries yet to be released (Paul Williams Is Still Alive, Undefeated, The Gatekeepers, Stories We Tell, Mea Maxima Culpa, ), but, as of now,  it’s a down year.

Incidentally, you can still find Beasts of the Southern Wild in theaters.   Once Upon a Time in Anatolia, Rampart, A Separation and Monsieur Lazhar are already available on DVD.   Detachment, Moonrise Kingdom, Elena and Take This Waltz will become available on DVD in  October.

This Week’s Movies To See Right Now

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MOONRISE KINGDOM

Elena, a vividly dark and brilliantly acted Russian drama that simmers throughout, is one of the best films of 2012, but now getting hard to find in a theater.  The wistfully sweet and visually singular Moonrise Kingdom is another must see.

The Intouchables is a crowd pleasing odd couple comedy from France.  Adults will enjoy Brave, Pixar’s much anticipated fable of a Scottish princess, and it’s a must see for kids.

Bernie, a very funny dark comedy by Richard Linklater, shows off Jack Black’s talents in a whole new light. The story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel, is much more than a fish-out-of-water comedy. Men In Black 3 is delightfully entertaining, as Will Smith time travels back to 1969 and meets the young Tommy Lee Jones (nailed by Josh Brolin).

Prometheus is a striking and well-acted sci fi adventure with a horror film tinge; I recommend it for sci fi fans. Rock of Ages is a lighthearted and funny musical that makes the most of a self-mocking Tom Cruise and the hair bands of the 80s.

Abraham Lincoln: Vampire Hunter has blood-sucking, irony and not enough of either to justify watching it.  Oslo August 31 is the utterly authentic portrait of a suicidal Norwegian junkie that doesn’t pay off enough to justify the the grim inevitability. Your Sister’s Sister wastes a promising premise and a superb performance.

I haven’t yet seen Woody Allen’s To Rome With Love, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the recent Oscar Winner for Best Picture, the magical almost-silent romance The Artist.

Movies to See Right Now

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ELENA

My top pick this week is still the wistfully sweet and visually singular Moonrise Kingdom.

One of the best films of the year is Elena, a vividly dark and brilliantly acted Russian drama that simmers throughout.

The Intouchables is a crowd pleasing odd couple comedy from France.  Bernie, a very funny dark comedy by Richard Linklater, shows off Jack Black’s talents in a whole new light. The story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel, is much more than a fish-out-of-water comedy.  Men In Black 3 is delightfully entertaining, as Will Smith time travels back to 1969 and meets the young Tommy Lee Jones (nailed by Josh Brolin).

Prometheus is a striking and well-acted sci fi adventure with a horror film tinge; I recommend it for sci fi fans.  Rock of Ages is a lighthearted and funny musical that makes the most of a self-mocking Tom Cruise and the hair bands of the 80s.

Oslo August 31 is the utterly authentic portrait of a suicidal Norwegian junkie that doesn’t pay off enough to justify the the grim inevitability.  Your Sister’s Sister wastes a promising premise and a superb performance.

I haven’t seen Pixar’s Brave or the totally just wrong Abraham Lincoln: Vampire Killer, both of which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is a film that I KNOW you haven’t seen, the working class comedy The Locksmith.

Elena: a vividly dark peek into contemporary Russia

by

Elena is a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia.  Directed and co-written by Andre Zvyagintsev (The Return), Elena is the triumph of drama over melodrama.  There is an absolute minimum of on-screen action and no histrionics at all, yet the story simmers throughout.

Zvyagintsev builds the story upon his characters.  It is set in a toney apartment in a quiet upscale Moscow neighborhood, home of Vladimir and Elena.  Vladimir is pushing 70 and rich.  I doubt that any softies got rich in post-Soviet Russia, and Vladimir is a hard man, devoid of sentimentality except for his estranged daughter.   Late in life, he has married the working class Elena, his one-time nurse, now in her 50s.  They have a comfortable, frank, affectionate and practical relationship.

Both have adult children from previous marriages.  Vladimir’s daughter Katerina has no use for her father, but he subsidizes her lifestyle of perpetual partying.  Vladimir and Katerina finally share a moment, bonding over their shared cynicism.

Elena’s nogoodnik son Sergey lives in a hard scrabble suburb and embraces his chronic unemployment with alarming indolence.  His equally lazy and selfish teenage son, having an indifferent high school career, is now facing the dreaded Army unless someone can bribe his way into a college.

Elena is desperate to rescue her grandson from his self-inflicted predicament, but only Vladimir’s money can help, and Vladimir despises Elena’s trashy and shiftless family.  The movie is built on this conflict, and it is Elena’s story.   As Elena, the actress Nadezhda Markina reveals Elena’s affection, desperation and determination with her eyes, face and movements.  Perfectly framing Markina’s outstanding performance by isolating it, Zvyagintsev delivers the film in a series of long shots, with terse dialogue and a spare soundtrack. There is no expository dialogue explaining the plot or swelling music manipulating our reaction.

Elena is a dark movie that asks its audience to invest patience, thought and energy – so it’s not for everybody.  Elena is also one of the year’s best films, and an extraordinary example of a very pure breed of filmmaking.