Daniel Craig

GLASS ONION: A KNIVES OUT MYSTERY: skewer the rich

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Photo caption: Daniel Craig and Janelle Monae in GLASS ONION: A KNIVES OUT MYSTERY. Courtesy of Netflix.

Writer-director Rian Johnson follows his wonderful Knives Out with Glass Onion: A Knives Out Mystery, another satirical drawing room murder mystery with super detective Benoit Blanc (Daniel Craig). Again, the rich are skewered and, again, Blanc is overshadowed by a younger female of color. It’s all good fun.

Glass Onion is set on the extravagant private island (think the hideout of a Bond supervillain) of an untethered, narcissistic billionaire (think Elon Musk). The billionaire (a perfect Edward Norton) invites four of buddies from his past (Kate Hudson, Dave Bautista, Leslie Odom, Jr., and Katharine Hahn) for a weekend house party, plus a girlfriend (Madelyn Cline) and an assistant (Jessica Henwick – whose compelling presence is wasted in this often sniveling role). And Benoit Blanc comes, too, which is fitting because the weekend’s theme is a Clue-like mystery game. Another mysterious friend from the past (Janelle Monáe) shows up; her relationship to the others is complicated, and she puts everyone on edge.

There’s a murder to be solved and a Macguffin to be found. Along the way there are several massive plot twists. Clues dropped early hint that a fortune has been made, not by intellectual talent and hard work, but by manipulation and cheating. Rian Johnson loves to expose treachery among the 1 percent, and here he brings us a classic emperor-has-no-clothes comeuppance.

Knives Out was one of 2019’s smartest and funniest films, and Glass Onion is not in that class – but is still very entertaining. The first forty minutes of set-up are not that compelling, but the pace picks up once the plot twists start piling up and Janelle Monáe takes over the movie.

Janelle Monáe in GLASS ONION: A KNIVES OUT MYSTERY. Credit: John Wilson. Courtesy of Netflix.

The cast is excellent, especially Craig and Norton. But the most riveting performance is by the singular Janelle Monáe. The stunningly beautiful Monáe is a captivating screen presence. She’s also demonstrated serious dramatic acting chops in her who-is-THAT? performance in her first feature film Moonlight, and again in Hidden Figures. Monáe’s own music and fashion projects are startlingly original, and her artsy sensibility seems impervious to risk. I say, let her direct a movie if she wants – just get her back up on the movie screen.

Glass Onion looks several times glossier than its $40 million budget. Glass Onion has spent over a week as the #1 film on Netflix, which is excellent because it means that Netflix will likely fund another Rian Johnson movie.

Glass Onion: A Knives Out Mystery is streaming on Netflix.

NO TIME TO DIE: went to a James Bond movie and a romance broke out

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Léa Seydoux and Daniel Craig in NO TIME TO DIE. Photo credit: Nicola Dove © 2020 DANJAQ, LLC AND MGM.

I went to a James Bond movie and a romance broke out. No Time to Die, a fitting farewell to Daniel Craig’s reign as James Bond, has all the action set pieces, fantastic gizmos and exotic locations that you would want in a Bond film; it all just comes down to his profound love for a woman.

Remember when the Bond formula was impossibly sexy woman beds James Bond and then tries to kill him; repeat. In No Time to Die, however, there are no disposable women.

Bond, retired from the British MI6, is living in domestic bliss in Southern Italy with his girlfriend Madeleine Swann (Léa Seydoux) from the previous Bond movie, Spectre. Bond is also grieving for the redeemed double agent of past Bond films, Vesper Lynd (most recently played by Eva Green); on the suggestion of Madeleine, who is a psychiatrist, he visits Vesper’s grave – but an assassination attempt kicks off the action in No Time to Die.

Besides Madeleine and Vesper, Bond faces another woman, his own replacement in MI6’s new Agent 007 Lashana Lynch. 007 is talented and cocky, and Bond and 007 slide effortlessly into comradeship. Ana de Armas is very funny as the supposedly inexperienced agent Paloma in a set piece (in de Armas’ native Cuba) – lethal in a stunning Bond Girl dress.

Daniel Craig and Ana de Armas in NO TIME TO DIE. Photo credit: Nicola Dove © 2020 DANJAQ, LLC AND MGM.

But No Time to Die revolves around Bond’s relationship with Madeleine. Madeleine’s father was also a hunter of super villains, and she has as many secrets as Bond. So, Madeleine’s reliability comes into question, and the oft-betrayed Bond certainly has justification for his trust issues. Bond once ruefully mutters, “No – I don’t know her at all.” Can Bond summon the trust that is requisite to love?

Don’t worry – the action set pieces are spectacular, particularly the once before the opening titles. That one features perhaps the most impressive deployment ever of the Bondmobile.

There’s also a super villain (Rami Malek) with a biological weapon of mass destruction. There’s a lot of blah blah about how this weapon works, and then more blah blah between the supervillain and Madeleine. And then Bond has a face-to-face with the previous supervillain, Blofeld (Cristolph Waltz) with more blah blah. I started to doze during this part of No Time to Die, but soon we were plunging back into another thrilling action.

Neither supervillain is as entertaining as the traitorous agent Logan Ash (Billy Magnussen), an ever smiling bro boy so white bread that he is referred to as “Book of Mormon”.

Daniel Craig in NO TIME TO DIE. Photo credit: Nicola Dove © 2020 DANJAQ, LLC AND MGM.

IMO Sean Connery was essential to the Bond franchise by creating a studly character so arrogant yet sympathetic – the guy who men want to be and women want to be with. Movie James Bonds have come and gone; (Pierce Brosnan was good, I never saw the Timothy Dalton Bond movies, and my least favorite Bond was the brattily insouciant Roger Moore.) To me, Daniel Craig is every bit as good as Connery. Craig has the requisite physicality, confidence and sex appeal, while off-loading a Connery’s hint of brutishness and adding a sad tint of world-weariness.

The Bond franchise itself is remarkable. Mick LaSalle recently wrote:

…The key to its resiliency is that it has changed with the times, yet never so much that it fully lost contact with what initially made it popular. This amazing balancing act has played out for 59 long years. (To give you a sense of how long that is in movie time, 59 years before the first Bond movie, “Dr. No,” it was 1903.)

No Time to Die is ably directed by the Bay Area’s own Cary Joji Fukunaga (Sin Nombre, Beasts of No Nation, True Detective). No Time to Die is epic and is the keystone to Daniel Craig’s run as James Bond.

SPECTRE: James Bond re-energized by revenge

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Daniel Craig as James Bond in SPECTRE
Daniel Craig as James Bond in SPECTRE

 

If you’re a James Bond fan (which I’m not), you’ve probably already seen Spectre, the latest in the franchise. For me, though, Daniel Craig’s Bond, along with the spectacular action set pieces, trumped the silliness and made this a worthwhile trip to the movies. Here’s why:

  • Six actors have played James Bond (seven if you count David Niven in the first Casino Royale) – and Daniel Craig is the only one who can match Sean Connery. Craig plays it straight; his only winks to the audience are not with his face, but with his fingers, when he adjusts his cuffs or re-buttons his jacket after a fight to the death.
  • Craig’s Bond has been increasingly despairing and a lost soul until Spectre, when he emerges determined, re-energized and cheeky; this time he’s motivated by good, old-fashioned revenge.
  • Director Sam Mendes has crafted some brilliant set pieces. The opening sequence, set in Mexico City on the Day of the Dead, is the most exciting several minutes in movies this year.
  • Christoph Walz, as one would expect, makes for a brilliant Bond Supervillain.
  • This time, the major Bond Girl is not just beautiful, but she’s also a superb actress – Léa Seydoux (Blue is the Warmest Color, Inglorious Basterds, Midnight in Paris).

Spectre – it’s Bond…James Bond.

Skyfall: updating the Bond franchise

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Daniel Craig returns as Her Majesty’s Action Hero, James Bond in Skyfall, an updating of the Bond franchise.   The core of the franchise is still the Bond character – impossibly suave, sexy and insurmountable.  Daniel Craig pulls it off as only Sean Connery could.  Craig’s 007 is more shopworn this time, with a drinking problem and a battled scarred (albeit Adonis-like) body.  But Craig’s Bond can still jump inside a moving train and then reach inside his jacket sleeve to adjust his cuff.

This episode’s Bond supervillain is played by an especially menacing Javier Bardem plus peroxide.   When filmmakers change Bardem’s hairstyle, something just happens to make him extra creepy.

It’s tough to impress an audience these days with cool gizmos, when we have guys sitting in Nevada watching SUVs in Afghanistan on satellite transmission and then  blowing them up by remote control.  So in Skyfall, Bond goes retro and brings back the Aston Martin with the ejector seat and the machine gun headlights.

Skyfall also sets up the changing of the guard for franchise, retiring Judi Dench and adding Ralph Fiennes, Ben Whishaw and Naomie Harris.  Naomie Harris is an especially welcome addition – beautiful, engaging and able to pull off an action scene.

But the real reason to watch Skyfall is for the action.  It’s tough to top the first sequence, which features a motorcycle chase on the rooftops of Istanbul’s Grand Bazaar turning into a fight on top of a moving train.  Skyfall is one of the better pure action flicks this year.

DVD of the Week: The Girl with the Dragon Tattoo

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I loved the 2010 Swedish version (it was #8 on my list of the year’s best) and had very high hopes for this film by David Fincher (The Social Network, Zodiac, Fight Club).  Those hopes have been fulfilled and Dragon Tattoo made it on my list of Best Movies of 2011.

The Girl with the Dragon Tattoo tells the first part of journalist-turned-novelist Stieg Larsson’s Milenium trilogy.  The stories are centered on Larsson’s muckraker alter ego Mikael Blomkvist and the damaged and driven Goth hacker Lisbeth Salander.  Lisbeth is only 90 pounds, so she will lose a fistfight with a man; but she prevails with her smarts, resourcefulness and machine-like  relentlessness.  Lisbeth is always mad AND always gets even.

In top rate performances, Daniel Craig plays Blomkvist and Rooney Mara plays Lisbeth. Lisbeth is the key to the movie, and Mara comes through with a compelling portrayal – stone faced until she explodes into a cyclone of wrath.  The other characters are played superbly by Stellan Skarsgard, Christopher Plummer, Robin Wright and Stephen Berkoff.

Fincher is still operating at his best.   Remember – The Social Network is essentially about some annoying, immature geeks writing computer code and getting financing for a company – but Fincher made it rock!  Fight Club‘s desperate violence and Zodiac‘s whodunit relentlessness translated directly to The Girl With the Dragon Tattoo. So there couldn’t be a better director for this project than Fincher.  I’m looking forward to his versions of the next two chapters in the saga.

Fincher shot the film in Sweden and had made the country look and feel unrelentingly frigid.

The score by Nine Inch Nails founder Trent Reznor is award-worthy and is a major contribution to the story.

Spoiler Alert: comparing the two Dragon Tattoos

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Stellan Skarsgard in THE GIRL WITH THE DRAGON TATTOO

Again – this post contains spoilers.

I liked both versions of The Girl with the Dragon Tattoo – the 2010 Swedish and the 2011 American.  Both made my top ten lists at the end of the year.  Still, they are distinctly different movies.

The best thing about the Swedish movie was Noomi Rapace’s full throttle performance as Lisbeth.  Rooney Mara’s Lisbeth is different, but just as good.   Rapace modulated her performance between sheer rage and full-out fury, and her signature was the always whirring motor.  Mara’s Lisbeth has a more stone-faced affect until the moments that she explodes into a cyclone of wrath.

The rest of the performances are far superior in the American version.  Daniel Craig is a much better Blomkvist; Craig has already played James Bond, so he is liberated here to play Blomkvist as a weary and defeated hang-dog whose confidence has been completely deflated.  The other key characters are brilliantly played by Stellan Skarsgard, Stephen Berkoff, Robin Wright and Christopher Plummer.

In both versions, Lisbeth goes to her guardian’s house, puts down her bag and is victimized.  In the Swedish version, he see her stumble home completely traumatized, wash herself and then watch the video of her own rape – OMG! She taped it! And she has it all on digital!  This discovery is a huge moment in the film (for those of us who hadn’t read the book).  But in the American version, when she puts down the bag, anyone who has seen a spy movie can tell that she’s got a camera in the bag, which takes the surprise effect away when she later plays the tape of her rape.

In the American version, some characters in the Vanger family are compressed.  That’s fine with me.  There are really only so many nasty blondes you can tell apart.

In the book (I understand) and the Swedish movie, Lisbeth ties Gottfried and Martin to the murders by plowing through the travel receipts in company’s archived expense accounts.  In the American version, Lisbeth is looking through archived records when she (and we) see news photos of Gottfried and Martin near the scenes of the crimes.  I prefer the non-dumbed down Swedish version.

The Swedish movie contains flashbacks that we learn depict 12-year-old Lisbeth burning her own father for his abuse of her mother.  This device worked very well to explain Lisbeth’s constant state of fury.  In the American film, this fact is described in dialogue and not shown.  It’s usually better to show and not tell, and it is here, too.  I prefer the approach of the Swedish film.

The American version’s opening credits depict a nightmarish montage of oiled human forms, all to a ripping version of Led Zeppelin’s Immigrant Song.  I didn’t like the montage, which does not kickstart the story and just looks the opening sequence to a TV drama series.  I do like the version of Immigrant Song, which I wrote about here.  In fact, I liked all the music in the American version, by Nine Inch Nails founder Trent Reznor.

Apparently, Scandinavian audiences don’t need filmmakers to tell them that they live in a cold clime.  But Fincher makes the unrelenting cold into a character itself, a touch that I liked very much.

On the whole, both movies are very good.  After the first Dragon Tattoo, there was a change in directors for the Swedish trilogy, so I expect that Fincher’s take on the second and third movies to be far superior to the plodding Swedish versions.

The Girl with the Dragon Tattoo: Fincher keeps the thrill in “thriller”

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I loved last year’s Swedish version (it was #8 on my list of the year’s best) and had very high hopes for this film by David Fincher (The Social Network, Zodiac, Fight Club).  Those hopes have been fulfilled.

The Girl with the Dragon Tattoo tells the first part of journalist-turned-novelist Stieg Larsson’s Milenium trilogy.  The stories are centered on Larsson’s muckraker alter ego Mikael Blomkvist and the damaged and driven Goth hacker Lisbeth Salander.  Lisbeth is only 90 pounds, so she will lose a fistfight with a man; but she prevails with her smarts, resourcefulness and machine-like  relentlessness.  Lisbeth is always mad AND always gets even.

In top rate performances, Daniel Craig plays Blomkvist and Rooney Mara plays Lisbeth. Lisbeth is the key to the movie, and Mara comes through with a compelling portrayal – stone faced until she explodes into a cyclone of wrath.  The other characters are played superbly by Stellan Skarsgard, Christopher Plummer, Robin Wright and Stephen Berkoff.

Fincher is still operating at his best.   Remember – The Social Network is essentially about some annoying, immature geeks writing computer code and getting financing for a company – but Fincher made it rock!  Fight Club‘s desperate violence and Zodiac‘s whodunit relentlessness translated directly to The Girl With the Dragon Tattoo. So there couldn’t be a better director for this project than Fincher.  I’m looking forward to his versions of the next two chapters in the saga.

Fincher shot the film in Sweden and had made the country look and feel unrelentingly frigid.

The score by Nine Inch Nails founder Trent Reznor is award worthy and is a major contribution to the story.

Fincher’s Dragon Tattoo teaser

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Another take on The Girl with the Dragon Tattoo releases on December 21.  It’s a gripping story and, boy, am I looking forward to the version by David Fincher (Fight Club, Zodiac, The Social Network).  Here’s the teaser, featuring a remix of Led Zep’s Immigrant Song by Trent Reznor and the Yeah Yeah Yeahs’ Karen O.  Unfortunately, the teaser contains about 150 cuts in 100 seconds, very few of which show the stars, Daniel Craig and Rooney Mara.  But Sweden still looks gray and forbidding!

 

Cowboys & Aliens gets a Super Bowl commercial

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The Super Bowl audience just got a glimpse of the newest genre mutant – a sci fi blended with a Western.  Universal recently released the trailer for its $100 million summer 2011 blockbuster Cowboys & Aliens.  In this article, the New York Times reports that the trailer’s first showing to a live audience evoked gales of laughter – but it’s not supposed to be a comedy.

According to the trailer, Harrison Ford’s torch-bearing mounted lynch mob is interrupted by laser attack from an alien spaceship.  Daniel Craig, playing a Clint Eastwoodesque Man With No Name, awakes with his memory erased by aliens and a futuristic bracelet.  Saloon gal Olivia Wilde (House, The OC) is pulled into the sky by alien forces.

It turns out that this isn’t the first Western with space aliens, although Oblivion aimed a lot lower. This 1994 schlockfest starred Andrew Divoff (as the alien Redeye), Richard Joseph Paul, Meg Foster, Isaac Hayes and Julie Newmar, with George Takei as the Jim Beam-swilling town doctor.  Amazingly, Oblivion rated a 1996 sequel, Oblivion 2:  Backlash.

Here’s the real trailer for Cowboys & Aliens.

Hollywood's Girl With the Dragon Tattoo

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Hollywood's Mikael Blomkvist

 

There’s some good news about the upcoming Hollywood versions of Stieg Larsson’s Millenium trilogy.  First, David Fincher (Fight Club, Zodiac) will direct, and Fincher’s track record suggests that he is the perfect guy to pull this off.

Second, Hollywood is planning to make all three films (instead of just the first or compressing them into one movie).

Third, Entertainment Weekly reports that Daniel Craig will play Mikael Blomkvist.  If you’ve seen the gritty British crime drama Layer Cake, you know that Craig can play the smart and understated Blomkvist.

Still, the success of the project depends on who will play Lisbeth Salander – and we still don’t know.  My first choice is the Danish actress Noomi Rapace who has originated the role, and she speaks English well; but on the extra features of the Girl With the Dragon Tattoo DVD, Rapace says that, after living with Lisbeth for 18 months of prep and filming, she is done with the character. Carey Mulligan has been quoted that it won’t be her, either. So we watch and wait.