Movies to See Right Now

Delroy Lindo in DA 5 BLOODS. Photo courtesy of Netflix.

This week: an absurdist comedy from Korea, a doc that gives voice to trans creatives, an insightful jazz biodoc, a movie about a really bad movie and Spike Lee’s latest.

REMEMBRANCE

Ian Holm in THE SWEET HEREAFTER

The 5’5″ Ian Holm was a giant of the stage, where he created a definitive King Lear, and is most well-known in movies for playing Bilbo Baggins in the Lord of the Rings franchise. I remember Holm’s heartrending performance in Atom Egoyan’s The Sweet Hereafter, my choice as the most profoundly sad movie ever. He also appeared in supporting roles in some of my favorite movies: Young Winston, Jesus of Nazareth and the Branagh Henry V.

ON VIDEO

YOURSELF AND YOURS. Photo courtesy of SFFILM.

Yourself and Yours: The absurdism of Luis Buñuel meets the social awkwardness of Seinfeld in Hong Sang-soo’s Korean comedy. During its Bay Area virtual run at the Roxie, you can stream Yourself and Yours at Roxie Virtual Cinema.

Disclosure: This insightful (and even revelatory) documentary about the depiction of trans people on screen is moving and thought-provoking. Disclosure is streaming on Netflix.

Ella Fitzgerald: Just One of Those Things: A Must See for jazz fans, this well-sourced biodoc brings insights into the juvenile delinquent who became an innovative genius, Includes a never-broadcast interview in which Ella makes clear her views on race. It opens today in the Roxie Virtual Cinema.

Da 5 Bloods: Spike Lee’s latest features a great performance by Delroy Lindo and a couple other compelling elements, but it’s too long and drags. How Spike reflects on the Vietnam War and on the Black experience in America is far more evocative than is the story itself. Da 5 Bloods is streaming on Netflix.

You Don’t Nomi: A deep dive into the making and cult film aftermath of a terrible big Hollywood movie, Showgirls. I don’t find Showgirls, campy as it is, that entertaining on a so-bad-it’s-good basis, but You Don’t Nomi does contain many of its funniest, most awful clips. I watched it on Roxie Virtual Cinema, but it’s available to stream on all major platforms. There are much better movies about bad movies: Ed Wood (about Plan 9 from Outer Space), The Disaster Artist (about The Room), Best Bad Movie (about Troll 2)

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Edward Andrews and John McIntyre in THE PHENIX CITY STORY

On June 30, Turner Classic Movies will broadcast The Phenix City Story; gritty, crisp and unvarnished, it’s a jarring contrast to 1950s Ozzie and Harriett American culture. It’s impossible to imagine a film noir that is more “ripped from the headlines”. The Phenix City Story is one of my Overlooked Noir; it’s hard to find to stream, so set your DVR for TCM this week.

John Larch in THE PHENIX CITY STORY

DA 5 BLOODS: a few compelling elements

Isiah Whitlock Jr., Norm Lewis, Clarke Peters, Delroy Lindo and Jonathan Majors in in DA 5 BLOODS. Cr. DAVID LEE/NETFLIX © 2020

Spike Lee’s latest film, Da 5 Bloods has some compelling elements, but the movie isn’t compelling as a whole. It’s too long and drags in places. The Wife and I stopped watching after the first hour. I finished it a couple days later.

Da 5 Bloods works best as a reflection on the Vietnam War and on the Black experience in America; how Spike handles those themes is far more evocative than is the story itself.

The story: four African-American vets return to Vietnam fifty years after their service. They are seeking to recover the remains of their beloved commanding officer. What they keep to themselves, is that he is buried with a fortune in gold bars. This quest is remarkably similar to Treasure of the Sierra Madre (and Spike even throws in the most famous quote from Sierra Madre).

Delroy Lindo in DA 5 BLOODS. Photo courtesy of NETFLIX.

The best reason to watch Da 5 Bloods are the performances of Delroy Lindo and Clarke Peters. Lindo has the best role of his craeer – as a man who is tormented by PTSD from wartime guilt and a family tragedy back home.

The old actors play themselves in the fifty-years-before flashback scenes. I suspended disbelief, but it decidedly did not work for The Wife.

Besides Delroy Lindo’s searing monologues, the highlights of the movie are an unexpected family reunion for the Clarke Peters character and a gripping sequence in a minefield.

The supporting cast is excellent, especially Melanie Thierry, Paul Walter Hauser, Jean Reno, Le Y Tan and first time actress Sandy Huong Pham, Jonathan Majors, so great in The Last Black Man in San Francisco, is fine but wasted in an underwritten role.

Da 5 Bloods does showcase an impressive selection of soul shakes. Spike also drops in has signature double dolly shot in the epilogue, to effetively cap the Clarke Peters story line.

One of the best things about Da 5 Bloods is the soundtrack; I can’t get enough of Marvin Gaye’s What’s Going On, and neither can Spike. Time Has Come Today by the Chambers Brothers is underused in the movie, but dominates the great trailer embedded below (and the trailer is better than the movie).

Da 5 Bloods is streaming on Netflix.