Visit my Best Movies of 2015 for my list of the year’s best films, complete with images, trailers and my comments on each movie – as well as their availability to rent on DVD and to stream. My top ten movies for 2015 are:
Ex Machina
Wild Tales
Leviathan
Brooklyn
Youth
Me and Earl and the Dying Girl
Creed
Spotlight
Phoenix
The Martian
The other best films of the year are: The End of the Tour, Love & Mercy, The Big Short, Corn Island, Mustang, I’ll See You in My Dreams, ’71, The Look of Silence and The Grief of Others.
I’m saving space for these promising 2015 films that I haven’t seen yet: The Revenant, Joy, The Hateful Eight and 45 Years.
This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them. You don’t need ME to tell you that The Big Short, Creed, Spotlight and The Martian are good movies. What’s important to me is that you don’t miss the less well-known gems:
The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
Phoenix from Germany – a riveting psychodrama with a wowzer ending. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
The brilliant psychological drama 99 Homes, available on DVD early in 2016.
The delightful family centric Meet the Patels – a documentary funnier than most comedies.
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT
Talk about overlooked – one of the year’s very best films, the exquisite and lyrical Georgian drama Corn Island, didn’t even get a US release. Neither did some other wonderful films that I saw at Cinequest: the narrative feature The Hamsters and the documentaries Aspie Seeks Love, Meet the Hitlers and Sweden’s Coolest National Team. Here’s hoping that I can tell you where to see them soon.
Deenis O’Keefe and Ann Sheridan in WOMAN ON THE RUN
My favorite movie-going experiences in 2015:
San Francisco’s Noir City film fest, with the double feature Woman on the Run and Born to Be Bad.
Cinequest, especially seeing the raucously funny Wild Tales with The Wife and friends at a packed California Theatre and seeing the exquisite and lyrical Georgian drama Corn Island on the recommendation of international film programmer Charlie Cockey.
Turner Classic Movies’ Summer of Darkness, program of film noir, which allowed me to discover two new noir favorites: 99 River Street and Witness to Murder.
The wonderful surprise of the very funny and family centric documentary Meet the Patels at a Camera Cinema Club, complete with a Skype interview with the Patel family itself.
A particularly strong program at the San Francisco International Film Festival, where I saw The End of the Tour, Me and Earl and the Dying Girl, The Look of Silence, Listen to Me Marlon, Drunk Stoned Brilliant Dead and Very Semi-serious.
The Wife taking me to a luxurious screening of Spectre at the Los Gatos Theater with its black leather sofas and ottomans.
Happening to be in Spain during the first weekend of the Sevilla European Film Festival, and getting to catch Mustang with The Wife and my niece Maeve.
Wow, we’ve had a great start to 2015 in the movies. I’ve already placed eight films on my running list of Best Movies of 2015 – So Far. Usually, I only have three or four at this time of year. Here’s my Best of 2015 to date:
Wild Tales (saw at Cinequest; DVD release in June)
Leviathan (available to stream from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and DirecTV)
Ex Machina (in theaters now)
Me and Earl and the Dying Girl (saw at San Francisco International Film Festival; releases June 12)
The End of the Tour (saw at San Francisco International Film Festival; releases July 30)
’71 (saw at Cinequest; DVD release in July)
The Look of Silence (saw at San Francisco International Film Festival; limited release July 16)
The Grief of Others (saw at Camera Cinema Club; release undetermined)
I’m also mulling over adding to the list I’ll See You in My Dreams (in theaters now). And I know I’ll include Corn Island, an exquisite Georgian film that I saw at Cinequest, if it gets a US release. This is a GREAT and uncharacteristic start to the year in movies!
I’m already looking forward to some especially promising films that debuted at the Cannes International Film Festival. The universally acclaimed, heartbreaking biodoc of Amy Winehouse, Amy, releases July 3. Other Cannes films that will contend for my top ten list include The Lobster, Louder Than Bombs, Mia Madre, The Measure of a Man, Sicario (releases September 18), Youth, Green Room, The Assassin and Dheepan.
Plus there will be some superb documentaries that I don’t know about yet AND the usual stream of Oscar Bait movies released in the fall by the prestige arms of the Hollywood studios. We should have a pretty good handle on 2015’s pool of excellent cinema at the time of the Toronto and Telluride film festivals in September.
2015 has been an excellent year so far and has the potential to be a great year of cinema.
The final (scheduled) screenings of these gems are today:
CORN ISLAND: This exquisite and lyrical Georgian drama is a Must See for Cinephiles. If it doesn’t turn out to be the best contemporary art movie at Cinequest 2015, I’ll be shocked.
ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
See you around the fest. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page. Follow me on Twitter for the very latest.
We’re halfway through Cinequest 2015. What are the biggest hits and the most delightful surprises?
Cinequest’s Director of Programming/Associate Director Mike Rabehl was definitely right: he predicted BATKID BEGINS and WILD TALES to be among the biggest audience pleasers. The opening night audience reveled in BATKID BEGINS, and WILD TALES, the darkly comic Argentine collection of revenge stories, rocked the California Theatre.
And how about those surprise gems?
CORN ISLAND: This exquisite and lyrical Georgian drama is a Must See for Cinephiles. If it doesn’t turn out to be the best contemporary art movie at Cinequest 2015, I’ll be shocked.
ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love.
FACTORY BOSS: I haven’t yet seen this narrative about the manager of a Chinese sweatshop factory getting squeezed, but I’ve hearing good things around the fest. One of my friends, who has been to factories in Shenzen, entered a screening a little late and initially mistook it for a documentary.
The most underrated movie at Cinequest? Somehow, the biting darkly hilarious Mexican social satire LOS HAMSTERS is flying under the radar. I think this tale of a dysfunctional family is both very smart and very funny.
It’s also been a notably strong year for the documentaries at Cinequest:
ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
THERE WILL BE NO STAY: a powerful examination of American capital punishment from the perspective of the executioners.
Most promising film yet to come? I’d say Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.
See you around the fest. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page. Follow me on Twitter for the very latest.
Cinephiles need to see the exquisite and lyrical Georgian drama CORN ISLAND. If it’s not the best contemporary art movie at Cinequest, I’ll be shocked. Today’s other best picks:
CLOUDS OF SILS MARIA: The ever-radiant Juliette Binoche plays an actress now relegated to the older role in her breakthrough play, with her younger role going to Kristen Stewart (All About Eve, anyone?). And Stewart just became the first American actress to win a César (the French Oscar) for this performance.
THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
DIRTY BEAUTIFUL: An American indie comedy that is decidedly NOT a by-the-numbers battle of the sexes.
ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
Cinephiles must see the exquisite and lyrical Georgian drama Corn Island. If it doesn’t turn out to be the best contemporary art movie at Cinequest 2015, I’ll be shocked. Corn Island has won nineteen film festival awards and was shortlisted for this year’s Best Foreign Language Picture Oscar.
Director George Ovashvili has created a near-masterpiece of filmmaking with this unhurried yet compelling story. We learn that each spring, Georgia’s Irguri River creates temporary islands of topsoil that local farmers squat on to grow enough corn to get them through the next winter (when the island will be washed away). We see an old man choose one particular island of maybe an acre. He brings his 12- or 13-year-old orphan granddaughter to help him, and they build a shack and plant and cultivate a tiny field of corn. The audience isn’t really watching corn grow, but we are observing how the man and the granddaughter react to what happens.
The storytelling is remarkably spare. There’s not even any dialogue during the first 25 minutes – and there are probably only about 30 spoken lines in the entire movie.
The old man is played by veteran Turkish actor Ilyas Salman is a superb performance. Georgian newcomer Mariam Buturishvili plays the granddaughter. Her eyes are very expressive, so she doesn’t need to say much. We watch her show up at the island clutching her doll – and then outgrowing it.
Here’s what you need to know before seeing Corn Island: the Irguri River separates Georgia from the separatist region of Abkhazia. The main characters speak Abkhaz. The soldiers patrolling the river are variously Georgian soldiers, Abkhaz militia and Russian peacekeepers.
So settle in for a contemplative experience and just watch this story unfold through Ovashvili’s masterful lens. Corn Island plays Cinequest again today, March 1 and March 4 at Camera 12.
[MILD SPOILER ALERT: The filmmakers built their own island in a manmade lake so they could control the water. And that is the only way that they could have filmed the spectacular climax.]
It’s time to dive into the 2015 version of the San Jose film festival Cinequest running from tomorrow through March 8. This year’s program looks GREAT. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page (which you may wish to bookmark). Follow me on Twitter for the very latest.
Here are my 18 best bets at Cinequest 2015:
WILD TALES: the darkly comic Argentine collection of revenge stories. Wild Tales has been a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Oscar. One of its vignettes features one of my favorite screen actors, Ricardo Darin (the Argentine Joe Mantegna). See it at Cinequest before it gets to Bay Area art houses on March 6. Ann Thompson (Thompson on Film) will be receiving a Media Legacy Award at the screening.
CLOUDS OF SILS MARIA: The ever-radiant Juliette Binoche plays an actress now relegated to the older role in her breakthrough play, with her younger role going to Kristen Stewart (All About Eve, anyone?). And Stewart just became the first American actress to win a César (the French Oscar) for this performance.
’71: Everybody says that this thriller about a British soldier trapped overnight in a hostile Northern Ireland neighborhood during the Troubles is pedal-to-the-metal intensity.
SLOW WEST: This offbeat Western with Michael Fassbender won a prize at Sundance.
QUEEN AND COUNTRY: Director John Boorman’s Korean War-Era quasi-sequel to his Hope and Glory. Boorman (Deliverance) will appear at the screening. Silicon Valley release on March 6.
L’ATALANTE: The 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.
Here are my pre-festival picks from among the films that I’ve seen:
DRAMA:
ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
COMEDY:
LOS HAMSTERS: A biting darkly hilarious Mexican social satire.
DIRTY BEAUTIFUL: An American indie comedy that is decidedly NOT a by-the-numbers battle of the sexes.
DOCUMENTARY:
ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
I’ve also gotten tips from insiders about some other very promising films (that I haven’t seen yet):
CORN ISLAND: Reportedly transcendent Georgian drama.
FOR SOME INEXPLICABLE REASON: Hungarian comedy.
GUARD DOG: dark and violent Peruvian thriller. US premiere.
MILWAUKEE: US indie sex and relationship comedy. World premiere.
THREE WINDOWS AND A HANGING: Searing Kosovan drama.
Take a look at the program and the passes and tickets. (If you want to support Silicon Valley’s most important cinema event while skipping the lines, the $100 donation for Express Line Access is an awesome deal.) You can download the Festival Guide from this page.
