BEFORE THE FIRE: when sanctuary brings its own terror

Photo caption: BEFORE THE FIRE. Photo courtesy of Cinequest.

To honor Cinequest, now underway, here’s the Must See from the 2020 festival; ironically, it’s a pandemic thriller which premiered at a film festival that was cut short by COVID. In the thriller Before the Fire, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks.

Ava Boone (Adams) is a Hollywood actress who has found some success “pretending to be a vampire”, as she puts it, on a television series. As a killer flu sweeps America’s cities, her photojournalist husband (Jackson Davis) seeks to save her by tricking her into refuge with his family in their sparsely populated childhood hometown.

The problem is that growing up in a family ruled by her abusive father was deeply traumatizing. And it’s only a matter of time until her family finds out that she’s back.

As star and screenwriter Adams has said, “but what if the last place you wanted to go was the only place you could go?”

Veteran Charles Hubbell is excellent as the monstrous dad. The part is written to acknowledge that domestic abuse is about power and control – and not just physical abuse. This guy emanates physical brutality, but he is also a master manipulator.

To make things worse, the dad leads a militia of Deliverance-style yahoos, whose strategy to suppress the flu is to murder outsiders.

Ava was once – and is definitely no longer – a farm girl. For necessity’s sake, she begins repairing fences and doing the other hard, dirty and unglamorous work of the family farm run by her husband’s brother (Ryan Vigilant) and his mother (M.J. Karmi). Along the way, she physically hardens up and develops some skills with firearms.

Jenna Lyng Adams in BEFORE THE FIRE. Photo courtesy of Cinequest.

Unsurprisingly (since she wrote it), the role of Ava is a showcase for Jenna Lyng Adams (The Kominsky Files). When Ava first sees her father again, she’s terrified to her core, which tells us all we need from the back story. Adams’ performance is compelling and credible as Ava has to devise and execute her own survival plan. Adams is on-screen in almost every scene and carries the picture.

“Audiences are thirsty for unconventional, layered, and imperfect women on-screen,” said Adams. “I wanted our protagonist to find her strength by facing the darkest parts of her life in the darkest hours of the world. She reinvents herself over and over again to survive.”

“We fought to make this movie, because we felt that there was a very specific expectation about the types of stories women were able to tell,” says director Charlie Buhler.  “Male directors shift between genres much more fluidly, and I think you can feel it in the types of stories that make it to the screen. But Jenna and I both love action, we both love sci-fi, so we wanted to make a female protagonist that we women could really rally behind.”

Indeed, women filmmakers shouldn’t be left to the high-falutin’ Message Pictures while the guys have all the fun with the genre movies.

BEFORE THE FIRE. Photo courtesy of Cinequest.

Before the Fire was filmed on location in South Dakota. Cinematographer Drew Bienemann (visual effects in Beasts of the Southern Wild) makes the barren wintry landscape work to illustrate the Ava’s isolation and vulnerability.

BEFORE THE FIRE. Photo courtesy of Cinequest.

I screened Before the Fire for its world premiere at Cinequest, You can stream it from Amazon, AppleTV. Vudu, YouTube and Showtime. Make sure that you have the Jenna Lng Adams film, not one of the other recent movies with the same title.

five more movie choices from CINEJOY

Steve Starr and Gay Walley in EROTIC FIRE OF THE UNATTAINABLE

Cinequest’s October virtual festival CINEJOY. runs through October 14. I’ve written about the best of Cinejoy, and here are five more Cinejoy films.

  • Erotic Fire of the Unattainable: My favorite discovery so far at Cinejoy, this is a captivating study of a free spirited woman of a certain age and her asymmetric relationships. It’s docufiction – “people playing themselves in stories that relate to their own real lives”. Here’s my full review.
  • The Last Days of Capitalism: Taking place entirely in a Vegas hotel luxury suite, a rich forty-something extends his encounter with a much younger hooker into several days of verbal probing and sparring. It’s kind of My Dinner With Andre with spa robes and sex. It turns out that he is hedonistic for a purpose, and she is more than she seems, too.
  • Far East Deep South: In this genealogy documentary, a Northern California Chinese-American family is stunned to discover that they have roots in Mississippi.
  • Watch Me Kill: Filipino actress Jean Garcia stars as a pitiless and prolific contract killer. Something from her past is haunting her, and there is a mind twisting thread. I was okay with the relentless violence, as would Quentin Tarantino, but not every viewer would be.
  • The Return of Richard III on the 9:14 am Train: This French comedy of manners centers on a crew of neurotic actors holed up in a vacation rental to rehearse a project. Although it’s got the best title in Cinejoy, it’s only mildly funny.

You can see these films and those on my best of Cinejoy at CINEJOY.

the best of CINEJOY

Jenna Lyng Adams in BEFORE THE FIRE. Photo courtesy of Cinequest.

Cinejoy is Cinequest’s October virtual fest and it opens today. Some of the very best from the March festival return, along with some new indie gems that you can’t see anywhere else. I’ve updated my CINEQUEST page with reviews of nine Cinejoy films. Browse the films and buy tickets at CINEJOY.

MUST SEE

  • Before the Fire: In this year’s Must See at Cinequest, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks. World premiere at Cinequest.

INDIES

  • Small Time: Rural America’s opioid crisis explored through its impact on one little girl; what is the shelf life of innocence? Shot over three years with insight and verisimilitude. World premiere at Cinequest.

WORLD CINEMA

  • Willow: This triptych by Oscar-nominated master Macedonian filmmaker Milcho Manchevski plumbs the heartaches and joys of having children; there’s a scene in the final vignette with a mother and son in a car that is one of the most amazing scenes I’ve ever seen. North American premiere at Cinequest.

LAUGHS

DOCUMENTARY

  • The Quicksilver Chronicles: Two bohemians live in a ghost town close (yet far) from Silicon Valley, and life happens. World premiere.

AND TWO I HAVEN’T SEEN YET

  • but they’ve got GREAT TITLES: The Return of Richard III on the 9:24 am Train and Erotic Fire of the Unattainable.
THE QUICKSILVER CHRONICLES. Photo courtesy of Cinequest.