A BEAUTIFUL DAY IN THE NEIGHBORHOOD: Mr. Rogers pries open a soul

Matthew Rhys and Tom Hanks in A BEAUTIFUL DAY IN THE NEIGHBORHOOD

The Wife and I finally got around to streaming the pleasantly entertaining A Beautiful Day in the Neighborhood, with Tom Hanks as Mr. Rogers. I had already seen the recent documentary Won’t You Be My Neighbor?, which I’ll touch on a few paragraphs later.

In A Beautiful Day in the Neighborhood, the investigative journalist Lloyd Vogel (Matthew Rhys) is a notch-on-his-belt guy, who revels in bringing down the famous. When the subjects of his profiles read his articles about them, it’s the worst day of their lives. Despite his professional success, a smart and sexy wife (Susan Kelechi Watson) and a new baby, he’s profoundly unhappy. We learn that much of this stems from unresolved anger at his father (Chris Cooper).

To his disgust, Vogel is assigned to write a brief puff piece on that icon of niceness, Mr. Rogers. The movie is about Mr. Rogers trying to disarm Vogel’s cynicism by excavating Vogel’s daddy issues.

As written, Vogel’s emotional journey is a little too predictable for A Beautiful Day in the Neighborhood to be a great movie, but it’s emotionally satisfying.

Of course, Tom Hanks is a perfect Mr. Rogers. Rhys is okay.

If you want to appreciate a great actor’s work, watch the very first time we see Chris Cooper. He signals that he is intoxicated with a slightly unsteady step backwards, and goes on to a perfectly realistic drunk performance, without ever lapsing into a Foster Brooks broadness,

Susan Kelechi Watson is very winning as Vogel’s wife, not a particularly complex part, but her charisma makes me want to see more of her.

This is the best work so far from director Marielle Heller (Diary of a Teenage Girl, Can You Ever Forgive Me?). She adds just the perfect dashes of magical realism (dropping Vogel into the sets and among the characters of the TV show), which is a difficult thing to get right.

We get to meet the real Fred Rogers in the recent biodoc Won’t You Be My Neighbor? What is so surprising is that Rogers’ sometimes laughably gentle affect sprang from such internal ferocity. It turns that Rogers was a man who hated, hated, hated the moral emptiness and materialism of commercial children’s television.

In theaters, Won’t You Be My Neighbor submerged audiences in their hankies. I did choke up three times during A Beautiful Day in the Neighborhood, but Won’t You Be My Neighbor? was pretty much one long ugly cry for me.

Streaming Won’t You Be My Neighbor? is included with subscriptions to HBO and DirecTV, and the stream can be purchased for $14.99 from all major streaming platforms. A Beautiful Day in the Neighborhood is available to stream from all the usual outlets; I paid Amazon $2.99.

DEMOLITION: a most entertaining nervous breakdown

DEMOLITION
DEMOLITION

I was thoroughly entertained during Demolition, but I’m very ambivalent about just why that was.

Jake Gyllenhaal plays a corporate striver who suddenly loses his wife in a car accident and then, well, he loses it. He has what we used to call a Nervous Breakdown (I don’t what the current euphemism is), and it’s a doozy. His behavior becomes strange and then bizarre – and we can’t keep our eyes off him.

And that’s what causes my ambivalence. In real life, nervous breakdowns aren’t very entertaining. The folks who suffer may pull the covers up over their heads, lapse into sobbing or catatonia or panic attacks – it’s just not fun to watch. But Gyllenhaal gets to do a goofy dance through crowded Manhattan streets, demolish stuff without committing vandalism, and it’s all great fun.

Demolition poses the question of whether this guy was a wackadoodle all along whose marital routine was keeping him functional –  or whether he really loved his wife and the sheer grief from her loss knocked him for a loop. We find out at the end, but it’s really not that important.

Our hero encounters a woman who’s a bit of an oddball (Naomi Watts) and her kid, a smart and creative boy who is heading into adolescence with a major identity issue.

Chris Cooper and Polly Draper are superb as Gyllenhaal’s grieving in-laws. Cooper is also Gyllenhaal’s boss and brilliantly modulates his responses as he tries to be appropriately sympathetic and supportive – until Gyllenhall’s behavior becomes just too bizarre and offensive. Draper has a smaller role, but gets to deliver a stunning monologue near the end. Judah Davis is exceptional as the kid.

If you look at Gyllenhaal’s body of work (Donnie Darko, The Good Girl, Brokeback Mountain, Zodiac, End of Watch, Prisoners, Nightcrawler), you first note that he’s in some very good movies, movies that are that good because of his performances. And you see that his characters range from the tightly wound to the maladjusted to the way-out-there cra-cra. If you need an actor from the post-Nicholas Cage generation to play “tortured”, Jake’s your guy.

Gyllenhaal is so charismatic that Demolition is entertaining (unless you overthink it, as I did).

The Town

Ben Affleck knows Boston, which is the best thing about this crime drama about thieves desperately evading the FBI.  The Town is a well made, satisfying Hollywood action thriller, but nothing more.  The movie really had me hooked through the second act with the world of Irish professional criminals in Charleston, Mass.  But the end of the movie wraps up everything way too neatly.

Ben Affleck the actor, Mad Men’s Jon Hamm, Rebecca Hall, and The Hurt Locker‘s Jeremy Renner are all good.  Chris Cooper is excellent in a five-minute scene.

Ben Affleck proved in Gone Baby Gone that he can be a fine director, and hopefully he will reach that standard again.

The Town

The trailer for The Town has just been released:

Ben Affleck proved in Gone Baby Gone that he is a fine director.  Now, in The Town,  he brings us another Boston crime drama about thieves desperately evading the FBI.  Stars Affleck, Mad Men’s Jon Hamm, Rebecca Hall, Chris Cooper and The Hurt Locker‘s Jeremy Renner.  Releases September 17.

Updated Movies I'm Looking Forward To

I’ve updated Movies I’m Looking Forward To with Kisses, Dinner for Schmucks, Cairo Time, and The Town.

Kisses is a promising Irish indie about two surburban tweens who run away to Dublin for a very scary night. Stephen Rea appears as a Bob Dylan impersonator.   Kisses releases more widely on August 6.

Ben Affleck proved in Gone Baby Gone that he is a fine director.  Now, in The Town,  he brings us another Boston crime drama about thieves desperately evading the FBI.  Stars Affleck, Mad Men’s Jon Hamm, Rebecca Hall, Chris Cooper and The Hurt Locker‘s Jeremy Renner.  Releases September 17.

Ben Affleck and Jeremy Renner in The Town