Bullitt

Movies to See Right Now

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Rosamund Pike in GONE GIRL
Rosamund Pike in GONE GIRL

My top two recommendations for this weekend are:

  • The brilliant indie comedy about personal identity, Dear White People; and
  • The best Hollywood movie of 2014, the thriller Gone Girl, with a career-topping performance by Rosamund Pike.

I saw Dear White People at the San Francisco International Film Festival, and have been telling folks about it for months – it’s on my list of Best Movies of 2014 – So Far.  I’m gonna add Gone Girl to the list as well.

I haven’t seen it, but the universally praised Birdman, with Michael Keaton and Edward Norton, opens more widely today.

Other recommendations:

  • J.K. Simmons is brilliant in the intense indie drama Whiplash, a study of motivation and abuse, ambition and obsession.
  • The dark little French psychological drama The Blue Room packs a cleverly constructed story in its brisk 75 minutes.
  • The successful period thriller The Two Faces of January sets a dark-hearted and shadowy story in sunny Greece. The Two Faces of January is in theaters and is also available streaming on Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.
  • The exceptionally well-acted dramedy The Skeleton Twins contains several inspired moments.
  • I liked the meditatively paced nature documentary Pelican Dreams.
  • If you’re in the mood for a brutal, brutal World War II tank movie, there’s Fury.

I’m a fan of writer-director Greg Araki and actress Shailene Woodley, but I didn’t find enough in White Bird in a Blizzard to recommend it.

My DVD/Stream of the week is ONCE AGAIN the exquisite Polish drama Ida – the best foreign film of 2014. Ida is available on DVD from Netflix and streaming from Amazon Instant, YouTube, Google Play and Xbox Video.

Don’t miss the campy Vincent Price horror classic The Tingler; it’s on Turner Classic Movies tonight, and it’s perfect for Halloween.

Next week, TCM is bringing us some of my faves:

    • Brute Force (1947): This Jules Dassin noir is by far the best of the Hollywood prison dramas of the 30s and 40s. A convict (Burt Lancaster) is taunted by a sadistic guard (Hume Cronyn) and plans an escape. It’s a pretty violent film for the 1940s, and was inspired by the 1946 Battle of Alcatraz in which three cons and two guards were killed. Charles Bickford, Whit Bissell and Sam Levene are excellent as fellow cons. On my list of Best Prison Movies.
    • The Third Man (1949): Shot amid the ruins of post-war Vienna, this film noir classic sets an American pulp novelist (Joseph Cotten) to find out what happened to his pre-ward buddy, who turns out to have become a notorious black marketeer (Orson Welles) with a set of associates each shadier than the last. This has it all, a fated relationship with a European beauty (Alida Valli), stunningly effective black-and-white photography, an enchanting musical theme and one of cinema’s most sharply surprising reveals of a new character. There are two unforgettable set pieces – a nervous interview in a Ferris Wheel and a climactic chase through the sewers.
    • Bullitt (1968) features Steve McQueen and one of cinema’s most iconic and influential chase scenes. McQueen’s 1968 Ford Mustang Fastback and the bad guy’s 1968 Dodge Charger careen through San Francisco, taking almost 11 minutes to race from Fisherman’s Wharf to Brisbane. Classic.
    • Hot Rods to Hell (1967): Not a good movie, but amusing as an unintentionally funny guilty pleasure.
Orson Welles in THE THIRD MAN - the most iconic smirk in cinema
Orson Welles in THE THIRD MAN – the most iconic smirk in cinema

Coming up on TV: a feast of crime movies

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BULLITT

Here’s a treat – on November 26, Turner Classic Movies is celebrating Cops and Robbers with a feast of crime movies. I especially recommend:

  • The Taking of Pelham One Two Three (1974): A criminal mastermind (Robert Shaw) and his gang of commandos capture a NYC subway train and ransom the passengers; the transit authority police commander (Walter Matthau) must match wits.  Excellent cast includes Hector Elizondo and Martin Balsam.  I prefer this original to the 2009 remake.
  • Every police procedural from 1948 through today’s Law and Order and CSI owes something to the prototypical The Naked City (1948). Tenacious New York City cops solve a murder amid gritty streets and shady characters. Unusual for the time, it was shot on location.   Directed by noir great Jules Dassin, The Naked City won Oscars for black and white cinematography and film editing.
  • Bullitt (1968) features Steve McQueen and one of cinema’s most iconic and influential chase scenes.  McQueen’s 1968 Ford Mustang Fastback  and the bad guy’s 1968 Dodge Charger careen through San Francisco, taking almost 11 minutes to race from Fisherman’s Wharf to Brisbane.  Classic.
  • The French make really good crime dramas, and Rififi (1955) is a standard-setting heist film.  After the team is assembled and the job is plotted, the actual crime unfolds in real-time – over thirty minutes of nerve wracking silence.
  • In The Asphalt Jungle (1950), the crooks assemble a team and pull off the big heist…and then things begin to go wrong.  There aren’t many noirs with better casting – the crooks include Sterling Hayden, Louis Calhern, Sam Jaffe and James Whitmore.  The 23-year-old Marilyn Monroe plays Calhern’s companion in her first real speaking part.  How noir is it? Even the cop who breaks the case goes to jail.  Directed by the great John Huston.
  • If you like your film noir tawdry, then Gun Crazy (1950) is for you.  Peggy Cummins plays a prototypical Bad Girl who takes her newlywed hubby on a crime spree.
THE ASPHALT JUNGLE

Movies to See Right Now

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Adèle Exarchopoulos in BLUE IS THE WARMEST COLOR

The French drama Blue Is the Warmest Color explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. It’s three hours long, justifiably rated NC-17 and currently tops my list of Best Movies of 2013 – So Far.

Other good choices include the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. 12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery. The Motel Life is a solid character-driven drama. Joseph Gordon Levitt’s offbeat comedy Don Jon offers both guffaws and an unexpected moment of self-discovery.

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

Here’s a treat – on November 26, Turner Classic Movies is celebrating Cops and Robbers with a feast of crime movies. The menu includes The Taking of Pelham One Two Three, Naked City, Bullitt, Rififi, Asphalt Jungle and Gun Crazy.  I’ll be writing more about these films on the weekend.