On March 11, Turner Classic Movies is showing The Stunt Man (1980). It’s on a list of Overlooked Masterworks that I’m working on.
Steve Railsback plays a fugitive chased on to a movie location shoot. The director (Peter O’Toole) hides him out on the set as long as he works as a stunt double in increasingly hazardous stunts. The man on the run is attracted to the leading lady (Barbara Hershey). It doesn’t take long for him to doubt the director’s good will and to learn that not everything is as it seems. Shot on location at San Diego’s famed Hotel Del Coronado. Listen to Director Robert Rush describe his movie in this clip.
Natalie Portman won the Best Actress Oscar for playing a ballet dancer who competes for the role of a lifetime. Her obsession with perfection is at once the key to her potential triumph and her potential ruin. Barbara Hershey brilliantly plays what we first see as another smothering stage mother, but soon learn to be something even more disturbing. Vincent Cassell (Mesrine) captures the charisma of the swaggering dance master who pushes the ballerina mercilessly. Portman’s dancer has the fragility of a porcelain teacup, and, as she slathers herself with more and more stress, we wonder just when, not if, she’ll break. The tension crescendos, and the climactic performance of Swan Lake is thrilling.
Fresh from The Wrestler, Darren Aronofsky’s Black Swan is another directing triumph. In fact, parts of Black Swan are as trippy as Aronofsky’s brilliant Requiem for a Dream.
This week’s must see film is Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey. Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. For some delectable food porn, see Kings of Pastry.
There are some Must See films still kicking around in theaters this week: Inside Job, The Social Network and Hereafter. All three are already on my list of Best Movies of 2010 – So Far.
The Town is hanging around theaters and, without strongly recommending it, I can say that it is a satisfying Hollywood thriller. If you’ve seen the first two Lisbeth Salander movies from Sweden, then you should complete the trilogy with The Girl Who Kicked the Hornet’s Nest.
I have not yet seen The Fighter, The Tempest or The Company Man, opening this weekend. You can see the trailers at Movies I’m Looking Forward To.
My DVD of the Week is Inception, perhaps the year’s best blockbuster. My top two American films of the year are now available on DVD – the indie Winter’s Bone and Pixar’s Toy Story 3. For my recent DVD choices (including trailers), see DVDs of the Week.
Movies on TVinclude Stagecoach, A Shot in the Dark and The Searchers on TCM.
Natalie Portman plays a ballet dancer competing for the role of a lifetime. Her obsession with perfection is at once the key to her potential triumph and her potential ruin. Barbara Hershey brilliantly plays what we first see as another smothering stage mother, but soon learn to be something even more disturbing. Vincent Cassell (Mesrine) captures the charisma of the swaggering dance master who pushes the ballerina mercilessly. Portman’s dancer has the fragility of a porcelain teacup, and, as she slathers herself with more and more stress, we wonder just when, not if, she’ll break. The tension crescendos, and the climactic performance of Swan Lake is thrilling.
Fresh from The Wrestler, Darren Aronofsky’s Black Swan is another directing triumph. In fact, parts of Black Swan are as trippy as Aronofsky’s brilliant Requiem for a Dream. I expect Aronofsky, Portman and Hershey to be nominated for Oscars.
