Jeremy Renner in WIND RIVERWe’re in the dog days of summer movies, waiting for the Prestige Movies starting in late October, and hoping that some gems sneak into theaters now. For the time being, just make sure that you’ve seen these three:
The contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
Baby Driver is just an action movie, but the walking, running and driving are brilliantly timed to the beat of music.
I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde.
My DID/Stream of the Week is Stories We Tell from brilliant Canadian director Sarah Polley (Away From Her, Take This Waltz), a documentary in which she interviews members of her own family about her mother, who died when Sarah was 11. It doesn’t take long before Sarah uncovers a major surprise about her own life. And then she steps into an even bigger surprise about the first surprise. You can rent Stories We Tell on DVD from Netflix and Redbox and stream it from Amazon, iTunes, Vudu, YouTube and Google Play.
On September 17, Turner Classic Movies airs In a Lonely Place(1950). The most unsettlingly sexy film noiress Gloria Grahame falls for the troubled screenwriter Humphrey Bogart, a guy with a MAJOR anger management issue; once she’s hooked, she realizes that he might be a murderer after all…Nicholas Ray directs. In a Lonely Place justifiably made the BBC’s list of the 100 Greatest American Films. The Czar of Noir Eddie Muller has named it as his #1 noir.
Gloria Grahame and Humphrey Bogart in IN A LONELY PLACE
Do your self a favor and make sure that you see the best of this summer:
The contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
Baby Driver is just an action movie, but the walking, running and driving are brilliantly timed to the beat of music.
I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde.
The Trip to Spain, another gourmet romp from Rob Brydon and Steve Coogan is funny for the first 90 minutes or so – just leave when the characters part company in Malaga.
My Stream of the Week is the surprisingly engaging documentary about New York Times obituaries Obit, a superb study writing – we sit on the writers’ shoulders and observe their process in real-time. Obit is now available to stream on Amazon, iTunes, Vudu, YouTube and Google Play.
On September 9, Turner Classic Movies airs Alfred Hitchcock’s masterpiece of voyeurism, Rear Window. Here we have James Stewart playing a guy frustrated because he is trapped at home by a disability. When he observes some activity by neighbors that he interprets as a possible murder, he becomes more and more obsessed and voyeuristic. When it looks like he has been correct instead of paranoid, that business about being trapped by a disability takes on a whole new meaning. With the cool beauty Grace Kelly and the glowering and menacing Raymond Burr.
With the contemporary Western thriller Wind River, screenwriter Taylor Sheridan has delivered another masterpiece, this time in his first effort as director. It’s got mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
Other movies that are among the best of the year are the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.
The best of the rest:
Baby Driver is just an action movie, but the walking, running and driving are brilliantly timed to the beat of music.
I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde.
The Trip to Spain, another gourmet romp from Rob Brydon and Steve Coogan is funny for the first 90 minutes or so – just leave when the characters part company in Malaga.
My DVD/Stream of the Week is an Oscar-winner that you haven’t seen: the Feel Good documentary Undefeated. You can find it on DVD and streaming from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.
On August 30, Turner Classic Movies presents the second and the funniest of Blake Edwards’ Pink Panther movies, 1964’s A Shot in the Dark, in which Peter Sellers really comes into his own as Inspector Clouseau. A Shot in the Dark also introduces Herbert Lom, the king ofte slow burn, as Clouseau’s perpetually infuriated boss.
On September 1, TCM airs the 1933 submarine movie Hell Below. It’s a pretty contrived Robert Montgomery vehicle, but there are some elements worth fast-forwarding to. The comic relief is provided by Jimmy Durante, who plays the cook Ptomaine; Baby Boomers tend to remember Durante for his shtick on variety shows of the 1950s and 1960s – here’s the unadulterated Durante. Durante even boxes with a kangeroo! Hell Below also features Walter Huston, who was a major star at the time and who I think would be very successful today.
Peter Sellers as Inspector Clouseau in A SHOT IN THE DARKHerbert Lom in A SHOT IN THE DARK
There are still two Must See movies this summer – the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.
The best of the rest:
Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
The Midwife, with Catherine Deneuve as a woman out of control and uncontrollable, indelibly disrupting another life.
The amusingly naughty but forgettable comedy The Little Hours is based on the dirty fun in your Western Civ class, Boccaccio’s The Decameron.
I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde, and I’ll be writing about it when I have time.
My DVD/Stream of the Week is the visually beautiful The Lost City of Z, which revives the adventure epic with cultural sensitivity. The Lost City of Z is available on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.
It’s time for Screwball Comedy: On August 13, Turner Classic Movies presents two of the very best examples, The Lady Eve and Ball of Fire. Both star Barbara Stanwyck, matched with Henry Fonda in The Lady Eve and with Gary Cooper in Ball of Fire. Ball of Fire is directed by the acknowledged master of screwball comedy, Howard Hawks, with a screenplay touched up by Billy Wilder. The Lady Eve is written and directed by Preston Sturges at the top of his game. In The Lady Eve, Stanwyck regards Fonda with, “I need him like the ax needs the turkey”, and in Ball of Fire, she is described with “That is the kind of woman that makes whole civilizations topple!”
Henry Fonda is no match for Barbara Stanwyck in THE LADY EVE
There are still two Must See movies this summer – the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.
The best of the rest:
Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
The Midwife, with Catherine Deneuve as a woman out of control and uncontrollable, indelibly disrupting another life.
The amusingly naughty but forgettable comedy The Little Hours is based on the dirty fun in your Western Civ class, Boccaccio’s The Decameron.
I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde, and I’ll be writing about it when I have time.
My Stream of the Week is the documentary Ella Brennan: Commanding the Table, which tells the story of the New Orleans powerhouse restaurateur who overcame sexism and family betrayal to launch iconic restaurants, invent Bananas Foster, the Jazz Brunch and a host of food trends and mentor the celebrity chefs Paul Prudhomme, Emeril Lagasse and Jamie Shannon. Ella Brennan: Commanding the Table can be streamed from Netflix Instant.
On August 6, Turner Classic Movies will feature His Kind of Woman, one of my Overlooked Noir. Robert Mitchum plays a down-and-out gambler who is offered a deal that MUST be too good to be true; he’s smart enough to be suspicious and knows that he must discover the real deal before it’s too late. He meets a on-the-top-of-the-world hottie (Jane Russell), who is about to become down on her luck, too. They may not be lucky, but they are determined to survive. The delicious cast includes Charles McGraw, Jim Backus, Vincent Price, Philip Van Zandt, Tim Holt and Raymond Burr at his most pitiless.
DUNKIRK
There are two Must See movies this summer – the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.
The best of the rest:
Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
The Journey is a fictional imagining of a real historical event with wonderful performances from Colm Meaney and Timothy Spall as the two longtime blood enemies who collaborated to bring peace to Northern Ireland.
The Midwife, with Catherine Deneuve as a woman out of control and uncontrollable, indelibly disrupting another life.
Okja, another wholly original creation from the imagination of master filmmaker Bong Joon Ho, is streaming on Netflix and also in theaters.
The amusingly naughty but forgettable comedy The Little Hours is based on the dirty fun in your Western Civ class, Boccaccio’s The Decameron.
The character-driven suspenser Moka is a showcase for French actresses Emmanuelle Devos and Nathalie Baye.
You just shouldn’t miss my DVD/Stream of the Week, The Imposter. Life is at times stranger than fiction, and The Imposter is one of the most jaw-dropping documentaries I have seen. A Texas boy vanishes and, three years later, is impersonated by someone who is seven years older than the boy, is not a native English speaker and looks nothing like him. Even the con man is surprised when the family is embracing him as the lost boy – and then he begins to suspect why…The Imposter is available on DVD from Netflix and streaming from Netflix, Amazon, iTunes and many other VOD providers.
On August 1, Turner Classic Movies presents the classic film noir The Asphalt Jungle. The crooks assemble a team and pull off the big heist…and then things begin to go wrong. There aren’t many noirs with better casting – the crooks include Sterling Hayden, Louis Calhern, Sam Jaffe and James Whitmore. The 23-year-old Marilyn Monroe plays Calhern’s companion in her first real speaking part. How noir is it? Even the cop who breaks the case goes to jail. Directed by the great John Huston.
Also on August 1, TCM airs Some Like It Hot, this Billy Wilder masterpiece that is my pick for the best comedy of all time. Seriously – the best comedy ever. And it still works today. Tony Curtis and Jack Lemmon play most of the movie in drag (and Tony is kind of cute). Curtis must continue the ruse even when he’s next to Marilyn Monroe at her most delectable. Curtis then dons a yachting cap and does a dead-on Cary Grant impression as the heir to an industrial fortune. Joe E. Brown gets the last word with one of cinema’s best closing lines.
Before you see any other movie, go see The Big Sick, the best American movie of the year so far. You’ll laugh, you’ll cry, you’ll fall in love. Here are more choices (but see The Big Sick first!):
Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
The Journey is a fictional imagining of a real historical event with wonderful performances from Colm Meaney and Timothy Spall as the two longtime blood enemies who collaborated to bring peace to Northern Ireland.
Okja, another wholly original creation from the imagination of master filmmaker Bong Joon Ho, is streaming on Netflix and opening in theaters.
The amusingly naughty but forgettable comedy The Little Hours is based on the dirty fun in your Western Civ class, Boccaccio’s The Decameron.
The character-driven suspenser Moka is a showcase for French actresses Emmanuelle Devos and Nathalie Baye.
My DVD/Stream of the Week is Drinking Buddies that RARE romantic comedy where the characters act and react – not in the way we’ve come to expect rom com characters to act – but as unpredictably as would real people. Drinking Buddies is available on DVD from Netlix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube and GooglePlay.
On July 26, Turner Classic Movies brings us a feast of Alfred Hitchcock: Psycho, Vertigo, The Birds and North by Northwest. These are four of Hitchcock’s best, but today I’m choosing to feature The Birds, which I’ve screened recently. The Birds showcases Hitchcock’s brilliant sense of foreshadowing. Repeatedly, precursor events are unnoticed or dismissed by the characters, but seem vaguely offbeat or unsettling to the audience. And the suspense when the kids are walked out from their schoolhouse is unmatched. Plus no one could be more vulnerable to an aerial attack than when trapped in a glass phone booth.
I had forgotten about the flirtation between Melanie (Tippi Hedren) and Mitch (Rod Taylor), which certainly wouldn’t happen the same way today; Melanie is actually acting sexually aggressively for 1963. Today, we find Melanie and Mitch to be dressed with strange formality, but I can tell you that the wardrobe fits 1963 San Francisco.
Today’s audience, in our post 9/11 world, will identify with the locals in the town cafe as they assess whether the birds present a real or imagined threat. The Birds has been named to the National Film Registry.
After a long and boring drought, there is finally an appealing menu of movie choices in theaters:
Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
The Journey is a fictional imagining of a real historical event and is an acting showcase for Colm Meaney and Timothy Spall as the two longtime blood enemies who collaborated to bring peace to Northern Ireland.
Okja, another wholly original creation from the imagination of master filmmaker Bong Joon Ho, is streaming on Netflix and opening in theaters.
The delightfully smart and character-driven Israeli comedy The Women’s Balcony with a community of traditional women in revolt. The longer you’ve been married, the funnier you’ll find The Women’s Balcony.
The character-driven suspenser Moka is a showcase for French actresses Emmanuelle Devos and Nathalie Baye.
The bittersweet dramedy The Hero has one thing going for it – the wonderfully appealing Sam Elliott.
My DVD/Stream of the Week is the darkly realistic Western Dead Man’s Burden. Dead Man’s Burden is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Google Play.
Tonight on TV, Turner Classic Movies presents Raw Deal(1948), with some of the best dialogue in all of film noir, a love triangle and the superb cinematography of John Alton.
Later this week on July 11, TCM offers the very best Orson Welles Shakespeare movie, Chimes at Midnight.
And on July 12, TCM airs Days of Wine and Roses, Blake Edwards’ unflinching exploration of alcoholism, featuring great performances by Jack Lemmon and Lee Remick (both nominated for Oscars) and Charles Bickford.
Lee Remick and Jack Lemmon in DAYS OF WINE AND ROSES
Baby Driveris an uncommonly innovative summer action movie with the action overtly tied to the rhythm of music. The credit goes to writer-director Edgar Wright (Shaun of the Dead), who knows better than to weigh down his genre movies with pretension. The beauty of Baby Driver is that it doesn’t aspire to be more than it is, but it delivers a surprising added dimension.
Baby (Ansel Elgort) is a professional getaway driver with preternatural driving skill. The childhood vehicle accident that killed his parents has left Baby with tinnitus, which he covers with music from his ever-present ear buds and several pockets full of iPods. This gimmick allows Wright to time his chase scenes (and this is a chase scene movie) to the beat of Baby’s music. Even when Baby walks down the street, he walks musically, evoking the opening title sequence in Saturday Night Fever.
At one point, Baby loses his wheels and continues his escape on foot; his wild run turns into elegant parkour. In an early vehicle chase, Baby creates a shell game for the cops by matching his car with two identical ones. And Wright scores one musical chase with the 1971 song Hocus Pocus from the Dutch group Focus; you’ll find it funny – and, if you were around in the early 1970s – you’ll find it even funnier.
The story is pretty basic: Baby is working off a debt to a crime lord (Kevin Spacey), who pairs him with a differently configured set of robbers for each heist. Baby falls in love with Debora (Lily James – Lady Rose MacClare in Downton Abbey) and plans to run away with her after One Last Job. Of course, because he is partnering with a bunch of psychopaths, things don’t go well, and soon he is imperiled, along with Debora and his beloved deaf foster dad. So there are lots of reasons for him to chase and be chased.
Wright has the perfect star in the baby faced teen heartthrob Ansel Elgort (Caleb in the Divergent/Allegiant/Insurgent franchise and the star of the teen melodrama The Fault in Our Stars). Elgort’s mom is a ballet dancer (as is his girlfriend), and he tried on ballet before his acting career. Elgort naturally moves like a dancer and can overtly walk, run and even drive like he’s dancing.
Jamie Foxx and Jon Hamm light up the movie with their performances. Foxx is terrifying as a murderous psychopath with a hair trigger. Hamm’s bad guy is less flamboyant at first, but takes over the end of the movie with a relentless and lethal slow burn. Baby’s foster parent is played by CJ Jones, a deaf actor playing a deaf character. It’s not a very textured role on the page, but Jones brings an unexpectedly deep humanity to his character.
The Mexican actress Eiza González, who has been appearing in action and vampire movies, plays one of the robbers. Besides being beautiful and sexy, González has a magnetic presence and, in Baby Driver, she’s able to match up with Spacey, Hamm and Foxx. She’s going to star in an upcoming James Cameron screenplay directed by Robert Rodriguez titled Alita: Battle Angel, which looks like a trashy franchise, but it just might make her a star.
Lily James is winning as a good girl with a wild side, in a much different performance than her good girl with a wild side in Downton Abbey. The rest of the cast is good, too, down to the bit parts. And it’s always fun to be surprised by a Paul Williams cameo.
The car stunts are first rate. Baby Driver doesn’t claim to be a great movie, but it is a damn entertaining one and may well win an Oscar nomination for film editing.
