The smart and biting satire Official Competition uses the world of filmmaking (where better?) to send up professional jealousies. A billionaire wants to produce a great movie as his legacy, so he assembles a filmmaking Dream Team: the famed director Lola (Penélope Cruz), the global movie star Félix (Antonio Banderas) and the renowned sage actor Iván (Oscar Martínez). Their egos come along, too.
Ivan, a leading acting teacher who pioneers new and challenging theater, is the critical and academic world’s most esteemed actor. There’s a wonderful scene where Ivan and his wife (a children’s’ author) sit in their boho apartment listening to an avant garde audio performance.
Felix, in contrast, has become a world-wide celebrity by starring in what Martin Scorsese calls global audio-visual entertainment to distinguish these movies from cinema. Adored by millions of fans and used to having his whims and appetites satisfied by toadies, Felix is convinced that he has earned his reputation as a great actor. (And he shows up to every event with a different bimbo on his arm.)
The tycoon has purchased a Nobel Prize-winning novel (that he hasn’t read) to be adapted into a screenplay. It’s about a rivalry between brothers. (In one of Official Competition’s many delicious ironies, this source material is very pedestrian, several rungs below East of Eden, for example.)
Lola (Cruz wears a wig that is a mountain of reddish tangles) is a piece of work herself. She enjoys abusing her power as director and is devoid of personal boundaries.
Felix and Ivan are oil and water,and Lola, for artistic reasons (and more than a touch of sadism), provokes their latent rivalry, seeking to enhance what will be the tension in their on-screen rivalry. In nine days of rehearsals before the shoot, Lola plunges Ivan and Felix into a series of evermore ridiculous, intrusive and degrading acting exercises. She has them read lines under a huge, suspended rock, binds their bodies together in cling wrap, and overamplifies their kissing noises.
Lola’s caprices accomplish two things with Ivan and Felix. She turns their passive contempt for each other into open hatred. And she makes them hate her, too.
Each actor (and Lola, too) has a massive ego begging to be deflated, and the battles between them in Official Competition are very, very funny.
The ending of Official Competition is perfect – one of the cleverest and most satisfying that I’ve seen in a good long while.
The Argentines Mariano Cohn and Gastón Duprat co-directed Official Competition, which they co-wrote with Andrés Duprat. Official Competition is being described as an arch takedown of the movie industry, but the egos parodied here are present in many walks of life.
Cruz, Banderas and Oscar Martínez (the hilariously dark Wild Tales) each deliver dynamite performances. Irene Escolar is very good in a deadpan and essentially silent role as the billionaire’s daughter cast in the movie.
[Note: Prior to Official Competition, the Spanish stars Cruz and Banderas had only shared the screen for about two minutes in I’m So Excited; they did not work together in Pain and Glory, in which they both appeared in different segments.]
Official Competition, so far the wittiest film of 2022, is in theaters.
