THAT GUY DICK MILLER: putting the “character” in “character actor”

Photo caption: THAT GUY DICK MILLER

The entertaining documentary That Guy Dick Miller is about an actor whose name you may not place, but that you’ve seen. It’s a straight-ahead documentary about a delightfully offbeat guy.

Dick Miller amassed 184 screen credits as a protégé of legendary independent filmmaker and schlockmeister Roger Corman.  Along the way, he rubbed shoulders with indie film icons Jack Nicholson, Paul Bartel and Mary Woronov, John Sayles, Martin Scorsese and Quentin Tarantino.

Miller’s career started in 1955 as an Indian in the Roger Corman-directed Western Apache Woman and then Corman’s The Little Shop of Horrors, The Terror, The Wild Angels and The Trip. Continuing as the king of the low budget movies, Miller went on to work for a second generation of Corman acolyte directors and then plunged full throttle into horror films.  Miller was the unfortunate Murray Futterman in Gremlins and Uncle Willie in Tales from the Crypt: Demon Knight.

On the screen and off, Dick Miller was glib and Bronx-accented, the quintessential wiseacre. In That Guy Dick Miller, we get to meet Miller and his wife Lainey; it’s clear the the two of them were lots of fun to be around. Irresistibly a card, Miller is even bawdy when he recalls his appearance in Night Call Nurses, a 1972 sexploitation film (that I actually saw in a drive-in 1972). 

On screen, Miller always swung for the fences, no matter how small the part.  Lots of actors play the ticket-taker or the security guard, but it’s Dick Miller that you remember for those minuscule roles.

Dick Miller as Walter Paisley, getting smooched in A BUCKET OF BLOOD

Miller is most well known for the lead character, Walter Paisley, in the beatnik-flavored cult film A Bucket of Blood. Miller appeared over ten more times as different characters named with some version of Walter Paisley. In fact, his final role was as Rabbi Walter Paisley in Hannukah, which opened after his death in 2019.

That Guy Dick Miller was recommended to me by Sandy Wolf, who had screened it as a Cinequest submission. However, That Guy Dick Miller premiered at SXSW instead of at Cinequest.

That Guy Dick Miller can be streamed from Amazon (included with Prime).

coming up on TV – A BUCKET OF BLOOD: time capsule from the Beatnik Era

hip cats digging it in A BUCKET OF BLOOD

A Bucket of Blood is a campy, minor horror film from 1959, but it’s most interesting as window into beatnik culture.  Turner Classic Movies will air A Bucket of Blood on May 13.

In 1959, the Beat Movement had been alive for a decade, but had just begun to be recognized by the mainstream culture.  Beatniks, before the usage of that word, had been glimpsed in the 1950 classic noir D.O.A. and in 1957’s Roman Holiday.   The word “beatnik”, usually a pejorative used by squares, was resisted by the Beat generation artists and thinkers.  According to Wikipedia, the term was coined by Herb Caen in his San Francisco Chronicle column of  April 2, 1958. Of course, the popular stereotype of a Beatnik stems from the character of Maynard G. Krebs (played by Bob Denver of later Gilligan fame) on TV’s Dobie Gillis (1959-63).

By 1959, beatnik consciousness was ripe for exploitation by low-budget movie wizard Roger Corman, who produced and directed A Bucket of Blood.  The story is about a loser who covers a dead cat with plaster of Paris and is acclaimed as a talented sculptor.  He embraces the hoax and starts hunting victims to cast into human “sculptures”; hence the horror and the bucket of blood.

“Beatnik” conjures up 20-somethings adorned in black turtleneck sweaters (and black leotards for women), berets, goatees and dark glasses; they’re in coffee houses snapping their fingers to applaud poetry and jazz.  And they’re conversing in hip cat patter.  Watch A Bucket of Blood and you’ll get a dose.

Can you dig it?

[Ubiquitous game show host Burt Convy, as a young actor, played Lou in A Bucket of Blood.]