A Beautiful Day in the Neighborhood

Movies to See Right Now

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Fred Rogers in WON’T YOU BE MY NEIGHBOR?

Here’s a new set of shelter-in-place recommendations to stream or watch on TV.

ON VIDEO

The surprising fierceness underlying Mr. Rogers’ gentle affect is the subject of the emotionally satisfying fictional narrative A Beautiful Day in the Neighborhood and the even better biodoc Won’t You Be My Neighbor? Streaming Won’t You Be My Neighbor? is included with subscriptions to HBO and DirecTV, and the stream can be purchased for $14.99 from all major streaming platforms. A Beautiful Day in the Neighborhood is available to stream from all the usual outlets; I paid Amazon $2.99. Have a box of Kleenex handy.

Rosamund Pike in GONE GIRL

2014’s best Hollywood movie was the marvelously entertaining Gone Girl, Rosamund Pike shines in David Fincher’s gripping study of psychopathy. It’s now available to stream on Amazon, iTunes, Vudu, YouTube, Google Play and Redbox.

ON TV

On April 1, Turner Classic Movies will present a host of films from the great Akira Kurosawa. Since we tend to think first of Kurusawa’s historic samurai classics, I am recommending his noir-stained contemporary crime films Drunken Angel, Stray Dog and High and Low. TCM is presenting them with seven other Kurosawa films. Kurosawa and actor Toshiro Mifune team up in all three of these decidedly non-samurai stories.

  • Drunken Angel (1948) was Kurusawa’s first major film and his first with Mifune, two years before their first samurai masterpiece Rashomon. Mifune plays a young Yazuka hood, who works with some very bad people, so there are some double crosses and a suitable dark ending.
  • In the police procedural Stray Dog (1949), Mifune plays a detective tracking down a gun that was used in a crime. The trail leads through Tokyo’s gritty underworld during a heat wave and even into a sold-out pro baseball game.
  • My favorite of these three is the 1963 neo-noir pressure cooker High and Low, with Mifune as the CEO of a major shoe manufacturer. In an attempt to kidnap his son, the crooks accidentally grab his chauffeur’s son. The CEO still wants to ransom the kid, but the price is ruinous, and all of this is happening as the CEO is being targeted himself for corporate backstabbing.
Toshiro Mifune (center) in HIGH AND LOW

REMEMBRANCE

The prolific actor Stuart Whitman has died. Strikingly manly and relatable, Whitman also had the gift of imbuing strong-and-silent characters with emotional texture. Indeed, he was nominated for the Best Actor Oscar for a 1961 film that I haven’t seen – The Mark, in which he played a guy seeking a normal life after being imprisoned for attempted child molestation. I remember Whitman for his performances in The Longest Day and the offbeat Convicts 4. He would not wish to be remembered for the giant carnivorous rabbit chiller Night of the Lepus.

Stuart Whitman

A BEAUTIFUL DAY IN THE NEIGHBORHOOD: Mr. Rogers pries open a soul

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Matthew Rhys and Tom Hanks in A BEAUTIFUL DAY IN THE NEIGHBORHOOD

The Wife and I finally got around to streaming the pleasantly entertaining A Beautiful Day in the Neighborhood, with Tom Hanks as Mr. Rogers. I had already seen the recent documentary Won’t You Be My Neighbor?, which I’ll touch on a few paragraphs later.

In A Beautiful Day in the Neighborhood, the investigative journalist Lloyd Vogel (Matthew Rhys) is a notch-on-his-belt guy, who revels in bringing down the famous. When the subjects of his profiles read his articles about them, it’s the worst day of their lives. Despite his professional success, a smart and sexy wife (Susan Kelechi Watson) and a new baby, he’s profoundly unhappy. We learn that much of this stems from unresolved anger at his father (Chris Cooper).

To his disgust, Vogel is assigned to write a brief puff piece on that icon of niceness, Mr. Rogers. The movie is about Mr. Rogers trying to disarm Vogel’s cynicism by excavating Vogel’s daddy issues.

As written, Vogel’s emotional journey is a little too predictable for A Beautiful Day in the Neighborhood to be a great movie, but it’s emotionally satisfying.

Of course, Tom Hanks is a perfect Mr. Rogers. Rhys is okay.

If you want to appreciate a great actor’s work, watch the very first time we see Chris Cooper. He signals that he is intoxicated with a slightly unsteady step backwards, and goes on to a perfectly realistic drunk performance, without ever lapsing into a Foster Brooks broadness,

Susan Kelechi Watson is very winning as Vogel’s wife, not a particularly complex part, but her charisma makes me want to see more of her.

This is the best work so far from director Marielle Heller (Diary of a Teenage Girl, Can You Ever Forgive Me?). She adds just the perfect dashes of magical realism (dropping Vogel into the sets and among the characters of the TV show), which is a difficult thing to get right.

We get to meet the real Fred Rogers in the recent biodoc Won’t You Be My Neighbor? What is so surprising is that Rogers’ sometimes laughably gentle affect sprang from such internal ferocity. It turns that Rogers was a man who hated, hated, hated the moral emptiness and materialism of commercial children’s television.

In theaters, Won’t You Be My Neighbor submerged audiences in their hankies. I did choke up three times during A Beautiful Day in the Neighborhood, but Won’t You Be My Neighbor? was pretty much one long ugly cry for me.

Streaming Won’t You Be My Neighbor? is included with subscriptions to HBO and DirecTV, and the stream can be purchased for $14.99 from all major streaming platforms. A Beautiful Day in the Neighborhood is available to stream from all the usual outlets; I paid Amazon $2.99.