Get ready for the Oscars by seeing these nominated films and performances, all on my Best Movies of 2015, all with some Oscar nominations:
45 Years with Charlotte Rampling’s enthralling Oscar-nominated performance.
The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN. I predict that The Revenant will be the biggest winner at the Oscars.
The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
The Big Short – a supremely entertaining thriller – both funny and anger-provoking.
The Coen Brothers’ disappointingly empty comedy Hail, Caesar contains some cool Hollywood parodies.
My DVD/Stream of the Week is the brilliant psychological drama 99 Homes, which illustrates the life-and-death stakes of our nation’s foreclosure crisis. It’s a topical film, but 99 Homes is emotionally raw and as intense as any thriller. The DVD is available to rent from Netflix and Redbox, and 99 Homes can be streamed from Amazon Video, iTunes, Vudu, YouTube, Google Play, and Playstation Video.
For just a fun time at the movies, try Richard Lester’s 1974 The Four Musketeers, coming up February 21 on Turner Classic Movies. Watch Oliver Reed, Richard Chamberlain, Michael York and Frank Finlay swashbuckle away against Bad Guys Christopher Lee, Faye Dunaway and Charlton Heston. Geraldine Chaplin and Raquel Welch adorn the action.
Christopher Lee and Faye Dunaway in THE FOUR MUSKETEERSOliver Reed in THE FOUR MUSKETEERS
The opening scene of the brilliant psychological drama 99 Homes illustrates the life-and-death stakes of our nation’s foreclosure crisis. It’s a topical film, but 99 Homes is emotionally raw and as intense as any thriller. Dennis Nash (Andrew Garfield) is a working class single dad, down on his luck. He loses his home to foreclosure and then must make a Faustian choice about supporting his family. Can he live with his choice, and what are the consequences?
With capitalism, where there are losers, there are also winners who have bet against the losers. Rick Carver (Michael Shannon) has built a prosperous real estate business on legitimate evictions and flips, supplemented with schemes to defraud federal home loan agencies, housing syndicates and individual homeowners. His world view is defined in a monologue about this nation bailing out the winners, not the losers – a cynical, but perceptive, observation.
Director Ramin Bahrani is a great American indie director, with a knack for drilling into the psyches of overlooked subsets of our society – immigrants (Chop Shop, Man Push Cart, Goodbye Solo), industrial farmers (At Any Price) and now the victims and profiteers of the Mortgage Bubble.
As foreclosure inexorably approaches, Garfield’s Nash is absorbed by dread, then desperation and, finally, to panic. His mom (Laura Dern) takes a different tack, settling firmly into denial and then erupting in hysteria. That denial recurs again and again in 99 Homes among those about to be evicted. These are people who have bought homes and can’t believe/grok/internalize that one day they will actually be forced out of them. One of the strongest aspects of 99 Homes is the use of non-actors who have lived through the nightmare. Some of the individual stories, especially one with a confused old man, are so wrenching as to be hard to watch.
This may be Andrew Garfield’ strongest cinema performance. Dennis Nash is a decent man incentivized to do the indecent. Garfield takes this good man through an amazing internal journey. Nash is forced to accept the failure resulting from his attempts to do what is right, juxtaposed with the success from conduct that he finds repulsive. Bahrani’s arty shot of the reflection of a swimming pool shimmering in a sliding glass door makes it look like Garfield is under water – which he metaphorically is at this point in the film.
Michael Shannon, one of my very favorite actors, is superb as a guy completely committed to pursuing his own survival/prosperity strategy – no matter that it is based on ruining the lives of other humans. Unlike Nash, Shannon’s Carver has accepted the incentives to act badly and has overcome any qualms about either moral ambiguity or even stark amorality.
Veteran television actor Tim Guinee is remarkable as homeowner Frank Green. Laura Dern is excellent in a pivotal role. The character actor Clancy Brown proves once again that he can grab the screen, even when he’s only visible for a minute or two.
With its searing performances by Garfield and Shannon, 99 Homes is unsparingly dark and intense until a final moment of redemption. The DVD is available to rent from Netflix and Redbox, and 99 Homes can be streamed from Amazon Video, iTunes, Vudu, YouTube, Google Play, and Playstation Video.
This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them. You don’t need ME to tell you that The Big Short, Creed, Spotlight and The Martian are good movies. What’s important to me is that you don’t miss the less well-known gems:
The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
Phoenix from Germany – a riveting psychodrama with a wowzer ending. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
The brilliant psychological drama 99 Homes, available on DVD early in 2016.
The delightful family centric Meet the Patels – a documentary funnier than most comedies.
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT
Talk about overlooked – one of the year’s very best films, the exquisite and lyrical Georgian drama Corn Island, didn’t even get a US release. Neither did some other wonderful films that I saw at Cinequest: the narrative feature The Hamsters and the documentaries Aspie Seeks Love, Meet the Hitlers and Sweden’s Coolest National Team. Here’s hoping that I can tell you where to see them soon.
First things first – the Camera Cinema Club is kicking off its 20th season this weekend, and it’s an absolute MUST for Silicon Valley film lovers. I explain why in these comments. I’ve been a Club member since its 2003-04 season. If you love movies and live in Silicon Valley, you need to be in the Camera Cinema Club. Sign up here.
There’s something for everyone in theaters:
The Martian – an entertaining Must See space adventure – even for folks who usually don’t enjoy science fiction;
Sicario – a dark and paranoid crime thriller about the drug wars.
Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies. Now hard to find in theaters, it’s worth tracking down.
99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
My most recent Stream of the Week is the unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play. You will be able to rent it on DVD from Netflix and Redbox on November 3.
This week, Turner Classic Movies brings us two fantastic comedies – two of the very best in cinema history. First, on October 19, there’s My Man Godfrey (1936) – an assembly of eccentric, oblivious, venal and utterly spoiled characters make up a rich Park Avenue family and their hangers-on during the Depression. The kooky daughter (Carole Lombard) brings home a homeless guy (William Powell) to serve as their butler. The contrast between the dignified butler and his wacky employers results in a brilliant screwball comedy that masks searing social criticism that is relevant today. The wonderful character actor Eugene Pallette (who looked and sounded like a bullfrog in a tuxedo) plays the family’s patriarch, who is keenly aware that his wife and kids are completely nuts.
Then on October 21, TCM will present the groundbreaking French comedy La Cage Aux Folles – a daring film in 1978, when few were thinking about same-sex marriage. A gay guy runs a nightclub on the Riviera – and his partner is the star drag queen. The nightclub owner’s beloved son wants him to meet the parents of his intended. But the bride-to-be’s father is a conservative politician who practices the most severe and judgmental version of Roman Catholicism, so they’re going to have to conceal aspects of their lifestyle. Mad cap comedy ensues, and La Cage proves that broad farce can be heartfelt. Michel Serrault is unforgettable as Albin/Zaza – one of the all-time great comic performances. (La Cage was tepidly remade in 1996 as The Birdcage with Robin Williams, but you want to see the French original.)
Ugo Tognazzi and Michel Serrault in LA CAGE AUX FOLLES
Plenty of excellent movie choices in the theaters – and something for everyone:
The Martian – an entertaining Must See space adventure – even for folks who usually don’t enjoy science fiction;
Sicario – a dark and paranoid crime thriller about the drug wars.
Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies. Now hard to find in theaters, it’s worth tracking down.
99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
The excellent true life crime drama Black Mass with Johnny Depp, Joel Edgerton and a brilliant cast.
Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO and now in theaters.
My Stream of the Week is the unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play. You will be able to rent it on DVD from Netflix and Redbox on November 3.
On October 12, Turner Classic Movies presents the groundbreaking French noir Elevator to the Gallows(1958). A thriller about the perfect crime that goes awry, it still stands up today, .It’s one of my Overlooked Noir. Elevator to the Gallows is such a groundbreaking film, you can argue that it’s the first of the neo-noir. It’s difficult now to appreciate the originality of Elevator the Gallows; but in 1958, no one had seen a film with a Miles Davis soundtrack or one where the two romantic leads were never on-screen together. Directed by Louis Malle when he was only 24 years old.
On October 15, TCM brings us the 1979 Oscar-winner Harlan County U.S.A. Filmmaker Barbara Kopple embedded herself among the striking coal miners and got amazing footage – including of herself threatened and shot at. Also one of my 5 Great Hillbilly Movies.
The Matt Damon space adventure The Martian is a crowd pleaser that I’ll be writing about soon. Here are this week’s other recommendations:
Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies.
99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
The excellent true life crime drama Black Mass with Johnny Depp, Joel Edgerton and a brilliant cast.
Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO and now in theaters.
This week’s Stream of the Week comes from The Movie Gourmet’s list of Overlooked Noir. The Burglar(1957) is known primarily as the movie debut of Jayne Mansfield, but it’s a fine film noir. The Burglar plays from time to time on Turner Classic Movies and is available streaming on Amazon Instant Video, iTunes, Vudu, Xbox Video and Flixster.
On October 4, Turner Classic Movies airs Key Largo (1948), one of the classic film noirs and still satisfying to this day. Trapped in a claustrophobic Florida island resort by a hurricane, Humphrey Bogart has to face down sadistic mobster Edward G. Robinson. 23-year-old Lauren Bacall was at her most appealing. Claire Trevor’s heartbreaking performance as a gangster’s moll aging out of her looks is one of her best.
Now we’re talkin’ – it’s late September and once again we have some fine movie choices in the theaters:
Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies.
99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
The excellent true life crime drama Black Mass with Johnny Depp, Joel Edgerton and a brilliant cast.
Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO and now in theaters.
My DVD/Stream of the Week is the hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
On September 28, Turner Classic Movies brings us that paragon of madcap comedies, Arsenic and Old Lace (1944); Cary Grant leads a cast that is perfect, right down to Jack Carson as Officer O’Hara, the new cop on the beat.
The opening scene of the brilliant psychological drama 99 Homes illustrates the life-and-death stakes of our nation’s foreclosure crisis. It’s a topical film, but 99 Homes is emotionally raw and as intense as any thriller. Dennis Nash (Andrew Garfield) is a working class single dad, down on his luck. He loses his home to foreclosure and then must make a Faustian choice about supporting his family. Can he live with his choice, and what are the consequences?
With capitalism, where there are losers, there are also winners who have bet against the losers. Rick Carver (Michael Shannon) has built a prosperous real estate business on legitimate evictions and flips, supplemented with schemes to defraud federal home loan agencies, housing syndicates and individual homeowners. His world view is defined in a monologue about this nation bailing out the winners, not the losers – a cynical, but perceptive, observation.
Director Ramin Bahrani is a great American indie director, with a knack for drilling into the psyches of overlooked subsets of our society – immigrants (Chop Shop, Man Push Cart, Goodbye Solo), industrial farmers (At Any Price) and now the victims and profiteers of the Mortgage Bubble.
As foreclosure inexorably approaches, Garfield’s Nash is absorbed by dread, then desperation and, finally, to panic. His mom (Laura Dern) takes a different tack, settling firmly into denial and then erupting in hysteria. That denial recurs again and again in 99 Homes among those about to be evicted. These are people who have bought homes and can’t believe/grok/internalize that one day they will actually be forced out of them. One of the strongest aspects of 99 Homes is the use of non-actors who have lived through the nightmare. Some of the individual stories, especially one with a confused old man, are so wrenching as to be hard to watch.
This may be Andrew Garfield’ strongest cinema performance. Dennis Nash is a decent man incentivized to do the indecent. Garfield takes this good man through an amazing internal journey. Nash is forced to accept the failure resulting from his attempts to do what is right, juxtaposed with the success from conduct that he finds repulsive. Bahrani’s arty shot of the reflection of a swimming pool shimmering in a sliding glass door makes it look like Garfield is under water – which he metaphorically is at this point in the film.
Michael Shannon, one of my very favorite actors, is superb as a guy completely committed to pursuing his own survival/prosperity strategy – no matter that it is based on ruining the lives of other humans. Unlike Nash, Shannon’s Carver has accepted the incentives to act badly and has overcome any qualms about either moral ambiguity or even stark amorality.
Veteran television actor Tim Guinee is remarkable as homeowner Frank Green. Laura Dern is excellent in a pivotal role. The character actor Clancy Brown proves once again that he can grab the screen, even when he’s only visible for a minute or two.
With its searing performances by Garfield and Shannon, 99 Homes is unsparingly dark and intense until a final moment of redemption. It opens on Friday.
