Once again, some promising new movies in the theaters

We’re nearing the end of that period in January and February where the theaters are filled with 1) Oscar nominees lingering from the Holidays and 2) the very worst Hollywood inventory.   Some intriguing new films are now ready to be released.  I’ve updated the Movies I’m Looking Forward To page to add trailers and descriptions.

This weekend brings us Cedar Rapids and Kaboom.  Cedar Rapids is an “aim low” comedy about a lame guy (Ed Helm) whose life is so boring that an insurance agent conference in Cedar Rapids is a revelatory experience.   It’s got John C. Reilly as the Wild and Crazy Insurance Agent and is directed by Miguel Arteta, director of the underrated The Good Girl and Youth in RevoltKaboom: A trippy sex comedy from director Greg Araki, creator of the brilliant and searing Mysterious Skin.

Here’s the trailer for next weekend’s Nora’s Will, a Mexican dramedy in which a man’s mother dies and he uncovers some jarring family secrets.

The Movies I’m Looking Forward To page also features Troubadours, Certified Copy, Of Gods and Men, Carancho, Hanna, Jane Eyre, Restless, The Tree of Life, Tabloid, Cold Weather, Boxing Gym and American Grindhouse.

Movies to See Right Now

Jeff Bridges and Hailee Steinfeld, both Oscar-nominated, inTrue Grit

The must see films are still True Grit, The King’s Speech, Black Swan, The Fighter and Another Year. All are on my list of Best Movies of 2010. 127 Hours and Biutiful are also good movies out now. The Illusionist is the wistful and charming animated story of a small time magician who drifts through an ever bleaker array of gigs while helping a waif blossom.

For trailers and other choices, see Movies to See Right Now.

You can see trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is Inception. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include Blow-Up, The Third Man, All the King’s Men, 8 1/2 and Tom Jones on TCM.

DVD of the Week: Inception

Inception was the year’s best Hollywood summer blockbuster.  Because it’s written and directed by Christopher Nolan (Memento, The Dark Knight), we expect it to be brilliantly inventive and it exceeds that expectation.  The story places the characters in reality and at least three layers of dreams simultaneously.  A smart viewer can follow 85% of the story – which is just enough.  Then you can go out to dinner and argue over the other 15%.  The Wife said it was “like The Wizard of Oz on acid”.

Leonardo DiCaprio leads the cast, but the supporting players give the best performances: Ellen Page, Joseph Gordon-Levitt, Michael Caine, Marion Cotillard, Pete Postlethwaite, Cillian Murphy, Ken Watanabe, Tom Berenger and Tom Hardy.

New Movie Recommendations

Colin Firth in the King's Speech, about to pick up the Oscar he earned last year in A Single Man

True Grit, The King’s Speech, Black Swan and The Fighter are all crowd pleasers.  A bit more challenging, Another Year and Rabbit Hole are also on my list of Best Movies of 2010. 127 Hours, The Way Back, Somewhere and Biutiful are also good movies out now. The Illusionist is the wistful and charming animated story of a small time magician who drifts through an ever bleaker array of gigs while helping a waif blossom.

Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.

For trailers and other choices, see Movies to See Right Now.

I haven’t seen Cedar Rapids (opening tomorrow), but you can its trailer and those of other upcoming films at Movies I’m Looking Forward To.

My DVD pick is The Social Network. For my recent DVD choices (including trailers), see DVDs of the Week.

It’s a good week for movies on TV, including Quo Vadis, The Graduate, Gone With the Wind, Treasure of the Sierra Madre, Victor/Victoria, Mon Oncle, The Stunt Man, Do the Right Thing and Blow-Up on TCM.

DVD of the Week: The Social Network

The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  Sorkin has written a screenplay about nerdy guys writing computer code and has made it fast-paced, understandable, funny and even gripping.

The most compelling aspect of the film is Jesse Eisenberg’s performance as Facebook creator Mark Zuckerberg.  Eisenberg’s Zuckerman has few social skills, less social aptitude and exactly one friend, yet creates a framework for other people to share scores and even hundreds of “friends”.  Eisenberg carries the film with an especially intense performance of an emotionally remote character.   Eisenberg has been underrated despite strong performances in Adventureland, Zombieland and Solitary Man. Here, it is impossible to think of another actor who could so vividly create this Zuckerman.

The rest of the cast is outstanding, especially, Justin Timberlake (as Napster infant terrible Sean Parker), Armie Hammer, Rooney Mara and Douglas Urbanski.

One more thing:  Fincher and Sorkin know how to end a movie.

It’s on my list of Best Movies of 2010.

The Illusionist – wistful and charming

Sylvain Chobert (The Triplets of Belleville) made this wistful animated charmer from a screenplay by the French master director Jacques Tati, who died in 1982.  The Illusionist tells the story of a small time magician whose act no longer appeals to a postwar audience.  As he prospects for an ever bleaker array of gigs, he drifts through show a biz detritus of seamy dressing rooms and broken talent.  He meets a girl, who attaches herself to him to escape her drab existence.  The magician selflessly works to help her blossom.  It’s an innocent and sweet tale made bitterweet by the harsh grimness of his situation.

I wasn’t a big fan of Triplets of Belleville, but here Chobert strikes every note perfectly.  It’s an essentially silent film that captures the tone of Tati’s Mr. Hulot’s Holiday.  (Indeed, when the magician drops into a movie theater, it’s showing Tati’s masterpiece Mon Oncle.)   It’s a fine movie with a sweetness that is rare in modern cinema.

This Week’s Movie Recommendations

James Franco in Danny Boyle's 127 Hours

If you want to see the Oscar nominees for Best Picture, I’d suggest catching True Grit, The King’s Speech, Black Swan and The Fighter in a theater. Another Year and Rabbit Hole are also on my list of Best Movies of 2010. 127 Hours, The Way Back, Somewhere and Biutiful are also good movies out now.

Another Year is Mike Leigh’s brilliant observation of the human condition, and asks why some people find contentment and others just cannot; Lesley Manville has the flashiest role – and gives the most remarkable performance – as a woman whose long trail of bad choices hasn’t left her with many options for a happy life.  I also strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. 

Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.

For trailers and other choices, see Movies to See Right Now.

You can see trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is The Tillman Story. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include The Caine Mutiny, Glory, Quo Vadis and The Graduate on TCM.

DVD of the Week: The Tillman Story

The Tillman Story weaves three stories together: the making of Pat Tillman, how he died in Afghanistan and his family’s struggle to pull the sheets back on the US military’s cover-up.  At its core, it is the story of people who insist on truth dealing with a system that operates on perception.

I thought I knew the story. Tillman left the fame and wealth of an NFL career to enlist in the Army post-911.  He was killed in a firefight in Afghanistan.  The Army reported that he was killed while heroically charging the enemy to save his comrades.  It was later revealed that he was killed by fire from his comrades.   Still later, it became clear that the heroic death story was immediately concocted by the military for spin control or, worse, propaganda.

I didn’t know that Tillman predicted that the Army would propagandize his death and smuggled out to his wife the documentation of his wish for a civilian funeral.  I didn’t know that Tillman crouched on a hill watching the bombing of Baghdad, and said, “This war is so fucking illegal.”  I didn’t know that Tillman was with the team that waited hours to “rescue” captured soldier Jessica Lynch (abandoned by her captors) until a film crew arrived.

The US military made a huge miscalculation:  they assumed that the family that produced someone with Pat Tillman’s values would be satisfied with a phony narrative of cartoonish heroism.

The more I think about The Tillman Story, the more I admire it.  And I am increasingly grateful that Michael Moore didn’t make this movie and degrade it into a screed.  Instead, Director Amir Bar-Lev avoids the simplistic and satisfying formulas and respects his subject matter and the audience by letting the story speak for itself.

127 Hours – Not just a cringefest

127 Hours is surprisingly entertaining – surprisingly because you know, even before entering the theater, that the protagonist is going to get trapped under a rock and make his escape by cutting off his own arm.  Although there are cringeworthy moments (not only the amputation), it’s not just a cringefest.  This is a Danny Boyle movie after all, so there is lots of eye candy and a pounding score.  But Boyle also  framed a  character for James Franco to play who is very fun at the beginning and more textured as his ordeal unfolds.  And Franco, as usual, is wonderful.

Another Year

Mike Leigh (Secrets and Lies, Vera Drake) has brought us another brilliant observation of the human condition, and asks why some people find contentment and others just cannot.  The film observes a year in the life of a happily married couple (Jim Broadbent and Ruth Sheen).  They generously host their friends and family; the couple (and we the audience)  pick up insights about the visitors – variously scarred by unhappy circumstance, cluelessness and self-destructiveness.

Mike Leigh may be the cinema’s best director of actors, and Another Year is filled with excellent performances, especially Broadbent and Sheen, David Bradley and Peter Wight. The wonderful Imelda Staunton drops in with a searing cameo at the beginning of the film.  But Lesley Manville has the flashiest role – and gives the most remarkable performance – as a woman whose long trail of bad choices hasn’t left her with many options for a happy life.

Another Year is one of Leigh’s best.