Cinequest

Movies to See Right Now

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Max Von Sydow as THE EXORCIST

This would have been the ending weekend of CINEQUEST which will resume in mid-August when, hopefully the COVID-19 pandemic will have peaked. Until then, we’ll all be watching our movies at home.

REMEMBRANCE

Max Von Sydow in THE SEVENTH SEAL

Sixty-three years after the chess game with Death himself in The Seventh Seal, actor Max Von Sydow has finally succumbed.  Von Sydow is justifiably most well known among cinephiles for his many roles in a cascade of Ingmar Bergman’s grimness, including The Seventh Seal, The Magician, The Virgin Spring, Through a Glass Darkly, Winter Light, Shame and The Passion of Anna.  And in The Magician, he had to don the most off-putting of facial hair. His biggest hit, of course was as the title character in The Exorcist. Contrary to his image, he had the capacity for hilarity, which he demonstrated in Hannah and Her Sisters as a ridiculously pretentious and selfish artist.  Along with that role, my favorite Von Sydow performances were in Jan Troell’s The Emigrants and The New Land, as a Swedish settler in frontier America.

OUT NOW

  • What She Said: The Art of Pauline Kael is the remarkably thorough and insightful biodoc of the iconic film critic Pauline Kael and her drive for relevance.
  • Of the new films I haven’t yet seen, Seberg, with Kristin Stewart, looks the most promising.

And here’s what I’ve written about the best Oscar-nominated movies. They’re all available to stream:

ON VIDEO

This week’s video pick is the superb 2013 drama Short Term 12, with a cast of then-emerging actors – Brie Larson, Kaitlyn Dever, LaKeith Stanfield, Rami Malek and John Gallagher Jr. – all before they became stars. You can find it on most streaming platforms.

ON TV

On both March 14 and 15, Turner Classic Movies is presenting one of the earliest films noir, I Wake Up Screaming. I Wake Up Screaming has proto-noir style, the matter-of-fact sexiness of Carole Landis, the easy-to-root-for pair of Betty Grable and Victor Mature, and the amazing performance of Laird Cregar as the most menacing and creepy of stalkers.  Plus there’s the most incongruous use of the song Somewhere Over the Rainbow. It’s one of my Overlooked Noir, and Czar of Noir Eddie Muller will add some tidbits before and after.

Betty Grable and Laird Cregar in I WAKE UP SCREAMING

THE BURNT ORANGE HERESY: old dogs Jagger and Sutherland light up a talky neo-noir

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Klaes Bang and Elizabeth Debicki in THE BURNT ORANGE HERESY. Photo courtesy of Cinequest.

In the neo-noir The Burnt Orange Heresy, a shady art critic (Klaes Bang) picks up an adventuresome hottie (Elizabeth Debicki) and is enlisted by a menacing zillionaire (Mick Jagger) to scheme out a painting from a reclusive painter (Donald Sutherland). This being a neo-noir, things don’t go as the critic has planned and it takes him too long to realize that he is the sap in the story.

Klaes Bang (The Square) is just made to play that handsome charmer who is just Up To No Good, the kind of role that would have gone to Zachary Scott in the 1940s. But in The Burnt Orange Heresy, Debicki, Sutherland and Jagger are each so compelling, and their characters are so rich, that they completely overshadow Bang’s critic.

This is also a very talky movie, too much so. All the yakking and Bang’s unrelatability drag down The Burnt Orange Heresy and keep it from engaging the audience. relatibility

Sutherland has such a sparkle as the mischievous painter, and it may be easier to spot it now in the aged actor than forty years ago in MASH or Animal House.

Mick Jagger in THE BURNT ORANGE HERESY

The real surprise here is Mick Jagger. This character, a rich and utterly masterful string-puller, is well within Jagger’s acting range and he nails it. After all, as an actor in fictional narratives, he is best known for two of the very worst movies of 1970: Ned Kelly and Performance. But here, Jagger employs his unmatched worldliness to inform this performance (and he makes great use of his trademark sneer and predatory smile, too). Jagger and Sutherland are probably the two best reasons to see this movie.

I saw The Burnt Orange Heresy at Cinequest. I expect it to be released theatrically in the Bay Area in the next few weeks.

THUNDERBIRD: unoriginal and, finally, insipid

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This is a two-second shot in THUNDERBIRD which has nothing much to do with the plot. Photo courtesy of Cinequest.

In the unremarkable Canadian mystery Thunderbird, a city detective visits a backwoods hamlet to unspool a mystery involving damaged young adults from a local tragic family. Thunderbird has the feel of a typical TV whodunit procedural with a trippy supernatural angle slapped on.

If you’ve ever watched a TV or movie drama, you will have already heard every line of dialogue in Thunderbird.  

There’s also an insufferable dose of noble indigenous spiritualism.

I thought I was watching an especially insipid ending, but then was surprised with the real ending, even more insipid.

Cinequest hosted the US premiere of Thunderbird.

TWELVE DAYS OF CHRISTMAS: party, party, party, angst

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TWELVE DAYS OF CHRISTMAS. Photo courtesy of Cinequest.

In the comedy Twelve Days of Christmas, high school friends reunite when they’re home for their first college Christmas break. They all get down to some serious partying, but two of them must deal with a serious issue.

These characters act like they are refugees from some mythical colleges that are devoid of booze and drugs. The partying is so purposeful, it brought to my mind the Joe Ely song Everybody Got Hammered. The one blow-out party is very impressive, especially compared to my own first-college-break experience: Round Table pizza, cans of beers and a bottle of rum.

The core of the story is the angst of unrequited love; one character has obviously been in love with his best friend, who hasn’t noticed his yearning for her. And that’s the weakness of Twelve Days of Christmas. Although this guy is fun, witty, loyal and dependable, she knows that he is kinda weak-willed, so it’s evident that she could never see him has a partner.

Most of the cast is very good, although I never got away from being distracted by all the actors seeming at least 4-5 years older than the 19-year-old characters.

Director Michael Boyle and editor Carter Feuerhelm have enough faith in their audience and skill to drop in some split-second gags, all the more effective without lingering on them.

Cinequest hosted the world premiere of Twelve Days of Christmas.

THE MIMIC: surreal battle of wits

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Jake Robinson and Thomas Sadoski in THE MIMIC. Photo courtesy of Cinequest.

In the offbeat and cerebral comedy The Mimic, a widowed screenwriter (Thomas Sadoski) becomes obsessed with his own sociopathic character – and the a person JUST LIKE the character (Jake Robinson) materializes in his life. The two embark on a surreal battle of wits.

Is the new acquaintance a real person, or is he the character in the screenplay? Is the sociopathic character miming the writer? Or is the writer exploring his own sociopathy?

The Mimic is an intellectual exercise, with more knowing chuckles than knee-slappers. Ultimately, it is more clever than it is engaging or entertaining.

The Mimic is basically a two-hander, but it’s rich in cameos. There’s a priceless turn by Gina Gershon as a cougar bar fly. M. Emmet Walsh, Marilu Henner and Jessica Walter show up, too, along with the always-welcome Austin Pendleton (whom I’ve enjoyed since his Francis Larabee in What’s Up, Doc?).

Cinequest hosted the world premiere of The Mimic.

Movies to See Right Now

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THE LONGEST WAVE, tonight at Cinequest. Photo courtesy of Cinequest.

Of course, I’m deep into Cinequest as usual: The best of Cinequest 2020. If you’re going, look for these three world premieres: Before the Fire (Saturday at the Hammer), 3 Day Weekend (tonight in Redwood City, Monday at the Hammer) and Small Time (Saturday in Redwood City, Sunday at 3Below). I’ve linked ten feature stories and 21 movie recommendations on my CINEQUEST page.

OUT NOW

  • What She Said: The Art of Pauline Kael is the remarkably thorough and insightful biodoc of the iconic film critic Pauline Kael and her drive for relevance.
  • Of the new films I haven’t yet seen, Seberg, with Kristin Stewart, looks the most promising.

And here’s what I’ve written about the best Oscar-nominated movies. They’re all available to stream:

ON VIDEO

This week’s video pick, the Norwegian suspense thriller Revenge, comes from the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On March 10, Turner Classic Movies will air Monterey Pop (1968). This is one of the few DVDs that I still own, for the performances by Mamas and the Papas, Jimi Hendrix, Janis Joplin, Otis Redding, Canned Heat, Simon and Garfunkle, Jefferson Airplane, Eric Burdon and the Animals, Country Joe and the Fish and The Who.  

It’s okay with me if you fast forward over Ravi Shankar.  Don’t miss the reaction of Mama Cass Elliot, sitting in the audience, to Janis Joplin. Pete Townsend and Jimi Hendrix had a guitar-destroying competition, which Hendrix, aided by lighter fluid, undeniably won.  The Otis Redding set is epic.

Otis Redding in MONTEREY POP

The best of CINEQUEST 2020

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cq logo

I’ve already seen over twenty offerings from Cinequest 2020, and here are my initial recommendations. As usual, I focus on the world and US premieres. Follow the links for full reviews, images and trailers. I’ve also included some tips for making the most of the Cinequest experience under “Hacking Cinequest”.

[NOTE: This was a preview post written just before the festival opened. The best film in the 2020 Cinequest program was Driveways (which I actually saw after the festival because of COVID-19).]

Jenna Lyng Adams in BEFORE THE FIRE. Photo courtesy of Cinequest.

MUST SEE

  • Before the Fire: In this year’s Must See at Cinequest, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks. World premiere.

3 DAY WEEKEND. Photo courtesy of Cinequest.

THRILLERS

  • Before the Fire, of course and
  • 3 Day Weekend: In this inventively constructed thriller, the point of view keeps shifting, and so does the genre. The screenplay is a triumph of storytelling. World premiere.
  • Fox Hunt Drive: One gobsmacking plot twist. World premiere.
INEZ & DOUG & KIRA. Photo courtesy of Cinequest.

INDIES

  • Inez & Doug & Kira: A tangle of love, friendship and bipolar disorder – and obsession. Bay Area premiere.
  • Small Time: Rural America’s opioid crisis explored through its impact on one little girl; what is the shelf life of innocence? Shot over three years with insight and verisimilitude. World premiere.
OWNERS. Photo courtesy of Cinequest.

WORLD CINEMA

  • Owners: This dark Czech comedy takes a jaundiced view of human foibles – as if penned by a modern Czech Mark Twain. Recognized as the year’s best film from the Czech Republic. North American premiere.
  • Willow: This triptych by Oscar-nominated master Macedonian filmmaker Milcho Manchevski plumbs the heartaches and joys of having children; there’s a scene in the final vignette with a mother and son in a car that is one of the most amazing scenes I’ve ever seen. North American premiere.
  • I Am Frank: This excellent Slovenian drama is about the return of a charismatic misfit who just can’t leave well enough alone. US premiere.
BREAKING FAST. Photo courtesy of Cinequest.

FEEL GOOD

  •  Breaking Fast: Just another gay Muslim romantic comedy…I predict that Breaking Fast will become the Feel Good hit of the 2020 Cinequest. World premiere.
THE QUICKSILVER CHRONICLES. Photo courtesy of Cinequest.

DOCUMENTARY

  • The Quicksilver Chronicles: Two bohemians live in a ghost town close (yet far) from Silicon Valley, and life happens. World premiere.

AND TWO I HAVEN’T SEEN YET

  • The Burnt Orange Heresy: See it here before its wide release. This neo-noir features Elizabeth Debicki, Claes Bang, Donald Sutherland and…Mick Jagger.
  • The Longest Wave: I am a sucker for a surfing documentary, and this one comes from filmmaker Joe Berlinger (Paradise Lost, Metallica: Some Kind of Monster).

CLASSIC MOVIE EXPERIENCE

  • The silent 1920 The Mark of Zorro with Douglas Fairbanks swashbuckling across the screen will be projected in a period movie palace, the California Theatre, accompanied by world-renowned Dennis James on the Mighty Wurlitzer organ. I hear that last year’s Buster Keaton triumph has encouraged Cinequest to open this year’s silent screening with a Keaton short.

BEFORE IT’S IN THEATERS – SEE IT HERE FIRST

  • Several Cinequest films already are planned for theatrical release later this year. I haven’t seen them yet, but you can see them first at Cinequest.  Resistance, The Burnt Orange Heresy, Hope Gap, Roads Not Taken, The Longest Wave and Driveways are among the movies slated for theatrical release later this year.

HACKING CINEQUEST

Cinequest retains its Downtown San Jose vibe, with concurrent screenings at the 1122-seat California, the 550-seat Hammer and the 257-seat 3Below, all within 1600 feet of the VIP lounge at The Continental Bar. There will still be satellite viewing in Redwood City; if you’re going to and from Redwood City between 3 and 7 PM on a weekday – take Caltrain instead of driving.

At Cinequest, you can get a festival pass for as little as $165, and you can get individual tickets as well. The express pass for an additional tax-deductible $100 is a fantastic deal – you get to skip to the front of the lines!

Take a look at the entire program, the schedule and the passes and tickets.

As usual, I’ll be covering Cinequest rigorously with features and movie recommendations. I usually screen (and write about) over thirty films from around the world. Bookmark my CINEQUEST page, with links to all my coverage.  Follow me on Twitter for the latest.

Klaes Bang and Elizabeth Debicki in THE BURNT ORANGE HERESY. Photo courtesy of Cinequest.

Cinequest Stream of the Week: REVENGE – the web is spun

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Siren Jørgensen in REVENGE

Cinequest opens tonight, so this week’s video pick comes from the 2017 fest. In the Norwegian suspense thriller Revenge, the slightly creepy Rebekka (Siren Jørgensen) appears at a hotel on a remote fjord under the false pretense that she is a travel writer. The hotel is otherwise empty because it is off-season (think The Shining). She ingratiates herself with the hotel’s owner Morten, the most economically and socially significant person in town, and his wife (Maria Bock). It turns out that twenty years before, Morten date-raped Rebekka’s little sister, leading to her suicide. Now Rebekka wants to exact vengeance.

Revenge becomes a tick-tock suspenser as Rebekka deliberately lays her trap. We’re able to see some, but not all, of the web that she spins, which will put in jeopardy Morten’s reputation, marriage, business and his very health and survival. Can she pull it off? And how lethal will her revenge be?

It’s the first feature for Kjersti Steinsbø, who adapted the screenplay and directed. She has created a real page-turner here. In one very effective touch, it turns out that one of the characters knows FAR more than we initially suspect.

REVENGE
Anders Baasmo Christian in REVENGE

Revenge is uniformly well-acted, but Anders Baasmo Christian, as Bimbo the bartender, is exceptionally good. Just keep your focus on Bimbo. There’s more there than initially meets the eye. And Bimbo’s relationships with both Rebekka and Morten are very conflicted and complicated.

The ending is satisfying, and Morten’s ultimate fate is unexpected. Revenge was one of the world cinema high points of the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

SMALL TIME: innocence among the addicted

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Audrey Grace Marshall in Niav Conty’s SMALL TIME, premiering at Cinequest. Photo courtesy of Cinequest.

Filmmaker Niav Cinty explores rural America’s opioid crisis through its impact on one little girl in Small Time. Emma (Audrey Grace Marshall) is growing up among damaged and ill-prepared adults who are modeling the worst possible lessons about drug use, parental responsiblity, handling firearms, choice of language and taking things that belong to someone else. This is an opioid-ravaged world in which the one character who actually saves two lives is the local abusive drug dealer. Emma sees things that no child should see.

Emma is spirited, smart and has a child’s pureness of heart.  Amidst the adult chaos, she’s baking cookies and thinking about the tooth fairy. But we have to ask, what is the shelf life of innocence? When will her environment take its toll?

Nobody is comfortable watching a child in bad situations, so why isn’t Small Time unwatchable? Writer-director Conty has mastered the tone by making Emma such a spirited, hopefully indomitable protagonist. And Conty embeds just enough humor in scenes with the local lunkheads playing the board game Risk and Emma turning the doctrinal tables on a priest, forcing him to resort to bluster.

The child actress Audrey Grace Marshall is very good. Conty shot Small Time over three years as Audrey ranged from seven to ten. Small Time was filmed on location in north central Pennsylvania.

Cinequest hosts the world premiere of Small Time.

WILLOW: a mother’s heartbreak, a mother’s joyous triumph

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WILLOW. Photo courtesy of Cinequest.

Willow is a triptych by Oscar-nominated master Macedonian filmmaker Milcho Manchevski that plumbs the heartaches and joys of having children. Willow contains the stories of three mothers and the heartache of childlessness, the heartbreak of losing a child and the emotional roller coaster of parenting. In Willow, a mother’s love can bring devastating grief and triumphant joy.

There’s a scene in the final vignette with a mother and son in a car that is one of the most amazing scenes I’ve ever seen.

There’s also a woman who is drawn to a man when she watches him act with profound decency – even though he doesn’t know anyone else is watching him. That launches a deeply beautiful love story.

Just about every parent has had a child vanish at the turn of one’s head, and plunges into panic, desperation and terror until the child is found. There is more than one of these scenes in Willow, and they are uncomfortable.

As a World Cinema bonus, we are introduced to the Macedonian phrase, “wash the bananas”.

Manchevski’s Before the Rain was nominated for the Best Foreign Language Oscar in 1994. Most recently, he directed my choice as the best film of the 2017 Cinequest, Bikini Moon.

Cinequest hosts the North American premiere of Willow.