Young Adult: a game changer of a comedy

With Young Adult, screenwriter Diablo Cody (Juno) and director Jason Reitman (Thank You for Smoking, Juno, Up in the Air) are challenging the current mode of comedy itself.  They turn many comic conventions on their heads in this nastily dark comedy.

Played by Charlize Theron, the main character is stunningly non-empathetic,  utterly self-absorbed and thoroughly unpleasant.  She was the prom goddess in her small town high school, and has moved to the city for a job with a hint of prestige.  With a failed marriage, a looming career crisis and no friends, she’s drinking too much and is in a bad place.  So she decides to return to her hometown and get her old boyfriend (Patrick Wilson) back – despite the fact that he’s gloriously contented with his wife and newborn infant.

Naturally, social disasters ensue.  Along the way, the story probes the issues of happiness and self-appraisal.

Patton Oswalt is wonderful as someone the protagonist regarded as a lower form of life in high school, but who becomes her only companion and truth teller.

Young Adult is inventive and very funny.  Its cynicism reminds me of a Ben Hecht or Billy Wilder screenplay (high praise).  Note:  This is NOT a film for someone expecting a light comedy.

The Guard: another winner for Brendan Gleeson

This Irish dark comedy is a showpiece for Brendan Gleeson as a lowbrow cop happening upon an international drug conspiracy.  Gleeson is always very good and was especially memorable in director Martin McDonagh’s  2008 In Bruges, which was either the funniest hit man movie ever or the darkest and most violent buddy comedy ever.  This time, McDonagh’s brother John Michael McDonagh directs Gleeson as a very canny man who convincingly strives to appear much dumber than he is.   The perfect foil for Gleeson’s sloppy local cop is the refined FBI agent played by Don Cheadle.  Those familiar with Ireland will recognize the Connemara Coast.  Don’t miss The Guard.