Movie Recommendations, Rants and Ruminations
I am not a Joan Rivers fan, but Joan Rivers: A Piece of Work won me over. Rivers’ compulsion to stay busy at age 77 by accepting every conceivable gig is fascinating, and her raw vulnerability makes you care about her. It also helps that Rivers is very, very funny. It is one of four documentaries on my list of Best Movies of 2010 – So Far.
For my recent DVD choices (including trailers), see DVDs of the Week.
This documentary chronicles the physically grueling and emotionally draining three-day competition for the MOF, the highest designation for French pastry chefs. Amid impossibly towering sugar sculptures and delectable cream puffs and layer cakes, we see the essential cores of competition – aspiration, ambition, perseverance, commitment, desperation, heartbreak and victory. Kings of Pastry is directed by the brilliant documentarians Chris Hegedus and DA Pennebaker (The War Room).
It has earned a spot on my list of 10 Food Porn Movies.
Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year. It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system. Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various tricks and bamboozles that have hidden behind their own complexity.
Like this year’s other best documentaries, The Tillman Story. Joan Rivers: A Piece of Work and Sweetwater, Inside Job gets out of its own way and just lets the story speak for itself. There is no need for a Michael Moore to portray the financial sector as criminally greedy and reckless – the facts speak for themselves and the audience can be trusted to “get it”. At the showing I attended, there was general applause at the end.
Besides the obvious villains at the investment banks (Goldman Sachs, etc.) , the insurers of credit default swaps (like AIG) and the rating agencies (e.g., Moody’s), Ferguson also takes aim at these thieves’ political enablers and economist apologists. There are some 60 Minutes-style ambushes, but they are far less interesting for the squirming of the subjects than for exposing the completely clueless entitlement of the financial sector and its governmental and academic lackeys.
Inside Job exposes our Wall Street government, and is unflinchingly bipartisan in meting out the blame.
Matt Damon narrates.
The more I think about The Tillman Story, the more I admire it. And I am increasingly grateful that Michael Moore didn’t make this movie and degrade it into a screed. Instead, Director Amir Bar-Lev avoids the simplistic and satisfying formulas and respects his subject matter and the audience by letting the story speak for itself.
I thought I knew the story. Tillman left the fame and wealth of an NFL career to enlist in the Army post-911. He was killed in a firefight in Afghanistan. The Army reported that he was killed while heroically charging the enemy to save his comrades. It was later revealed that he was killed by fire from his comrades. Still later, it became clear that the heroic death story was immediately concocted by the military for spin control or, worse, propaganda.
I didn’t know that Tillman predicted that the Army would propagandize his death and smuggled out to his wife the documentation of his wish for a civilian funeral.
I didn’t know that Tillman crouched on a hill watching the bombing of Baghdad, and said, “This war is so fucking illegal.”
I didn’t know that Tillman was with the team that waited hours to “rescue” captured soldier Jessica Lynch (abandoned by her captors) until a film crew arrived.
The US military made a huge miscalculation: they assumed that the family that produced someone with Pat Tillman’s values would be satisfied with a phony narrative of cartoonish heroism.
The Tillman Story weaves three stories together: the making of Pat Tillman, how he died in Afghanistan and his family’s struggle to pull the sheets back on the US military’s cover-up. At its core, it is the story of people who insist on truth dealing with a system that operates on perception.
And here is a sharp insight from Mick LaSalle:
Sweetgrass: This unadorned documentary tells the story of the two (heterosexual) cowboys who drove thousands of sheep on the last sheep drive in Montana’s Beartooth Mountains. Because it is not dressed up with narration or music, the audience is left with the story, the people, their quest, the sheep and the landscape – and that’s more than enough.
If you’re life is too frenetic, pop this movie on and take a contemplative 101 minute respite.
It’s also available on Netflix streaming.
It’s on my list of Best Movies of 2010 – So Far.
Crumb (1995): The Criterion Collection has released a great documentary, Terry Zwigoff’s profile of the counterculture cartoonist R. Crumb, the creator of Keep On Truckin’, Mr. Natural, Fritz the Cat and influential rock album covers. By exploring Crumb’s troubled family, Zwigoff reveals the origins of Crumb’s art. When we meet Crumb’s shattered brothers, it’s clear that Crumb’s artistic expression preserved his very sanity.
In honor of At The Movies, which ends its long run on television, let’s hear Siskel & Ebert assess Crumb. Siskel placed it #1 on his Top 10 list for 1995 and Ebert had it at #2.
Check out my other recent DVD recommendations at DVDs of the Week.