This Irish dark comedy is a showpiece for Brendan Gleeson as a lowbrow cop happening upon an international drug conspiracy. Gleeson is always very good and was especially memorable in director Martin McDonagh’s 2008 In Bruges, which was either the funniest hit man movie ever or the darkest and most violent buddy comedy ever. This time, McDonagh’s brother John Michael McDonagh directs Gleeson as a very canny man who convincingly strives to appear much dumber than he is. The perfect foil for Gleeson’s sloppy local cop is the refined FBI agent played by Don Cheadle. Those familiar with Ireland will recognize the Connemara Coast. Don’t miss The Guard.
comedy
The Names of Love: amusing but forgettable
The Names of Love is an amusing but forgettable romantic comedy about the attraction of opposites – a flighty leftwing women who converts conservatives by sleeping with them and an uptight and controlled guy. Sara Forestier won the Cesar (France’s Oscar) for her portrayal of the most attention deficient character in recent cinema. Indeed, Forestier is actually convincing as a woman so distractable that she doesn’t notice that she has left her flat and boarded the Paris Metro without wearing any clothes.
DVD of the Week: Potiche
Potiche, the delightful French farce of feminist self-discovery, is the funniest movie in over a year, and another showcase for Catherine Deneuve (as if she needs one). DeNeuve plays a 1977 potiche, French for “trophy housewife”, married to a guy who is a male chauvinist pig both by choice and cluelessness. He is also the meanest industrialist in France – Ebenezer Scrooge would be a softie next to this guy – and the workers in his factories are about to explode. He becomes incapacitated, and she must run the factory.
Now, this is a familiar story line for gender comedy – so why is it so damn funny? It starts with the screenplay, which is smart and quick like the classic screwball comedy that American filmmakers don’t make anymore. And the cast is filled with proven actors who play each comic situation with complete earnestness, no matter how absurd.
Director Francois Ozon, best known in the US for Swimming Pool and 8 Women, adapted the screenplay from a play and has a blast skewering late-70s gender roles and both the bourgeoisie and the proletariat. Gerard Depardieu plays the Communist mayor, who is both the husband’s nemesis and the wife’s former fling. Two of the very best French comic players, Fabrice Luchini and Karen Viard, shine in co-starring roles as the husband and his secretary.
Turkey Bowl: touch football brings out the laughs
This delightful indie comedy is set in a group of friends’ annual touch football game. Take a bunch of friends that haven’t seen each other for a while and put them in a competitive situation, and you’ve got a promising premise. Newcomer writer-director Kyle Smith pulls off a tight, well-paced 62 minutes of smart laughs.
The cast of relative unknowns is very good, especially Tom DiMenna and Bob Turton. At the screening that I attended, Smith said that the football game was tightly structured in the screenplay, but much of the dialogue was improvised by the cast.Smith financed the film with $25,000 that he earned from a reality TV show, and shot it over ten days in an East LA city park.
Smith is a native of Columbia, Missouri, and college football fans will note a very funny reference to an infamous Colorado-Missouri game.
Turkey Bowl just released on iTunes and VOD. Reward this bright and enterprising filmmaker and see this film – you won’t be disappointed.
I am adding Turkey Bowl to my list of Best Sports Movies to represent touch football.
The Trip: duelling Michael Caines
Steve Coogan and Rob Brydon take a foodie road trip through the north of England. Brydon is a compulsive impressionist, and he speaks more often in the voices of Woody Allen, Al Pacino, Anthony Hopkins, Richard Burton, et al than in his own. That’s entertaining, but when Coogan provokes a duel with their Michael Caine and Sean Connery impressions, it gets even more funny.
Along the way, they dine at some pretty tasty looking restaurants, but always with an edge: “It has the consistency of snot, but it tastes great”. There is definitely some food porn, but not quite enough to make my list of 10 Food Porn Movies.
DVD of the week: Four Lions: terrorist comedy, anyone?
This couldn’t have been made in the US, but fortunately the Brits have made the terrorist equivalent of Waiting for Guffman. A group of homegrown Brits of Pakistani heritage decide to join the jihad and try to organize a terror mission. Fortunately, the smartest one is both inept and unlucky, and each of the others is dumber than the last. The cell’s intramural competition reminds me of the hilarious People’s Liberation Front scene in Monty Python’s Life of Python.
Beginners: smart, sweet and original
Ewan McGregor’s dad (Christopher Plummer) has just died, shortly after coming out of the closet. As if this weren’t enough to deal with, McGregor is a depressive anyway, with a rich history of sabotaging his relationships. But then he meets Melanie Laurent (Inglorious Basterds) (and they meet cute).
This is a winning comedy – one of the year’s best movies. It’s smart, sweet and original. All of the performances are excellent, especially Plummer’s, which should garner him an Oscar nomination. All in all, Beginners is a notable achievement by director Mike Mills (Thumbsucker).
Coming up on TV: Twentieth Century
On June 18, Turner Classic Movies is broadcasting this 1934 screwball comedy, which holds up as well today as it did 77 years ago. A flamboyantly narcissistic Broadway producer (John Barrymore) has fallen on hard times and hops a transcontinental train to persuade his former star (Carole Lombard), now an A-list movie star, to headline his new venture. Barrymore’s shameless self-entitlement and hyper dramatic neediness makes for one of the funniest performances in the movies.
The Hangover Part II: just not that funny
The Hangover Part II has its moments (the buddies lose a little brother on a wild night in Bangkok) , but is just not as gut-busting funny as The Hangover. Not so much sequel as photocopy, the same story loses its impact the second time through. Right from the start, when they awake memory-free in a trashed hotel room, their discoveries just don’t match up to the comic value of the missing tooth, the tiger and the baby in The Hangover. The revelations in Part II are just as extreme, but they just don’t register as funny.
The one original thought is when we see what’s in the socially retarded Zach Galifianakis’ brain – and we learn that he sees the buddies as his crew of 13-year-olds. But that’s really the only imaginative part of the movie.
DVD of the Week: Kaboom
And now for some sexy silliness. Director Gregg Araki created the brilliant and searing Mysterious Skin, but here he’s just having fun. In the first hour of Kaboom, I lost track of how many characters had sex with each other – it’s just about non-stop and guy-on-guy, girl-on-girl, guy-on-girl, guy-and-girl-on-guy, etc. I would characterize the sex as casual, but that would make it seem that the characters were having even a modicum of difficulty in finding partners. Anyway, the chaotic sexathon is very funny. The last twenty minutes takes the film into a campy version of a paranoid apocalypse film, before an abrupt (and I mean abrupt) ending. Did I mention the bad guys in the animal masks? It’s fun and doesn’t take itself too seriously. Have two cocktails and then pop in the DVD.