documentary – Page 25 – The Movie Gourmet

SFIFF: previewing the documentaries

April 20, 2016 by movie gourmet

A scene from Josh Kriegman and Elyse Steinberg's WEINER will play at the 59th San Francisco International Film Festival, on April 21 - May 5,2016. — WEINER. Photo courtesy San Francisco Film Society.

There’s a characteristically strong slate of documentaries at the 59th San Francisco International Film Festival (SFIFF). The docs with the highest profiles are

Weiner – This hit from the Sundance and New Directors film festivals is an inside look at Anthony Weiner’s cringeworthy, self-immolating campaign for New York City Mayor;
Miss Sharon Jones! – Sure to be a festival crowd-pleaser, this doc chronicles the salty Dap Kings frontwoman and her fight against cancer. From Academy Award-winning documentarian Barbara Kopple (Harlan County U.S.A.);
Unlocking the Cage – an animal welfare doc from storied filmmakers Chris Hegedus (The War Room) and D.A. Pennebaker (Monterey Pop and The War Room); and
The Bandit, in the coveted slot as the festivals’ Closing Night film, documents the real life bromance between Burt Reynolds and iconic stuntman Hal Needham that led to Needham’s Smokey and the Bandit movies.

But some of the best docs in the fest are less well-known nuggets:

NUTS! – a persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans.
Dead Slow Ahead – a visually stunning and an often hypnotic film, shot on a massive freighter on its voyage across vast ocean expanses with its all-Filipino crew.
Under the Sun – a searing insight into totalitarian North Korean society, all from government-approved footage that tells a different story than the wackadoodle dictatorship intended.

Last year’s SFIFF brought us The Look of Silence, Listen to Me Marlon, Drunk Stoned Brilliant Dead and Very Semi-Serious. The festival’s 2016 docs may be even more impressive.

The 59th San Francisco International Film Festival (SFIFF) runs through May 5. Throughout the fest, I’ll be linking more festival coverage to my SFFIF 2016 page, including both features and movie recommendations. Follow me on Twitter for the very latest coverage.

Sharon Jones performs at the Beacon Theater in Barbara Kopple's MISS SHARON JONES!, playing at the 59th San Francisco International Film Festival, April 21st - May 5th, 2016.Jacob Blickenstaff, 2014, courtesy of San Francisco Film Society — MISS SHARON JONES! Photo: Jacob Blickenstaff, 2014, courtesy of San Francisco Film Society.

SFIFF: NUTS!

June 26, 2016April 20, 2016 by movie gourmet

Penny Lane's NUTS! will play at the 59th San Francisco International Film Festival, on April 21 - May 5,2016. Photo courtesy of San Francisco Film Society — NUTS! Photo courtesy of San Francisco Film Society

NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans. Yes, a huckster named J.R. Brinkley really did surgically place goat testicles inside human scrota – and, more astonishingly, this actually became a craze in the 1920s. Now that’s enough of a forehead slapper, but there’s more, much more and that’s what makes NUTS! so fun. Its first screening at the San Francisco International Film Festival (SFIFF) is on April 29.

Brinkley’s story is one that leads to celebrity mega wealth and a colossal miscalculation. Improbably, Brinkley’s wild ride touched Huey Long,William Jennings Bryan, Rudolph Valentino, Buster Keaton, June Carter Cash and Wolfman Jack. There’s a radio empire, a Gubernatorial election and a dramatic, climactic trial.

Director Penny Lane tells the story with animation (different animators for each chapter, but you can’t tell) seamlessly braided together with historical still photos, movies and a final heartbreaking recording. NUTS! tells a story that is too bizarre to be true – but really happened. It makes for a most entertaining movie.

SFIFF: DEAD SLOW AHEAD

April 20, 2016 by movie gourmet

A scene from Mauro Herce's DEAD SLOW AHEAD, playing at the 59th San Francisco International Film Festival, April 21 – May 5 2016. — A scene from Mauro Herce’s DEAD SLOW AHEAD, playing at the 59th San Francisco International Film Festival, April 21 – May 5 2016.

Dead Slow Ahead is a visually stunning and an often hypnotic film, shot on the massive freighter Fair Lady on its voyage across vast ocean expanses with its all-Filipino crew. Its first screening at the San Francisco International Film Festival (SFIFF) is on April 23.

Are we in for a sea adventure? Not exactly. Our guide is first-time Director Mauro Herce. His camera observes and so do we. He doesn’t explain what we are seeing – we have to connect the dots. We see the darkened bridge, the cavernous hold and unfamiliar ship machinery. The film opens with the beeps and tones of controls on the bridge; then we mostly hear the rhythmic lapping of the waves and the random groans of the ship. The effect is mesmerizing.

There are dramatic seascapes and some seriously impressive cloud weather. The few mariners handle the machinery and attend the bulk cargo. Given the expanse of open ocean and the vastness of the huge ship, everyday tasks seem heroic.

Where does the Fair Lady go? There are some coastlines, but usually we’re beyond the sight of land. The end credits thank workers in a series of Mediterranean ports plus Odessa, Port Said, Aqaba and New Orleans. But the where is not the point of Dead Slow Ahead.

Dead Slow Ahead won a special jury prize at the Locarno International Film Festival. It’s an impressive debut for Herce – one of those films that gradually envelopes the viewer.

LAST DAYS IN VIETNAM: folly, desperation, heroism

March 22, 2016 by movie gourmet

History is a compendium of individual human stories, oft caught up in a world event. That’s what drives the riveting documentary Last Days in Vietnam, which chronicles the desperate attempts of many South Vietnamese to escape before the Communist takeover in 1975. Over 140,000 got out in the initial exodus, including 77,000 through the means depicted in this film – mostly compressed into just two panicked days. Last Days in Vietnam will be televised tonight in the Bay Area on KQED-Channel 9 at 8 PM on American Experience.

As if there weren’t enough American folly in Vietnam, the first evacuation plan didn’t include any non-Americans, even including the Vietnamese dependents of Americans. Then there were evacuation plans that were never implemented because of the blockheadedness of the US Ambassador. In the final week, young American military and intelligence officers took matters into their own hand, and began a sub rosa evacuation – ignoring the chain of command, breaking immigration laws and risking career-killing charges of insubordination.

Last Days in Vietnam is directed by Rory Kennedy (daughter of RFK), who recently made Ethel, the affecting bio-doc of her mother. Kennedy does a good job of setting the historical stage for those who didn’t live through the era, and then letting the witnesses tell their compelling personal stories.

The talking heads include:

the six-year-old who jumped out of a helicopter and then watched his mother drop his baby sister on to a ship’s deck;
the US Navy vet who plays the taped diary that he sent home to his wife after the fateful day;
the CIA analyst who unsuccessfully tried to convince the deluded US Ambassador that the end was at hand;
the college student who managed to get over a wall inside the embassy, but found that his freedom was not guaranteed;
Ford Administration officials Henry Kissinger and Ron Nessen, who relate the White House view of the events.

One heroic young American officer managed with ingenuity and chutzpah to get out hundreds of Vietnamese. In the film’s most poignant moment, it falls to him to tell the final American lie to the 400 Vietnamese remaining in the US embassy, for whom there were no more helicopters.

I saw the movie in San Jose with an audience that was about half Vietnamese-American, some of the age to have lived through this period. San Jose’s 100,000 Vietnamese population is largest of any city outside Vietnam, and many Vietnamese-Americans still memorialize the subject of this film as Black April. The exit from the theater was somber.

Besides, tonight’s telecast, Last Days in Vietnam is available streaming from Netflix Instant, Amazon Video, iTunes, YouTube and Google Play.

Cinequest: THE GREAT SASUKE

March 12, 2016 by movie gourmet

Mikiko Sasaki’s ever surprising The Great Sasuke starts out with the most essential element of a documentary – a compelling subject. Here it’s a Japanese pro wrestler who achieved stardom after bringing a Lucha Libre mask (and a wife) from his training days in Mexico. Between 1992 and 2006, The Great Sasuke won championships and filled large Tokyo arenas. He especially thrilled audiences with his aerial moves (that’s when he climbs up on the turnbuckles and jumps off on to the hapless opponent). But all that combat has taken a toll on his body, and now he is headquartered in his obscure hometown 300 miles north of Tokyo, performing in front of a couple hundred on folding chairs or floor mats. So far we have the familiar story of an athlete aging out of fame and success, but two aspects of The Great Sasuke make this story much more interesting.

First, this guy NEVER takes off his mask. We see him striding down the sidewalk in a business suit, briefcase in hand – fully masked. And we see him eating breakfast with his kids, vacuuming the floor, driving, brushing his teeth – all in his mask. He’s even developed a technique for changing between his everyday mask and his performance mask – all in a way that doesn’t let anyone glimpse his face. (At the Cinequest screening, director Sasaki said that The Great Sasuke’s wife insisted that she would not be married to a guy who didn’t take the mask off in the bedroom, and The Great Sasuke’s kids have seen his face, too.)

Second, he’s a quirky guy who plunges himself in to offbeat (and doomed) schemes to set up business enterprises and even run for political office. He is completely sincere and just couldn’t work any harder, but he won’t listen to anyone tell him that his plans are completely half-baked. He may be a force of nature, but it’s pretty hard to sway voters when you’re campaigning on street corners in a wrestling mask. It all adds up to a good movie experience.

Cinequest: THE BRAINWASHING OF MY DAD

March 1, 2016 by movie gourmet

Ever notice how people who watch a lot of Fox News or listen to talk radio become bitter angry and, most telling, fact-resistant? In the documentary The Brainwashing of My Dad, filmmaker Jan Senko as she explores how right-wing media impacts the mood and personality of its consumers as well as their political outlook. Senko uses her own father Frank as a case study.

We see Frank Senko become continually mad and, well, mean. And we hear testimony about many, many others with the identical experience. Experts explain the existence of a biological addiction to anger.

Senko traces the history of right-wing media from the mid-1960s, with the contributions of Lewis Powell, Richard Nixon, Rush Limbaugh, Roger Ailes and Rupert Murdoch. Senko even gets right-wing wordsmith Frank Luntz on camera to explain the power of buzz words. If you don’t know this story (Hillary was right about the “vast, right-wing conspiracy”) , Senko spins the tale very comprehensively. If you do know the material (and my day job is in politics), it is methodical.

This topic is usually Senko’s focus on mood and personality is original and The Brainwashing of My Dad contributes an important addition to the conversation. One last thing about the brainwashing of Senko’s dad – it may not be irreversible…

The U.S. Premiere of The Brainwashing of My Dad will be March 5 at Cinequest, with additional screening on March 6 and 9.

Cinequest: GORDON GETTY: THERE WILL BE MUSIC

March 1, 2016March 1, 2016 by movie gourmet

San Francisco billionaire Gordon Getty was born into great wealth, so he was never going to be a Regular Guy. And few aspire to become composers of classical music, as Getty has. He is profiled in the documentary Gordon Getty: There Will Be Music.

Getty sees himself as more 19th Century than 20th (tellingly, not even mentioning the 21st). It’s an apt description of someone who bases musical compositions on the works of Poe and Dickinson. Affable and genuine,Getty is easy to spend time with. We get a fun glimpse into the Getty family history – and learn that Gordon was already out of college when he read that his dad was the richest American. “I knew he was rich, but…”

Getty is conscious that his uberwealth brings major advantages to his vocation as well as detracting from his credibility. Naively, he thinks that they balance out. But one thing is or sure – Getty is no dilettante. He is a serious composer, who has devoted himself to his craft.

The most interesting aspects of Gordon Getty: There Will Be Music are Getty’s music and the insight into his process as a composer. Getty’s passion in pronounced, but it’s a quiet passion. The pace of the film reflects its subject and his music, which is not pulsating. Classical music fans will enjoy this film than those who are not.

Plays Cinequest on March 6, 11 and 12.

Cinequest: DAN AND MARGOT

February 29, 2016 by movie gourmet

Margot is a vibrant and salty 27-year-old Canadian woman. She suffered a schizophrenic break when she was away at college. Now she’s medicated, and fighting to resume her life. Margot is the subject of the documentary Dan and Margot, and I’ll leave you to find out who Dan is or is not.

How do we think of schizophrenia? We often visualize the feral-looking guy ranting to himself outside the 7-11. But how about those who are just slipping into a schizophrenic break or those medicated – with the disorder under control? In this very personal look examination of one person’s illness, Margot and her friends and family share how the disorder can sneak up on not only the individual, but their support system, as well.

Filmmakers Chloe Sosa-Sims and Jake Chirico parachute themselves and their camera into Margot’s life and take advantage of the access without sensationalizing her life. Dan and Margot is a solid and thought-provoking movie.

[Note: there is a little animation in Dan and Margot, but most is live action and almost all of that is Margot herself. The trailer is more representative of the film than is the still image above.]

Cinequest: CHUCK NORRIS VS. COMMUNISM

February 29, 2016February 29, 2016 by movie gourmet

During the Communist regime of the repugnant Nicolae Ceaușescu, Romanians could only experience two hours of television per day and all of that was boring Ceaușescu propaganda. They were starving for culture, of any type and any quality, and a ring of smugglers responded to the demand with bootleg VHS tapes of American movies. The rewarding documentary Chuck Norris Vs. Communism tells this story.

Now this isn’t about high cinema from America and the rest of the world inspiring the current crop of Romanian auteurs – although that did happen. This is about ordinary Romanians feasting on even the crappiest American movies, especially the never-ending cascade of action movies (Chuck Norris movies were among the favorites).

The authorities, usually obsessively repressive, turned a blind eye top the VHS smuggling because they totally missed the subversive impact the movies that were not overtly political. But the ordinary Romanians saw abundantly stocked American supermarkets and measured that against their own deprivation.

One guy organized this VHS smuggling ring. Amazingly, one woman narrated a Romanian voiceover for all these movies – hundreds of them. It was a shady business for him and a moonlighting gig for her – but now they are cultural heroes in Romania. We meet these two briefly in Chuck Norris Vs. Communism. And we hear the testimony of Romanians touched by cinema – even trashy cinema.

What is banal in some cultures can have a significant impact on others. Chuck Norris Vs. Communism makes that point engagingly, in a story you won’t see anywhere else. Plays Cinequest on March 4, 6 and 12.

Stream/VOD of the Week: DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON

February 23, 2016 by movie gourmet

DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon takes us through an engaging and comprehensive history of the groundbreaking and seminal satirical magazine. For those of you who weren’t there, the National Lampoon – ever irreverent, raunchy and tasteless – was at the vanguard of the counter-culture in the early 1970s. Once reaching the rank of #2 news stand seller among all US magazines, it may be the most popularly accepted subversive art ever in the US (along with the wry Mad magazine during the Cold War).

In a few short years, the Lampoon rose from nowhere (well, actually from the Harvard Lampoon) to a humor empire with the magazine, records, a radio show and a traveling revue. And, yes, the title DRUNK STONED BRILLIANT DEAD does encapsulate the arc of the Lampoon’s story.

Documentarian Douglas Tirola tells the story so successfully because he persuaded almost all the surviving key participants to talk. We meet co-founder Henry Beard, publisher Matty Simmons, Art Director Michael Gross and other Lampoon staff including P.J. O’Rourke and Christopher Buckley. You’ll recognize the first editor, Tony Hendra, from his performance as the harried band manager in This Is Spinal Tap. We see clips of two Lampoon originals who haven’t survived, co-founder Doug Kenney and resident iconoclast Michael O’Donoghue.

The National Lampoon’s live performance revue featured John Belushi, Chevy Chase, Bill Murray, Brian Doyle Murray, Gilda Radner and Harold Ramis. When Lorne Michaels hired the whole crew for Saturday Night Live, the hit television show instantly surpassed the magazine in cultural penetration. “The Lampoon lost its exceptionalism”, says one observer.

But the Lampoon made its mark on the movies by launching the entire genre of raunchy comedies with Animal House and spawning the careers of filmmakers John Landis and Harold Ramis, as well as the SNL performers. We also see a clip of Christopher Guest in an early Lampoon performance. On the other hand, I hadn’t remembered a less successful Lampoon project from its later era, Disco Beaver from Outer Space.

This is all, of course, major nostalgia for Baby Boomers. Before seeing DRUNK STONED BRILLIANT DEAD, I thought, yeah, I’ll enjoy the Blast From The Past, but will younger audience viewers dismiss this humor as quaint? After all, the Lampoon’s success came from puncturing the boundaries of taste, and it’s hard to imagine anything today that would be shockingly raunchy. But, after watching DRUNK STONED BRILLIANT DEAD, I have to say that the humor stands up today as very sharp-edged. After all, an image of a baby in a blender with Satan’s finger poised to press the “puree” button is pretty transgressive no matter when it’s published. The sole exception is the Lampoon’s over-fixation on women’s breasts, which comes off today as pathetically sophomoric – or even adolescent.

DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon has also vaulted on to my list of Longest Movie Titles.

I saw DRUNK STONED BRILLIANT DEAD at the San Francisco International Film Festival. This is an important cultural story, well-told and it deserves a wide audience. You can stream it from iTunes or the Showtime VOD service (and you can catch it on the Showtime channel).