Every year, The Movie Gourmet watches the Oscars while enjoying a meal inspired by the Best Picture nominees. For example, last year’s highlight was Grandma Ethel’s Brisket for A Serious Man. We also had airplane bottles of liquor for Up in the Air, fastfood chicken for Precious and Middle Eastern fare for The Hurt Locker. I particularly relished having prawns for District 9; (“prawn” is the South African slur for the aliens). You get the idea and you can read more at Oscar Dinner.
But this year, the elements of my Oscar Dinner are not so obvious (despite being a great year for movie Food Porn). Now, I do know what I’m going to serve for True Grit, Black Swan, Toy Story 3, Inception, The Social Network and The Kids Are All Right.
But I’m stumped on 127 Hours The King’s Speech and The Fighter. I need to find food and/or beverages found in these movies or inspired by the movies (typical of the movie’s setting, a pun on the movie, etc.) Any ideas? I welcome your suggestions.
I’m pretty pleased with this year’s Oscar nominees. The Academy did better than usual and avoided its frequent horribly undeserving nominations and inexplicably unjust missed nominations.
I’m downright giddy that my pick for the year’s best movie, the underdog indie Winter’s Bone, earned four Oscar nominations: Best Picture, Best Actress (Jennifer Lawrence), Best Supporting Actor (John Hawkes) and Best Adapted Screenplay (Director Debra Granik and Anne Rosellini).
Of the ten nominees for Best Picture, eight are on my list of Best Movies of 2010 – all except 127 Hours (which I have not seen) and The Kids Are Alright (which was OK but not great in my book). The one-year old format of ten Best Picture nominees made it pretty obvious that True Grit, The Social Network, Black Swan, The King’s Speech and Inception would make the list along with the deserving Pixar entry Toy Story 3. The question was about the other four, and, fortunately, Winter’s Bone and The Fighter slipped in.
I’m also delighted that Australian veteran actress Jacki Weaver was nominated for her role in Animal Kingdom as an impossibly upbeat gal who can effortlessly put out a contract on her own grandson.
Christopher Nolan should have gotten a Best Director nod for his Best Picture nominee Inception. I wish that Winter’s Bone‘s Debra Granik had been nominated for Best Director. And I did find it odd that GasLand rated an Oscar nod for Best Documentary, but not The Tillman Story or Joan Rivers: A Piece of Work. But those are just quibbles relative to my complaints in other years. Here’s to the Oscars!
Now is the time to catch future Oscar contenders on the big screen, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.
True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.
Biutiful is a grim, grim movie with a great performance by Javier Bardem in a compelling portrait of a desperate man in desperate circumstance, directed by Alejandro Gonzalez Inarritu (Amores perros, 21 Grams, Babel).
Somewhere is Sofia Coppola’s (Lost in Translation) artsy portrait of a man so purposeless that he can find no pleasure in pleasure. An A-list movie star (Steven Dorff) is living at the Chateau Marmont with his expensive toys, booze and drugs and an inexhaustible supply of beautiful, sexually available women, but without Without any purpose or connection to others, his debauchery is completely joyless. To his surprise and discomfort, his eleven-year-old daughter (Elle Fanning) moves in for a few weeks.
I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. All are on my list of Best Movies of 2010.
I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. Red Hill is a stylish contemporary Aussie Western. Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.
Now is the time to catch future Oscar contenders on the big screen, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.
True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.
I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. All are on my list of Best Movies of 2010.
I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. Red Hill is a stylish contemporary Aussie Western. Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.
The King’s Speech was directed by Tom Hooper, who also directed John Adams and The Damned United. In this interview on NPR’s Fresh Air, Hooper gives us some nuggets about the making of all three films.
Here’s my list of the best films of 2010: 1) Winter’s Bone; 2) Toy Story 3; 3)The Social Network; 4) The Secrets in their Eyes (El Secreto de Sus Ojos); 5) Rabbit Hole; 6) Black Swan; 7) A Prophet (Un Prophete); 8 ) The Girl with the Dragon Tattoo; 9) Mademoiselle Chambon; 10) (tie) Ajami and Inception.
(Note: I’m saving room for some films that I haven’t yet seen, especially Mike Leigh’s Another Year.)
Continuing with my list of 2010’s best films: The Tillman Story, True Grit, The King’s Speech, The Girl on the Train (La Fille du RER), Inside Job, Fish Tank, The Ghost Writer, Carlos, Fair Game, Hereafter, The Fighter, Solitary Man, Joan Rivers: A Piece of Work and Sweetgrass.
You can watch the trailers and see my comments on all these films at Best Movies of 2010.
(Further Note: The Secrets in their Eyes, A Prophet and Ajami were nominated for the 2009 Oscar for Best Foreign Language Film, but were widely released in the US in 2010.)
The King’s Speech is the crowd pleasing story of a good man overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner. As you would expect, Colin Firth gives a stellar performance as the stuttering king. It’s a well executed film that establishes itself as major Oscar bait.
It’s a very good cast, featuring Geoffrey Rush as the Aussie speech therapist. Helena Bonham Carter is especially good as Firth’s Queen. Guy Pearce and Eve Best capture the shallow, selfish essence of Edward VIII and Wallis Simpson.
Now we’re at the time of year when the award-aspiring movies are released just in time for Oscar eligibility. Trailers and descriptions are on my Movies I’m Looking Forward To page.
We’ll start on December 22 with Sofia Coppola’s (Lost in Translation) semiautographical Somewhere. On Christmas Day, the Coen Brothers open their version of True Grit. The King’s Speech, with Colin Firth, Geoffrey Rush and Helena Bonham-Carter, will finally get its wide release.
On the 29th, I’ll be awaiting Another Year, a potential masterpiece by one of my favorite directors, Mike Leigh. We’ll also have a flashy performance by Javier Bardem in a contemporary Job story – Biutiful. Kevin Spacey will star in a real life story of political corruption in Casino Jack. Peter Weir (Master and Commander, Picnic at Hanging Rock) will showcase The Way Back.
The year’s final release will be the offbeat un-romance Blue Valentine, with Ryan Gosling and Michelle Williams. Festival critics loved and hated this film. The trailer, which depicts the beginning of a relationship that falls apart during the movie, is quite charming.
This is the time of year that I live for – lots of great choices in the theaters. I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. For some delectable food porn, see Kings of Pastry.
There are some Must See films still kicking around in theaters this week: Inside Job and The Social Network. Both are on my list of Best Movies of 2010 – So Far.
November 5 brings us Fair Game and Welcome to the Rileys. Ripped from the headlines, Fair Game is the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn. Welcome to the Rileys was a hit at Sundance hit featuring James Gandolfini as a Midwestern plumbing contractor who visits New Orleans for a conference, meets teen runaway Kristin Stewart, and decides to stay.
On November 26, we’ll see some major Oscar bait with Colin Firth, Geoffrey Rush and Helena Bonham Carter in The King’s Speech.
I’ve also listed the big December movies, including The Black Swan with Natalie Portman, The Fighter with Mark Wahlberg, Julie Taymor’s The Tempest, the Coen Brothers’ True Grit and Mike Leigh’s Another Year.