The Hunt

The Hunt: terrifyingly plausible and the year’s best movie?

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THE HUNT

In the Danish drama The Hunt (Jagten), Mads Mikkelsen plays a man whose life is ruined by a false claim of child sexual abuse. You’ll recognize Mikkelsen, a big star in Europe, from After the Wedding and the 2006 Casino Royale (he was the villain with the bleeding eye). He won the 2012 Cannes Best Actor award for this performance.

The story is terrifyingly plausible. The protagonist, Lucas, is getting his bearings after a job change and a divorce. He lives in a small Danish town where everyone knows everyone else, next door to his best friend. The best friend drinks too much and his wife is a little high-strung, but Lucas embraces them for who they are. He’s a regular guy who hunts and drinks with his buddies and is adored by the kids at the kindergarten where he works. He’s not a saint – his ex-wife can get him to fly off the handle with little effort.

A little girl hears a sexual reference at home that she does not understand (and no one in the story could ever find out how she heard it). When she innocently repeats it at school, the staff is alarmed and starts to investigate. Except for one mistake by the school principal, everyone in the story acts reasonably. One step in the process builds upon another until the town’s parents become so understandably upset that a public hysteria ensues.

Director Thomas Vinterburg had previously created the underappreciated Celebration (Festen). The Hunt is gripping – we’re on the edges of our seats as the investigation snowballs and Lucas is put at risk of losing everything – his reputation, his job, his child, his friends, his liberty and even his life. Can Lucas be cleared, and, if he is, how scarred will he be? The Hunt is a superbly crafted film with a magnificent performance by Mikkelsen.

I saw The Hunt earlier this year at Cinequest.

Cinequest: The Hunt

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THE HUNT

The most exhilarating moment of Cinequest has been the screening of the Danish drama The Hunt (Jagten) – one of the very best films of the year. Mads Mikkelsen won the Best Actor at Cannes for his portrayal of a man whose life is ruined by a false claim of child sexual abuse. You’ll recognize Mikkelsen, a big star in Europe, from After the Wedding and the 2006 Casino Royale (he was the villain with the bleeding eye).

The story is terrifyingly plausible.  The protagonist, Lucas, is getting his bearings after a job change and a divorce.  He lives in a small Danish town where everyone knows everyone else, next door to his best friend.  The best friend drinks too much and his wife is a little high-strung, but Lucas embraces them for who they are.  He’s a regular guy who hunts and drinks with his buddies and is adored by the kids at the kindergarten where he works.   He’s not a saint – his ex-wife can get him to fly off the handle with little effort.

A little girl hears a sexual reference at home that she does not understand (and no one in the story could ever find out how she heard it).  When she innocently repeats it at school, the staff is alarmed and starts to investigate.  Except for one mistake by the school principal, everyone in the story acts reasonably.  One step in the process builds upon another until the parents become so understandably upset that a public hysteria ensues. 

Director Thomas Vinterburg had previously created the underappreciated Celebration (Festen).   The Hunt is gripping – we’re on the edges of our seats as the investigation snowballs and Lucas is put at risk of losing everything – his reputation, his job, his child, his friends, his liberty and even his life.  Can Lucas be cleared, and, if he is, how scarred will he be?  The Hunt is a superbly crafted film with a magnificent performance by Mikkelsen.

Cinequest at Mid-Festival

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Fairuza Balk in DOSE OF REALITY

Here are my top picks from San Jose’s Cinequest Film Festival so far.  I’ve updated my CINEQUEST 2013 page, which includes comments on all nineteen films that I’ve seen to date at the fest.

Topping my list so far is the inventively constructed French thriller Lead Us Into Temptation.  A middle-aged married man does a good deed for a beautiful young woman and finds himself the pawn in a dangerous game.  Lead Us Not Into Temptation plays again on March 1 and March 9.

The American thriller Dose of Reality packs wire-to-wire intensity and a surprise ending that no one will see coming. Dose of Reality is playing Cinequest again on March 5 and 9, and will release on DVD and VOD on March 26.

The deadpan American comedy Congratulations! sends up the police procedural and will screen at Cinequest again on March 5.

The very dark and suspenseful French Chaos is centered on a creepy character that you know is up to no good, but the audience has to wait to find out what he plans and why.  You can see Chaos at Cinequest on March 7.

The compelling The Deep tells the fact-based survival story of a shipwrecked Icelandic fisherman’s ordeal in frigid waters.

In The Shadow is a Czech paranoid thriller that won Best Film at the Czech Film Critics’ Awards and was the Czech submission to the Academy Awards. It plays at Cinequest on February 28, March 6 and March 8.

In the Belgian drama Offline, we meet a character struggling to redeem himself.  You can see Offline at Cinequest on March 5 and 7.

In the solid American drama Solace, three stories are interlinked.  Solace plays Cinequest again on March 6.

In the documentary We Went to War, the filmmaker goes to small town Texas to revisit the Vietnam vets who were the subjects of his 1970 I Was a Soldier.    It’s a poignant snapshot of a 40-year-old war that is still going on for the participants and their families.  We Went to War is told successfully in a style that contrasts from other talking head docs.  We Went to War will be screened again on March 5.

The documentary Plimpton! Starring George Plimpton as Himself shares the extraordinarily rich life of the Zelig-like George Plimpton.  He was somehow able to marry the most highbrow literary world with cheesy TV celebrity.  You can see Plimpton! at Cinequest on March 8.

I haven’t yet seen it, but the Danish drama The Hunt (plays on March 6) has been univerally acclaimed at other festivals.  Mads Mikkelsen (After the Wedding, Casino Royale, A Royal Affair) stars as a teacher wrongly accused of child molestation, spurring hysteria in his town. Mikkelsen won the Best Actor award at Cannes.

I’ve also heard credible good buzz on two other films that I haven’t seen:  the Turkish comedy One Day or Another and the American comedy The Playback Singer.

After seeing Lawrence of Arabia digitally restored in the very impressive Sony 4K, I wanted to point out that, also recently restored in Sony 4K, Taxi Driver plays on March 6 and Dr. Strangelove plays on March 9.

And again, you can always check my CINEQUEST 2013 page, which also includes comments on Aftermath, The Almost Man, I Am a Director, The Sapphires, Panahida, Pretty Time Bomb, Welcome Home and White Lie.

Movies to See Right Now

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THE GATEKEEPERS

Three documentaries are dominating this week’s cinematic landscape:

  • The Gatekeepers is a documentary centered around interviews with all six surviving former chiefs of Shin Bet, Israel’s super-secret internal security force.  These are hard ass guys who share a surprising perspective on the efficacy of Israel’s war on terror.
  • Mea Maxima Culpa: Silence in the House of God, now playing on HBO, explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top).
  • 56 Up is the surprisingly mellow next chapter in the greatest documentary series ever.  Starting with Seven Up! in 1964, director Michael Apted has followed the same fourteen British children, filming snapshots of their lives at ages 7, 14, 21, 28, 35, 42 and 49 – and now at 56.

We’re now in the third day of San Jose’s Cinequest Film Festival.  I’ve updated my CINEQUEST 2013 page, which includes comments on The Sapphires, In the Shadows, Lead Us Not Into Temptation, The Almost Man, Panahida, Dose of Reality, White Lie, Aftermath and The Hunt.

Opening this week, the drama Lore is about the innocent children of monstrous people, but its intensity is so unrelenting that it wearies the audience. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

I admire Steven Soderbergh’s psychological thriller Side Effects, starring Rooney Mara, Jude Law and Catherine Zeta-Jones. Quartet is a pleasant lark of a geezer comedy with four fine performances. The charmingly funny Warm Bodies has made my list of Zombie Movies for People Who Don’t Like Zombie Movies.

You can still catch the Academy Award winning Argo, as well as Zero Dark Thirty and Silver Linings Playbook.  To ride the momentum of director Ang Lee’s surprise Oscar win, Life of Pi is now out again in 3D, which I recommend.  The Oscar winner for Best Foreign Language Picture,  Amour, is brilliantly made and almost unbearable to watch.

My DVD of the week is another documentary, Undefeated, last year’s Oscar winner for Best Documentary.

Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films. This week, the lineup includes Inherit the Wind and Elmer Gantry.

Cinequest: Lead Us Not Into Temptation

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The best movie that I’ve seen so far at Cinequest is the French thriller Lead Us Not Into Temptation.  A middle-aged married man does a good deed for a beautiful young woman and finds himself the pawn in a dangerous game.  Inventively constructed, we see the story from the perspective of the guy, then from the young woman’s point of view and finally through the prism of another character.  Unlike in Rashomon, we don’t see different realities, but, as secrets are revealed, we finally understand the whole picture.  It’s a brilliant screenplay by writer-director-producer Cheyenne Carron.   In the young woman, Carron has created a character who is both predatory and damaged but who can act charming, vulnerable and sexy. The story hinges on actress Agnes Delachair’s ability to play that complex role – and she delivers a captivating performance.   The trailer below is not subtitled.   Lead Us Not Into Temptation plays again on March 1 and March 9.

I’ve updated my CINEQUEST 2013 page, which also includes comments on The Sapphires, In the Shadows, The Almost Man, Panahida, Aftermath and The Hunt.