The Ides of March: an engrossing story about ambition, loyalty and betrayal

Here’s a belated comment on The Ides of March, released earlier this fall.  George Clooney directed, co-wrote and stars in this contemporary political drama. It’s an engrossing story about ambition, loyalty and betrayal.  The story revolves around an up-and-coming political consultant (Ryan Gosling).  He is working under a veteran campaign manager (Philip Seymour Hoffman) in a Democratic Presidential primary.  He is wooed by the campaign manager (Paul Giamatti) for the opposing candidate, and the intrigue begins.

Two performances stand out.  Philip Seymour Hoffman perfectly captures the old school politico, now jaded, but able to access the idealism that first drove him into politics.  Ryan Gosling can soar in any kind of role.  Here he is smart, but is he smart enough?  He is well-intentioned, but can it overcome his ambition? Gosling keeps us on the edge of our seats as he navigates a snake pit of betrayals.

The rest of the cast is good, too:  Giamatti, Evan Rachel Wood as an ambitious intern and Marisa Tomei as a hard-nosed reporter.

It’s a movie that MOSTLY gets the politics right.  The fundamental truth of the movie is that an utterly cynical veteran politico can still fall in love with candidate, as Hoffman’s campaign manager does with Clooney’s candidate.

In another dead on accurate touch, Hoffman and Gosling need a room to privately pass on some bad news to Clooney.  Instead of finding a cramped office, the three men sit on folding chairs knee-to-knee in a room that could accommodate 200.  That stuff really happens.

Unfortunately, Ides gets some things wrong.  Would never happen:  A veteran strategist like Hoffman would never be surprised by the possibility of “mischief voting” in an open primary.  Real life campaign consultants would never discuss policy positions with a candidate in a room full of thirty 20-somethings, all itching to leak what they know.   And no veteran politico worth his salt would tell a reporter about a deal that is not done.

Nonetheless, it’s a movie that I recommend.

Drive: noir action in vivid LA

Drive is a movie that you haven’t seen before – a stylishly violent noir tale unfolding on a brilliantly filmed canvas.

Ryan Gosling stars as a stunt driver by day, criminal getaway driver by night.  He hardly talks and doesn’t emote.  Indeed, his character is listed in the credits as “Driver” and sometimes referred to in the dialogue as “The Kid”.  He is motivated only by his pursuit of adrenaline rushes and the opportunity to do something good for a vulnerable mom (Carey Mulligan).  Indeed, Gosling is superb.

But the real star of Drive is its Danish writer-director,  Nicolas Winding Refn.  The film has a noir plot but Refn eschews the shadowy black and white of traditional noir for especially vivid scenes of Los Angeles.  For example, early in the film, Gosling enters a convenience store and the screen is filled with the garish colors of junk food packaging.  It’s one of the most artfully lit and photographed scenes in the last year.

Drive abounds in nice touches. While being hunted by the cops, Gosling’s driver is listening to both the police scanner and a radio broadcast of the Lakers game; unexpectedly, it turns out that there is an essential reason that he’s listening to the Lakers.

This movie contains some extreme violence – violence that is intentionally extreme for its effect.

The cast is excellent, with especially memorable turns by Albert Brooks, Bryan Cranston (Breaking Bad) and Oscar Isaac.

(I admired Refn’s 2008 Bronson, the story of a Britain’s “most dangerous convict” who parlayed a seven-year sentence into 34 years (30 of them in solitary) by repeatedly taking hostages and beating up the SWAT teams that rescue them.   Roger Ebert called Bronson “92 minutes of rage”.)

DVD of the Week: Crazy Stupid Love

Crazy Stupid Love is an altogether very satisfying romantic comedy starring Steve Carell as the middle-aged sad sack who has been dumped by his longtime wife (Julianne Moore) and comes under the tutelage of uber lounge lizard Ryan Gosling, who in turn is falling for Emma Stone.   Lots of laughs ensue, leading up to a madcap climax in Moore’s back yard, before the film slows down for the last 20 minutes.  But, it’s plenty funny (and not many romcoms are these days).

Gosling, who earned indie favorite status playing tortured/damaged characters,  is great here as the guy who can melt any gal in a bar with stunning ease and speed.  Emma Stone is always good in comedies.  Lisa Lapira shines as Stone’s wingman, and Analeigh Tipton is excellent as Carrel’s babysitter.

Crazy Stupid Love: Gosling, Stone shine in romcom

Crazy Stupid Love is an altogether very satisfying romantic comedy starring Steve Carell as the middle-aged sad sack who has been dumped by his longtime wife (Julianne Moore) and comes under the tutelage of uber lounge lizard Ryan Gosling, who in turn is falling for Emma Stone.   Lots of laughs ensue, leading up to a madcap climax in Moore’s back yard, before the film slows down for the last 20 minutes.  But, it’s plenty funny (and not many romcoms are these days).

Gosling, who earned indie favorite status playing tortured/damaged characters,  is great here as the guy who can melt any gal in a bar with stunning ease and speed.  Emma Stone is always good in comedies.  Lisa Lapira shines as Stone’s wingman, and Analeigh Tipton is excellent as Carrel’s babysitter.

What we learned from Cannes 2011

It’s not news that the French love Woody Allen (Midnight in Paris) or that Terrence Malick can make a beautiful, profound and confusing film (The Tree of Life).  And we’ll get to see Midnight in Paris for ourselves this weekend and The Tree of Life in a couple of weeks.  But I’m especially looking forward to four more films screened at the festival:  The Artist, Drive, The Kid with a Bike and Polisse.

The film that captured the most fans at Cannes is The Artist, a mostly silent film about a silent film star at the advent of talking pictures.  By all accounts, it’s a visually and emotionally satisfying film.   The French actor Jean Dujardin won Cannes’ best actor award; John Goodman, James Cromwell and Penelope Ann Miller also appear.  The Artist will be released in the US by The Weinstein Company.

Drive is an action movie starring Ryan Gosling as a stunt driver by day, criminal getaway driver by night.  It’s getting attention for the emotionally vacant character played by Gosling and the stylishness of the car chases and violence. Drive will be released in the US in September by FilmDistrict.

The Kid with a Bike is the latest from the Belgian Bardennes brothers, two of my favorite film makers (The Son, Rosetta).  a 12-year-old boy wants to find the father who dumped him at a children’s home, but meets a woman who becomes his de fact foster mom.  The Kid with the Bike will be released in the US by Sundance Selects.

Polisse is a reputedly riveting French police procedural about the child protective services unit.  It stars an ensemble cast led by Karin Viard (Paris, Potiche, Time Out).  Polisse will be released in the US by IFC Films.

Here’s the trailer for The Artist.

[youtube:http://www.youtube.com/watch?v=EgAvXlG68Y8]

Movies I'm Looking Forward To: Late December Edition

Now we’re at the time of year when the award-aspiring movies are released just in time for Oscar eligibility.  Trailers and descriptions are on my Movies I’m Looking Forward To page.

We’ll start on December 22 with  Sofia Coppola’s (Lost in Translation) semiautographical Somewhere.  On Christmas Day, the Coen Brothers open their version of True GritThe King’s Speech, with Colin Firth, Geoffrey Rush and Helena Bonham-Carter,  will finally get its wide release.

On the 29th, I’ll be awaiting Another Year, a potential masterpiece by one of my favorite directors, Mike Leigh.  We’ll also have a flashy performance by Javier Bardem in a contemporary Job story – Biutiful. Kevin Spacey will star in a real life story of political corruption in Casino Jack.   Peter Weir (Master and Commander, Picnic at Hanging Rock) will showcase The Way Back.

The year’s final release will be the offbeat un-romance Blue Valentine, with Ryan Gosling and Michelle Williams.  Festival critics loved and hated this film.  The trailer, which depicts the beginning of a relationship that falls apart during the movie, is quite charming.

See my Movies I’m Looking Forward To page for descriptions, image and trailers.

Here’s the trailer for True Grit.