Movies to See Right Now

IDA
IDA

Let me make another pitch for my pick for the year’s best movie so far – the Polish drama Ida, about a novice nun who is stunned to learn that her biological parents were Jewish victims of the Holocaust – watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other. I took The Wife last week, and she admired Ida, too.

Get ready for funniest film of the year – the Canadian knee-slapper The Grand Seduction opens next week, and it’s a guaranteed audience pleaser.

Here are other good movie choices:

  • Words and Pictures is an unusually thoughtful romantic comedy.
  • Fading Gigolo, a wonderfully sweet romantic comedy written, directed and starring John Tuturro is a crowd-pleaser.
  • Locke is a drama with a gimmick that works.
  • In the documentary Finding Vivian Maier, we go on journey to discover why one of the great 20th Century photographers kept her own work a secret.
  • The raucous comedy Neighbors is a pleasant enough diversion.
  • Like all Wes Anderson movies, The Grand Budapest Hotel is wry and imaginative, but it’s not one of his most engaging.

My DVD/Stream of the Weeks is the highly original teen misfit movie Terri.  Terri is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu and Xbox Video.

Coming up on Turner Classic Movies on June 5 is one of the very best Westerns, Winchester ’73 (1950). This was the first pairing of James Stewart with director Anthony Mann; the duo went on to create several more edgy “psychological Westerns” with atypically ambiguous heroes. Stewart’s emotionally scarred character is driven to hunt down a bad, bad guy (film noir stalwart Dan Duryea); his motivation is later revealed to be deeper than it first appears. Millard Mitchell plays Stewart’s buddy, and the two have great chemistry. Sexy Shelly Winters and sleazy John Ireland also sparkle in supporting roles. A very young Rock Hudson plays an American Indian warrior (shirtless, of course).

James Stewart and Millard Mitchell in WINCHESTER '73
James Stewart and Millard Mitchell in WINCHESTER ’73

Best Movies of 2014 – So Far

IDA
IDA

I’ve started my running list of the Best Movies of 2014 – So Far and three of them – Ida, The Grand Seduction (I’ll write about it next Thursday) and Locke – you can see in theaters in the next two weekends.

By the end of the calendar year, I will have a Top Ten plus another 8-18 or so. I’m pretty sure that Ida will end up in my Top Ten.

I’ve also included Dear White People, which you’ll be able to see when it gets into theaters in October.  And I’m also considering including the mesmerizing Brendan Gleeson drama Calvary (saw it at San Francisco International Film Festival and it releases widely August 1). I’m also mulling over adding two films that I saw at Cinequest – the outrageously dark Hungarian comedy Heavenly Shift and the provocative Slovenian classroom drama Class Enemy; neither is currently available to US audiences.

Movies to See Right Now

IDA
IDA

My pick for the best movie of the year so far is openly more widely this week – the Polish drama Ida, about a novice nun who is stunned to learn that her biological parents were Jewish victims of the Holocaust. Superbly photographed in black and white, each shot is exquisitely composed. Watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other.

IDA
IDA

Fading Gigolo, a wonderfully sweet romantic comedy written, directed and starring John Tuturro is a crowd-pleaser. The raucous comedy Neighbors is a pleasant enough diversion. Locke is a drama with a gimmick that works. In the documentary Finding Vivian Maier, we go on journey to discover why one of the great 20th Century photographers kept her own work a secret. Like all Wes Anderson movies, The Grand Budapest Hotel is wry and imaginative, but it’s not one of his most engaging.

My DVD Stream of the Week is the highly original Her, one of my Best Movies of 2013.

It’s Memorial Day Weekend, which means it’s time for Turner Classic Movies to unleash a war movie marathon.  On May 24, you can see two classic Korean War films: The Steel Helmet (1951) and The Men of the Fighting Lady (1954).

Gene Evans in The Steel Helmet

Ida: best movie of the year so far

IdaOpening more widely tomorrow, the Polish drama Ida, which I saw at this year’s Cinequest, is the best movie I’ve seen this year.

The title character is a novice nun who has been raised in a convent orphanage. Just before she is to take her vows in the early 1960s, she is told for the first time that she has an aunt. She meets the aunt, and Ida learns that she is the survivor of a Jewish family killed in the Holocaust. The aunt takes the novice on an odd couple road trip to trace the fate of their family.

The chain-smoking aunt (Agata Kulesza) is a judge who consumes vast quantities of vodka to self-medicate her own searing memories. But the most profound difference isn’t that the aunt is a hard ass and that the nun is prim and devout. The most important contrast is between their comparative worldliness – the aunt has been around the block and the novice is utterly naive and inexperienced (both literally and figuratively virginal).  The young woman must make the choice between a future that follows her upbringing or one which her biological heritage opens to her.  As Ida unfolds, her family legacy makes her choice an informed one.

The novice Ida, played by newcomer Agata Trzebuchowska, is very quiet – but hardly fragile. Saying little, she takes in the world with a penetrating gaze and a just-under-the-surface magnetic strength.

Superbly photographed in black and white, each shot is exquisitely composed. Watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other.  Ida was directed and co-written by Pawel Pawlikowski, who also recently directed the British coming of age story My Summer of Love (with Emily Blunt) and the French thriller The Woman in the Fifth (with Kristin Scott Thomas and Ethan Hawke).  He is an effective and economic story-teller, packing textured characters and a compelling story into an 80 minute film.

Ida is also successful in avoiding grimness. Pawlikowski has crafted a story which addresses the pain of the characters without being painful to watch. There’s some pretty fun music from a touring pop/jazz combo and plenty of wicked sarcasm from the aunt.

Ida won the International Critics’ Award at the Toronto International Film Festival.  Ida was my pick as the best film at Cinequest, where it won the Jury Prize for Best Narrative Feature.

CINEQUEST 2014: festival recap

IDA
IDA

A deep selection of comedies, international cinema and spotlight films combined for a very strong program at Cinequest 2014. My pick for the festival’s best film is the Polish drama Ida. Although not all of the films engaged me, the only bad movie this year was the incoherent Chinese thriller Parallel Maze.

COMEDIES

This year, Cinequest programmed 22 comedy features (which seems like an unusually high number), and that paid off with some of the festival’s most popular films. I thought the funniest was the dark, dark Hungarian comedy Heavenly Shift about a rogue ambulance crew. Probably two of the top four most popular movies at Cinequest (along with Ida and the Canadian weeper Down River) were the opening night’s The Grand Seduction and the Israeli caper comedy Hunting Elephants. The American indie satire Friended to Death (which had its world premiere at Cinequest) also broke through – and I wouldn’t be surprised to see it soon in theatrical release.

INTERNATIONAL CINEMA

As I said, my pick for best film at Cinequest was Ida, about a Polish novice nun in 1962 who, just before she takes her vows, learns that she is the child of Jewish Holocaust victims. Also remarkable for its authentic and textured characters was the Slovenian classroom drama Class Enemy. And, of course, Heavenly Shift from Hungary and Hunting Elephants from Israel were festival highlights.

Once again, it’s just impossible to give too much credit to Cinequest’s international programmer Charlie Cockey. Unfortunately, just before the fest, Charlie developed a cough that kept him home in Brno, Czech Republic, so we missed him here in San Jose. Before the fest, I profiled Charlie with Cinequest’s Charlie Cockey: The Man Who Goes to Film Festivals.

SPOTLIGHT FILMS

Cinequest’s program of spotlight films are the bigger movies that are screened just once, usually at the California Theatre. In the past these have included some celebrity-driven events that have been the weakest links in the fest (only Grand Piano fit this profile in 2014).  But, over all, in the 2014 Cinequest, the spotlight films sparkled, especially: The Grand Seduction, Mystery Road, Words and Pictures, Teenage, Unforgiven and Dom Hemingway.  Cinequest also gets a lot of cred for having LA Times critic Kenneth Turan introduce last year’s Bay Area masterpiece Fruitvale Station.  In 2014’s Cinequest, you could do well just by showing up to the California Theatre every night at 7 PM.

For my comments on over 20 of this year’s Cinequest movies, see my CINEQUEST 2014 page.

photo courtesy of The Wife
photo courtesy of The Wife

Cinequest at festival midpoint

photo courtesy of The Wife
photo courtesy of The Wife

The 2014 edition of Cinequest has emphasized comedy, and that has paid off with some of the festival’s biggest hits:

  • The Grand Seduction: Cinequest’s opening night film was this uproarious Canadian knee-slapper – a Waking Ned Devine with random acts of cricket.
  • Friended to Death: this sharply funny idie satirizes our obsession with social media. TMI becomes LOL.
  • Heavenly Shift: the hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival.
  • Hunting Elephants: an Israeli caper comedy with Patrick Stewart (as you’ve never seen him).

The other most popular Cinequest hits have been the exquisite Polish drama Ida and the Canadian weeper Down River.  I also particularly like the Slovenian class room drama Class Enemy.

Most of these films are still scheduled to play in the last half of the festival.  Subject to Cinequest’s exhibition rights, I’m guessing that the most likely candidates for Cinequest’s Encore Day on Sunday, March 16 are Ida, Friended to Death, Down River, Hunting Elephants and Class Enemy.

This weekend at Cinequest

Don't miss IDA at noon on Saturday
Don’t miss IDA at noon on Saturday

My feature articles and comments on individual Cinequest movies and my feature articles are linked at CINEQUEST 2014.  Follow @themoviegourmet on twitter for real-time Cinequest coverage.  Here are my tips for Cinequest films this weekend:

TODAY

Heavenly Shift: I howled at this hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival. North American premiere at 2:30 PM.

SATURDAY

A special screening of Fruitvale Station: the masterpiece debut from Bay Area filmmaker Ryan Coogler, introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan.

Haven’t seen it, but the chatter in festival queues is universally positive for the Canadian weeper Down River.

Words and Pictures: I haven’t seen this romantic comedy starring Clive Owen and the ever-radiant Juliette Binoche as sparring teachers, but it figures to be a crowd pleaser.

SUNDAY

A noon screening is your last chance to see one of the very best films at Cinequest, the polish drama Ida, which won the International Critics’ Award at the Toronto International Film Festival.  Justifiably very popular at Cinequest.

Hunting Elephants: I haven’t seen this Israeli caper comedy starring Patrick Stewart, but it’s picked up positive buzz at the festival.

Here’s the 2014 Cinequest program and ticket information.

Cinequest: Ida

IdaThe Polish drama Ida is a gem – one of the best movies at this year’s Cinequest.  The title character is a novice nun who has been raised in a convent orphanage. Just before she is to take her vows in the early 1960s, she is told for the first time that she has an aunt.  She meets the aunt, and Ida learns that she is the survivor of a Jewish family killed in the Holocaust.  The aunt takes the novice on an odd couple road trip to trace the fate of their family.

The chain-smoking aunt (Agata Kulesza) is a judge and consumes vast quantities of vodka to self-medicate her own searing memories. But the most profound difference isn’t that the aunt is a hard ass and that the nun is prim and devout.  The most important contrast is between the worldly aunt (who has been around the block) and the utterly naive and inexperienced novice.  The young woman must make the choice between a future that follows her upbringing or one which her biological heritage opens to her.  As Ida unfolds, her family legacy makes her choice an informed one.

The novice Ida, played by newcomer Agata Trzebuchowska, is very quiet but anything but fragile.  Saying little, she takes in the world with a penetrating gaze and a just-under-the-surface magnetic strength.

Superbly photographed in black and white, each shot is exquisitely composed.  Watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other.  Ida was directed and co-written by Pawel Pawlikowski, who also recently directed the British coming of age story My Summer of Love (with Emily Blunt) and the French thriller The Woman in the Fifth (with Kristin Scott Thomas and Ethan Hawke).  He is an effective and economic story-teller, packing textured characters and a compelling story into an 80 minute film.

Ida is also successful in avoiding grimness. Pawlikowski has crafted a story which addresses the pain of the characters without being painful to watch.  There’s some pretty fun music from a touring pop/jazz combo and plenty of wicked sarcasm from the aunt.

Ida won the International Critics’ Award at the Toronto International Film Festival.  Ida plays just one more time at Cinequest (unless it makes the Encore Day program) – on this Sunday, March 9, at noon.

Best Bets at Cinequest

HEAVENLY SHIFT
HEAVENLY SHIFT

17 movies to watch for at Cinequest:

Most likely to be crowd pleasers:

  • The Grand Seduction: In Cinequest’s opening night film, Brendan Gleeson (In Bruges, The Guard, The General, Braveheart) and Gordon Pinsent (Away from Her) play isolated Canadians try to snooker a young doctor (Taylor Kitsch of Friday Night Lights) into settling in their podunk village.
  • Friended to Death: Bromantic comedy about a jerk who fakes his own death to see how many of his social media “friends” will attend his funeral.  Very funny.
  • Words and Pictures: Romantic comedy starring Clive Owen and the ever-radiant Juliette Binoche as sparring teachers.
  • Dom Hemingway: Jude Law and Richard E. Grant star as two cheesy British hoods in a reportedly funny and fast-paced crime caper. Opens widely in theaters in April.
  • Unforgiven: the Japanese remake of Clint Eastwood’s Oscar-winning Unforgiven  starring Ken Watanabe (Inception, The Last Samurai, Letters from Iwo Jima).   Since Clint’s career was boosted by a remake of Yojimbo (A Fistful of Dollars), it’s fitting that his Unforgiven is remade  as a samurai film.
  • Fruitvale Station: the masterpiece debut from Bay Area filmmaker Ryan Coogler, introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan.

Most promising foreign entries:

  • Ida: This Polish story of a young nun who learns that she is the survivor of a Jewish family killed in the Holocaust won the International Critics’ Award at the Toronto International Film Festival.
  • The Verdict:  This Belgian drama won Best Director at the Montreal Film Festival.  I’ll be writing about The Verdict early this week.
  • The Illiterate:  Paulina Garcia, the star of the popular Gloria, stars in this metaphorical emotional Chilean drama.
  • Class Enemy: You’ll be rocked by this classroom drama, Slovenia’s entry for the Best Foreign Language Oscar.  I’ll be writing about Class Enemy early this week.
  • Heavenly Shift: A hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival.  I howled at Heavenly Shift, and I’ll be writing about it early this week.
  • Zoran: My Nephew the Idiot: OK, this Italian comedy has a great title, and it was a hit at the Venice Film Festival.  I’ll be writing about Zoran before its US Premiere.

Documentaries:

  • Teenage: Great subject material: chronicling that 20th century American phenomenon – the evolution of “the teenager”.
  • Sex(ed): The Movie: Sampling Sex Ed instructional films from 1910 through today.  Should be a howl.  May be thoughtful, too.  World Premiere at Cinequest.

Something you haven’t seen before:

  • Happenings on the Eighth Day: This is a pure art film, juxtaposing the attempts to create art against forces seeking to censor or obliterate it.  Filmed in the Bay Area by Iranian filmmakers. World Premiere at Cinequest.
  • The Circle Within: A Turkish fable that turns into a psychological drama.  Not a favorite of mine, but it provides a rare glimpse into the Kurdish religion of yezidism.

Here’s the Cinequest program and ticket information.