Danish

Cinequest: The Hunt

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THE HUNT

The most exhilarating moment of Cinequest has been the screening of the Danish drama The Hunt (Jagten) – one of the very best films of the year. Mads Mikkelsen won the Best Actor at Cannes for his portrayal of a man whose life is ruined by a false claim of child sexual abuse. You’ll recognize Mikkelsen, a big star in Europe, from After the Wedding and the 2006 Casino Royale (he was the villain with the bleeding eye).

The story is terrifyingly plausible.  The protagonist, Lucas, is getting his bearings after a job change and a divorce.  He lives in a small Danish town where everyone knows everyone else, next door to his best friend.  The best friend drinks too much and his wife is a little high-strung, but Lucas embraces them for who they are.  He’s a regular guy who hunts and drinks with his buddies and is adored by the kids at the kindergarten where he works.   He’s not a saint – his ex-wife can get him to fly off the handle with little effort.

A little girl hears a sexual reference at home that she does not understand (and no one in the story could ever find out how she heard it).  When she innocently repeats it at school, the staff is alarmed and starts to investigate.  Except for one mistake by the school principal, everyone in the story acts reasonably.  One step in the process builds upon another until the parents become so understandably upset that a public hysteria ensues. 

Director Thomas Vinterburg had previously created the underappreciated Celebration (Festen).   The Hunt is gripping – we’re on the edges of our seats as the investigation snowballs and Lucas is put at risk of losing everything – his reputation, his job, his child, his friends, his liberty and even his life.  Can Lucas be cleared, and, if he is, how scarred will he be?  The Hunt is a superbly crafted film with a magnificent performance by Mikkelsen.

A Royal Affair: Denmark sticks its toe into the Age of Enlightenment

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The historical costume drama A Royal Affair begins when a teenage noblewoman is married off to a mad king.  The king benefits from the companionship of a new doctor.  The doctor is a man of the Enlightenment, and finds a kindred spirit in the young queen, which leads to… Amazingly enough, all this actually happened in late 18th century Denmark.

It’s a romance and tragedy of operatic depth, and, unfortunately, operatic length.  It would make a gripping 90-minute film, but A Royal Affair slogs through 137 minutes.   As a result the sharpness of the tragedy becomes dulled into mere grimness.

A Royal Affair is a showcase for the charismatic Danish actor Mads Mikkelsen (After the Wedding), who plays the doctor.  Mikkelsen is probably best known as the James Bond villain with the tears of blood.  Newcomer Mikkel Boe Folsgaard cleverly plays the mad king by focusing on his lack of impulse control and his involuntary giggle and growls.

A Royal Affair won the Silver Bear at the Berlin Film Festival and is considered a contender for the Foreign Language Oscar.

Oslo August 31: authentic, but why?

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The Norwegian drug addict Anders has been clean and sober after ten months in rehab, and has earned a day pass for a job interview in Oslo.  In rehab, he has had plenty of opportunity to take stock of himself and the impact that his drug habit has wreaked upon his disappointing career and upon his family and friends.  Anders concludes that the best response is to take his own life.  First, he takes advantage of his day pass to seek out his best friend and his own family.

Oslo August 31 is well-crafted and utterly authentic.  But, why was this movie made?  What is its contribution to art or entertainment or our knowledge or our experience?  Where is the payoff for the audience that makes the grim inevitability worth ten bucks and 95 minutes?

There’s one particularly spell-binding scene with superb sound design.  As Anders is waiting for someone in a cafe, he eavesdrops on the other patrons.  As he glances from table to table, we hear the conversation of each set of diners.  It’s very cool.

Unusual for a film about drug addiction, Oslo August 31 depicts only one instance of hard drug use – and that injection is not to get high.

The Danish director Joachim Trier previously made Reprise, a wonderful film about sanity and the creative process in which two young novelists send in their manuscripts at the beginning of the film, just before one suffers a psychotic breakdown.   Reprise was #4 on my list of Best Movies of 2008.

In a Better World: an ambitious contemplation on violence

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How do we respond to violence without perpetuating a cycle of violence?  What and how do we tell our kids?  Danish filmmaker Susanne Bier (Brothers/Brodre, After the Wedding, Things We Lost in the Fire) takes on these questions through the stories of two 12-year-old boys and their well-meaning but troubled parents.

A schoolboy bully is handled through shock and awe, but the responses to other incidents of violence are far messier.  A parent’s teachable moment about pacifism doesn’t seem effective, and the boys fashion their own disproportionate solution.  One of the fathers, a do-gooder doctor who puts in time at a hell hole of an African refugee camp, must face pure evil in the form of a local warlord.  It’s an often tense drama.

In a Better World benefits from outstanding performances, especially by the boy actors, William Jøhnk Juels Nielsen and Markus Rygaard.

In a Better World won the Oscar for Best Foreign Language Picture.  I didn’t like In a Better World as much as Brothers and After the Wedding, but it’s still an ambitious and successful film.