Rocky Balboa returns in writer-director Ryan Coogler’s superb Creed. Creed is the story of a young man, the posthumous son of Rocky’s rival and friend Apollo Creed, who seeks out Rocky as a mentor. Played by Michael B. Jordan (star of Coogler’s Fruitvale Station), the young Creed must face off against his own demons, as imposing as any opponents in the ring. Stallone’s Rocky Balboa is still a lovable galoot, humble and adoring the long-dead Adrian. Tessa Thompson (Dear White People, Selma) plays the younger man’s love interest. Creed isn’t just about The Big Fight – all three of the main characters must overcome a distinct nemesis within each of them.
There’s not that much actual boxing in Creed, and folks who don’t like boxing will still enjoy the movie. The boxing scenes, however, are brilliant. The opponent in the climactic fight is played by real pro boxer Tony Bellew.
The most impressive scene, however, is mid-movie when Rocky’s protegé is tested against a local up-and-comer (the actor Gabe Rosado). The three-minute rounds are photographed as uninterrupted action (no cuts are apparent) from WITHIN the ring. We feel like we’re in the ring with the fighters – right at shoulder-level. It’s a tour de force by veteran cinematographer Maryse Alberti (most of her work has been in documentaries).
Stallone’s performance is excellent. Even though it’s the zillionth time he’s played this character, he’s not just mailing this in for a paycheck, and he’s justifiably getting some award buzz. Johnson and Thompson again prove themselves as rising talents. Phylicia Rashad is excellent as the young fighter’s mother figure.
Coogler is the brilliant young Bay Area filmmaker whose brilliant debut was the indie docudrama Fruitvale Station, which was #8 on my Best Movies of 2013. (Fruitvale Station is available on DVD from Netflix and Redbox and streaming from Amazon, Vudu, Google Play, YouTube and Xbox Video.)
Coogler gets lots of credit for breathing freshness and originality into a movie franchise that had grown tiresome. Creed is an exploration into the internal struggles of three people – and it’s also irresistibly entertaining.
