thriller

Argo: the first Must See this fall

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Ben Affleck directs and stars in Argo, unquestionably the best Hollywood movie of the year so far.   In this true story from the Iran Hostage Crisis, a down-on-his-luck spy rescues six Americans hiding in the Canadian Ambassador’s Tehran home by pretending to make a cheesy Hollywood sci fi movie. The scenes in Tehran and Washington are pure thriller, leavened by the very funny Hollywood thread.

It’s a gripping story.  Setting up the audacious plan is only the beginning. It must be sold to risk averse government officials.  And it must be sold to the “house guests”, who clearly understand how risky it is.  The diplomats must learn their cover identities as Canadian filmmakers well enough to withstand interrogation.  And the team must be shuttled past layer upon layer of suspicious, trigger happy and completely unpredictable revolutionaries.  Helluva story, well told.

Thanks to director Affleck, editor William Goldberg and cinematographer Rodrigo Prieto, Argo is brilliantly photographed and constructed.It is economical story-telling at its best, with each shot revealing critical information – the lethal chaos in the streets of Tehran, the paralyzing fear of the house guests, the determination of Affleck’s operative.

It’s a deep cast.  John Goodman and Alan Arkin are hilarious as the movie industry guys.  Scoot McNairy and Christopher Denham are especially good as house guests.  Farshad Farahat is compelling as the commander of the final revolutionary checkpoint.  The rest of the cast is equally superb:   Bryan Cranston, Philip Baker Hall, Richard Kind, Michael Parks, Clea DuVall, Adam Arkin, Chris Messina and Victor Garber.  Watch for a bit role played by 80s horror maven Adrienne Barbeau.

This could have been jingoistic, but Affleck starts the movie with an animated historical primer to remind (or teach) the audience about why the Iranians were so angry.  And he generously included another American perspective during the end credits.  Much more nuance than the standard Hollywood movie –  good for Affleck!

Looper: thinking person’s sci fi

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I liked Looper because it’s old school sci fi – based on an idea, in this case, what happens if humans learn how to time travel?  I think that much of the sci fi in that past thirty years hasn’t been idea-based, but more an excuse to clothe a monster movie or an action movie in cool-looking sci fi settings.  The credit here goes to writer-director Rian Johnson who has imagined a 2044 in which the richest 10% (including organized criminals) live pretty well, but the rest of us vie for scraps in decayed cities that haven’t seen any investment since maybe 2012.  In Johnson’s foul future, time travel is discovered, but by 2074, is used by criminals to dispose of their victims back in 2044.

In Looper, 2044 hit man Joseph Gordon-Levitt is confronted with the 2074 version of himself, played by Bruce Willis.  Willis is on a mission to do something in 2044 that will change an outcome in 2074.  The mission is shocking – would you murder a child to prevent him from growing up to become a Hitler-like monster?

In a year with many excellent performances by child actors, Pierce Gagnon plays one compellingly terrifying four-year-old.   As a bonus, one of my favorite character actors, Garret Dillahunt (No Country for Old Men, Assassination of Jesse James, Winter’s Bone) has a nice turn near the end of the movie.

As Looper climaxes, the audience needs to think along – if history is altered, how will the dominoes fall?

DVD of the Week: Headhunters

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The smug Norwegian corporate headhunter named Roger Brown (don’t ask) explains his motivation at the very beginning of the movie:  at 5 feet, 6 inches, his insecurity about keeping his six foot blond wife leads him to cut some corners.  As ruthlessly successful as he is in business, he feels the need to also burgle the homes of his clients and steal art treasures.  So the dark comedy thriller Headhunters (Hodejegerne) begins like a heist movie.  But soon Roger becomes targeted by a client with serious commando skills, unlimited high tech gizmos,  and a firm intention to make Roger dead.

Roger Brown is played brilliantly by Aksel Hennie, a huge star in Norway who looks like a cross between Christopher Walken and Peter Lorre. The laughs come from Roger’s comeuppance as he undergoes every conceivable humiliation while trying to survive.  As a smoothly confident scoundrel, Roger is at first not that sympathetic, but Hennie turns him into a panicked and terrified Everyman when he becomes a human pinata.

Headhunters is based on a page-turner by the Scandinavian mystery writer Jo Nesbo.   There are reports that Headhunters will be remade soon by Hollywood.  In the mean time, see Headhunters and have a fun time at the movies.

Premium Rush: cool bike chase, not much else

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Premium Rush is a thriller set in Manhattan’s bike messenger subculture and is basically one 90-minute chase scene.  It is cool to watch skilled outlaws bob in and out of NYC traffic, running red lights and just missing cabs, more cabs and the occasional baby carriage.  But that’s all that Premium Rush has to offer.

Premium Rush does employ – and mostly waste – the talents of two of our greatest actors, Joseph Gordon-Levitt and Michael Shannon.  Gordon-Levitt is just fine, and, Lord knows, he deserves a Hollywood payday after making all those wonderful indies.  The same goes for Shannon (who better to play a maniacal villain?), who does well when called upon to be scary and less well when he displays Elmer Fudd frustration.

360: 11 characters plus 11 life choices equal 1 snoozer

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Eleven (count ’em, eleven) main characters traipse through Paris, London, Bratislava and Denver and each faces choice that can change the direction of a life.  Unfortunately, we don’t care that much about any of the characters and their stories aren’t that compelling or even original.  It’s not a bad movie, but the story (stories) make it a snoozer.

360 is otherwise well-made by acclaimed director Fernando Meirelles (The Constant Gardener) and well-acted by an international ensemble cast that includes Jude Law and Rachel Weisz (completely unrecognizable behind a full set of bangs).  The two most interesting characters are the father of a missing crime victim (Anthony Hopkins) and a convicted sex offender in a very fragile recovery (Ben Foster).  Foster (The Messenger, Rampart, 11:14) is one of my favorite actors, as is also Jemel Debbouze (Let It Rain, Angel-A, Amelie).  But even these actors can’t really punch up a story that isn’t there.

August is for Thrillers

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It’s no surprise that we open August with some thrillers.  In The Bourne Legacy, Jeremy Renner (The Hurt Locker, The Town) takes over the lead role from Matt Damon.  (Except the protagonist is named Aaron Cross, not Jason Bourne.)  Tony Gilroy, who wrote the two earlier Bourne films, directs this one.

The oft-delayed Killer Joe is a dark crime comedy/thriller.  A white trash family gives a hitman  (Matthew McConaughey) the teen daughter (Juno Temple) as a deposit. It is directed by 70s guru William Friedkin (The French Connection, The Exorcist).  I’ve seen it, and it rocks.

In 360 , acclaimed director Fernando Meirelles (The Constant Gardener), intersects the stories of several relationships in a film with some very suspenseful moments.  The ensemble cast includes Jude Law, Rachel Weisz, Anthony Hopkins and an even creepier than usual Ben Foster.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.  Here’s the trailer for 360.

 

Prometheus: striking sci fi with a tinge of horror

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Prometheus is a striking and well-acted sci fi adventure with a horror film tinge.  What you want in a sci fi movie is cool alien worlds and cool alien creatures – and, for that, it’s hard to top director Ridley Scott, who made the classic sci fi thrillers Blade Runner and Alien (as well as Gladiator, Thelma & Louise and Black Hawk Down).

In Prometheus, there is a space mission to find out if a species of aliens created us and returned to their world in another solar system.  The mission successfully finds the answer, finds the aliens and finds some terrifyingly lethal space monsters.

Don’t think too much about the premise.  The movie is a little ponderous when it drills down to the existential questions here.  We’re far better off enjoying the cool visuals and just rooting for the good guys to escape the space monsters.  And the space monsters are damn scary.  The final sequence, however,  makes the inevitable sequel all too obvious.

If you’re looking for a girl that can take a licking and keep on ticking, you can’t do any better than to cast Noomi Rapace, the star of the Swedish The Girl with the Dragon Tattoo series.  As the lead scientist on the mission, Rapace needs to survive a an impressive series of perils, including an alarming self-surgical procedure.

Michael Fassbinder is even better as an android with punctilious correctness and insincere charm, which some reviewers have compared to the computer Hal in 2001: A Space Odyssey.

Idris Elba (The Wire) is also notable because he plays the commander of the spaceship more as a tugboat captain than Captain Kirk.  Guy Pearce plays the elderly mogul who is financing the mission; distractingly, he is apparently wearing the same makeup as Dustin Hoffman did to play 121-year-old Jack Crabb in Little Big Man.

Sci fi is not one of my favorite genres and I won’t recommend it as a “must see” to a general audience, but if you’re a sci fi fan, then by all means, see Prometheus.

3D or not 3D?  If you’re gonna see Prometheus, I’d recommend forking over the premium and seeing it in 3D, especially for some scenes in which Fassbender’s android activates some floating holographic images in the alien HQ.

DVD of the Week: Safe House

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Safe House, the first big Hollywood movie of 2012, is a fine paranoid spy thriller.  Ryan Reynolds is a green but determined CIA agent who finds himself isolated in South Africa and forced to bring in rogue superspy Denzel Washington.  Like Hannibal Lector, Denzel’s character Tobin Frost over matches everyone he faces; it takes entire teams of elite commandos to trap and transport Frost, so Reynolds has his hands full. Not to mention that more teams of elite commandos keep popping up, trying to kill them both.  Swedish director Daniel Espinosa keeps his pedal jammed to the floor, and this two hour movie flashes by in what seems like 90 minutes.

It takes a screen presence like Denzel’s to make Tobin Frost, with his unique mix of charisma, menace and lethal skills, credible.   Reynolds holds up well against Denzel, and the always excellent Vera Farmiga, Brendan Gleeson and Sam Shepherd round out the cast.

I wouldn’t rate Safe House at the very top of the genre.  Espinosa didn’t take advantage of the opportunity to flesh out the characters played by Farmiga, Gleeson and Shepherd, who all end up playing oft-recycled types.  And there are some holes in the plot that you’ll recognize in the few moments when you can catch your breath (See spoiler below the trailer).

But the action and thrills are there, and the extremely well-paced Safe House is a satisfying watch.

 

Spoiler alert:  Since the CIA knows about Reynolds’ girlfriend, why don’t they kidnap her or at least tap her phone to help them track down Reynolds?

Headhunters: from smoothly confident scoundrel to human pinata

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The smug Norwegian corporate headhunter named Roger Brown (don’t ask) explains his motivation at the very beginning of the movie:  at 5 feet, 6 inches, his insecurity about keeping his six foot blond wife leads him to cut some corners.  As ruthlessly successful as he is in business, he feels the need to also burgle the homes of his clients and steal art treasures.  So the dark comedy thriller Headhunters (Hodejegerne) begins like a heist movie.  But soon Roger becomes targeted by a client with serious commando skills, unlimited high tech gizmos,  and a firm intention to make Roger dead.

Roger Brown is played brilliantly by Aksel Hennie, a huge star in Norway who looks like a cross between Christopher Walken and Peter Lorre. The laughs come from Roger’s comeuppance as he undergoes every conceivable humiliation while trying to survive.  As a smoothly confident scoundrel, Roger is at first not that sympathetic, but Hennie turns him into a panicked and terrified Everyman when he becomes a human pinata.

Headhunters is based on a page-turner by the Scandinavian mystery writer Jo Nesbo.   There are reports that Headhunters will be remade soon by Hollywood.  In the mean time, see Headhunters and have a fun time at the movies.

Coming Up on TV: Diabolique

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If you like suspense, you will want to check out Diabolique, to be broadcast by Turner Classic Movies on May 12.  The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress.  When he goes missing, the police drain the murky pool where the killers dumped the body, and the killers get a big surprise.  Now the suspense from director Henri-Georges Clouzot really starts.

A master of the thriller, Clouzot was nicknamed the French Hitchcock.  In an achingly scary scene from Clouzot’s The Wages of Fear, two truck drivers try to get a long truck around a cliff side hairpin curve  – and the truck is filled with nitroglycerin.  If you like Diabolique, you’ll probably also like another domestic murder – this time set in Paris – Quai des Orfevres.