Movies

Midnight in Paris: Woody’s best in a long, long time

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With Midnight in Paris, Woody Allen has made his best movie since 1986’s Hannah and Her Sisters.  It’s a funny and wistful exploration of the nostalgia for living in another time and place – all set in the most sumptuously photographed contemporary Paris.

Successful but disenchanted screenwriter and would be novelist Owen Wilson accompanies his mismatched fiancée Rachel McAdams to Paris, where he fantasizes about living in the artistically fertile Paris of the 1920s.  Indeed, at midnight, he happens upon a portal to that era, and finds himself hanging out with the likes of Hemingway, Fitzgerald and Stein.  He meets Marion Cotillard, a 1920s gal who is herself nostalgic for the 1890s.

Midnight in Paris shines because of the perfectly crafted dialogue.  McAdams’ every instinct is cringingly wrong for Wilson.  She is enraptured by the pretentious blowhard Michael Sheen, who couldn’t be more insufferable.

As usual, Allen has attracted an excellent cast.  Owen Wilson rises to the material and gives one of his best performances.  Corey Stoll is hilarious as Hemingway and Adrien Brody even funnier as Salvador Dali.  Cotillard is luminous.

It makes my list of Best Movies of 2011 – So Far.

What we learned from Cannes 2011

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It’s not news that the French love Woody Allen (Midnight in Paris) or that Terrence Malick can make a beautiful, profound and confusing film (The Tree of Life).  And we’ll get to see Midnight in Paris for ourselves this weekend and The Tree of Life in a couple of weeks.  But I’m especially looking forward to four more films screened at the festival:  The Artist, Drive, The Kid with a Bike and Polisse.

The film that captured the most fans at Cannes is The Artist, a mostly silent film about a silent film star at the advent of talking pictures.  By all accounts, it’s a visually and emotionally satisfying film.   The French actor Jean Dujardin won Cannes’ best actor award; John Goodman, James Cromwell and Penelope Ann Miller also appear.  The Artist will be released in the US by The Weinstein Company.

Drive is an action movie starring Ryan Gosling as a stunt driver by day, criminal getaway driver by night.  It’s getting attention for the emotionally vacant character played by Gosling and the stylishness of the car chases and violence. Drive will be released in the US in September by FilmDistrict.

The Kid with a Bike is the latest from the Belgian Bardennes brothers, two of my favorite film makers (The Son, Rosetta).  a 12-year-old boy wants to find the father who dumped him at a children’s home, but meets a woman who becomes his de fact foster mom.  The Kid with the Bike will be released in the US by Sundance Selects.

Polisse is a reputedly riveting French police procedural about the child protective services unit.  It stars an ensemble cast led by Karin Viard (Paris, Potiche, Time Out).  Polisse will be released in the US by IFC Films.

Here’s the trailer for The Artist.

[youtube:http://www.youtube.com/watch?v=EgAvXlG68Y8]

Movies to See Right Now

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Incendies

I’m still urging people to see the searing drama Incendies, the year’s best film so far. Upon their mother’s death, a young man and woman learn for the first time of their father and their brother and journey from Quebec to the Middle East to uncover family secrets. As they bumble around Lebanon, we see the mother’s experience in flashbacks. We learn before they do that their lives were created – literally – by the violence of the Lebanese civil war.

13 Assassins is brilliantly staged and photographed, and is one of the best recent action films; an honorable samurai must assemble and lead a team of thirteen to hack their way through a psychotically sadistic noble’s 200 bodyguards.

Don’t miss Cave of Forgotten Dreams while it can be seen in 3D; Werner Herzog explores the amazing 30,000 year old Chauvet cave paintings.

In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. Meek’s Cutoff is a disappointing misfire.

Source Code is a gripping scifi thriller with intelligence and heart, starring Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan. Hanna is a rip roaring girl-power thriller starring Saiorse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father, and then released upon the CIA.

For trailers and other choices,see Movies to See Right Now.

I haven’t yet seen Midnight in Paris or The Hangover Part II, which open this weekend.  You can see trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is Kings of Pastry.

Movies on TV this week include the timeless drama The Best Years of Our Lives on TCM.

DVD of the Week: Kings of Pastry

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This documentary chronicles the physically grueling and emotionally draining three-day competition for the MOF, the highest designation for French pastry chefs. Amid impossibly towering sugar sculptures and delectable cream puffs and layer cakes, we see the essential cores of competition – aspiration, ambition, perseverance, commitment, desperation, heartbreak and victory. Kings of Pastry is directed by the brilliant documentarians Chris Hegedus and DA Pennebaker (The War Room).

It has earned a spot on my list of 10 Food Porn Movies.

13 Assassins: a cut above

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Director Takeshi Miike’s take on the samurai movie is the best contribution to the genre since Kurosawa.  Brilliantly staged and photographed, this is one of the best recent action films in any language or setting.

It’s a familiar set-up: an honorable samurai must assemble and lead a team of thirteen to kill a psychotically sadistic noble.  But first they must hack their way through the bad guy’s 200 bodyguards.  What sets 13 Assassins apart is the inventively booby-trapped town and the frenzied pace of the climactic battle.  It even has exploding boars!

Kôji Yakusho, a veteran with 72 acting credits, gives an impressive performance as the lead assassin.  You may remember him from Shall We Dance? or Babel.

Bridesmaids: Funny but incomplete

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Bridesmaids is a funny movie, but one that could have been much better.  In a role that she wrote for herself, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life.  Instead, she wreaks havoc on her best friend’s wedding planning and is about to sabotage a sweet romance with Chris O’Dowd.  So far, so good.

Producer Judd Apatow salted Wiig’s screenplay with some low brow stuff.  Now, I like to see gals at an upscale wedding boutique puking on each other and shitting themselves as much as the next guy (and it was the guys in the audience that were laughing the most at that scene).  But the Apatow additions didn’t quite mesh with the central story.

Still, we can conclude that Kristen Wiig has what it takes to carry a movie by herself.  Hopefully, next time she’ll get her script greenlighted as is.

Movies to See Right Now

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Incendies

The searing drama Incendies is the year’s best film so far.  Upon their mother’s death, a young man and woman learn for the first time of their father and their brother and journey from Quebec to the Middle East to uncover family secrets.  As they bumble around Lebanon, we see the mother’s experience in flashbacks.  We learn before they do that their lives were created – literally – by the violence of the Lebanese civil war.

Don’t miss Cave of Forgotten Dreams while it can be seen in 3D;  Werner Herzog explores the amazing 30,000 year old Chauvet cave paintings.  In the fine French drama Queen to Play, a working class woman discovers a passion for chess  in midlife; she and her family, must adjust, along with a French-speaking Kevin Kline.

In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. Meek’s Cutoff is a disappointing misfire.

Source Code is a gripping scifi thriller with intelligence and heart, starring Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan. Hanna is a rip roaring girl-power thriller starring Saiorse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father, and then released upon the CIA.

For trailers and other choices,see Movies to See Right Now.

You can see trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is Diabolique.

Movies on TV this week include the underrated Sam Peckinpah classic Junior Bonner and the campy Giant Mutant Bunny horror film Night of the Lepus on TCM.

Incendies: best movie of the year so far

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This searing drama is the year’s best film so far.  Upon their mother’s death, a young man and woman learn for the first time of their father and their brother and journey from Quebec to the Middle East to uncover family secrets.  As they bumble around Lebanon, we see the mother’s experience in flashbacks.  We learn before they do that their lives were created – literally – by the violence of the Lebanese civil war.

Because the film is anything but stagey, you can’t tell that Canadian director Denis Villaneuve adapted the screenplay from a play.  Lubna Azabal, a Belgian actress of Moroccan and Spanish heritage, is brilliant as the mother.

It’s a tough film to watch, with graphic violence against women and  children.  But the violence is neither gratuitous nor exploitative – it is a civil war, after all, and the theme of the film is the cycle of retribution.

Incendies was nominated for the Best Foreign Language Oscar, but lost out to a much inferior film on the same subject of violence, In a Better Life.

 

Meek’s Cutoff: when men don’t ask for directions

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Meek’s Cutoff is an unfortunate misfire by the excellent director Kelly Reichardt (Old Joy, Wendy and Lucy).   The masterpiece Picnic at Hanging Rock has already been made.  We didn’t need an indifferent covered wagon version.

The route of the Oregon Trail was not yet well established in 1845, so a covered wagon train hires a mountain man who claims that he has found a shortcut through the Cascades.  However, it becomes clear that the mountain man (Bruce Greenwood) is unreliable, and there is a new option of following an Indian of unknown motives.  We can’t even tell if the Indian is sane.  The men (Will Patton, Paul Dano) must figure out what to do while their wives (Michelle Williams, Shirley Henderson) eavesdrop and guess their fate.

There are possibilities there, but Reichardt hasn’t made much of a point by the time the movie ends.  We know that human decision making cannot guarantee survival in a harsh and unfamiliar environment, but that’s not enough of a payoff after tromping around bleak Eastern Oregon for two hours.

Oddly, Reichardt shot the movie in a 1.37:1 Academy screen ratio.  This looks especially boxy in a Western set in a vast, horizonless wilderness.

DVD of the Week: Diabolique

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The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress.  When he goes missing, the police drain the murky pool where the killers dumped the body, and the killers get a big surprise.  Now the suspense from director Henri-Georges Clouzot really starts.

A master of the thriller, Clouzot was nicknamed the French Hitchcock.  In an achingly scary scene from Clouzot’s The Wages of Fear, two truck drivers try to get a long truck around a cliff side hairpin curve  – and the truck is filled with nitroglycerin.  If you like Diabolique, you’ll probably also like another domestic murder – this time set in Paris – Quai des Orfevres.  Criterion has released the Diabolique DVD.