Movies

Happy 80th, Billy Jack

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Billy Jack (1971)

 

Tom Laughlin

Tom Laughlin, the groundbreaking independent film maker who created the 70s iconic character Billy Jack, turns 80 today. Laughlin originated the character in his biker exploitation movie Born Losers (1967), and then fully unleashed him in Billy Jack (1971), The Trial of Billy Jack (1974) and Billy Jack Goes to Washington (1977).

Billy Jack is a Vietnam vet who embraces his own combo of New Age mysticism and Native American spiritualism and uses martial arts to kick the crap out of the bad guys who bully women,  Native Americans and teenagers.  Laughlin played a character along similar themes in his The Master Gunfighter (1975), only bearded and wielding a samurai sword.

The prickly Laughlin made and distributed his films independently, and Billy Jack and Trial were huge box office successes, among the most financially successful indies ever.  For The Trial of Billy Jack, Laughlin engineered the then-unheard-of simultaneous release on 1500 screens.  This excellent Bill Gibron article in Pop Matters describes this precursor of the Hollywood blockbuster strategy.  Billy Jack was also the first widely seen martial arts movie in America.

Despite his innovations in the movie business, Laughlin never succeeded in making a good movie.  Filled with clumsy acting and hackneyed dialogue, the films are still pompous,  self-important and humorless.

Laughlin’s signature as a screenwriter is heavy-handedness.  It’s never enough for the bad guys in the Billy Jack movies to be bad.  They also have to be racist AND mean to animals AND sexually perverted.  Billy Jack opens with the bad guys illegally raiding an Indian reservation to steal a herd of wild mustangs and herd them to a corral where they will be shot at pointblank range to bring in six cents per pound as dog food.  One of the Billy Jack villains seduces a 13-year-old, insists on forcing a willing floozie at knifepoint and, for good measure, stakes a saintly teacher to the ground for a ritual rape.  In The Trial of Billy Jack, a government henchman shoots a child – in the back – while he is cradling a bunny.

I have a Bad Movie Festival that features unintentionally bad movies that are fun to watch and mock.  The Billy Jack movies are too painful for this list.  While bad enough, they are gratingly platitudinous.

Laughlin has been married since 1954 to his Billy Jack co-writer and co-star Delores Taylor.

DVD of the Week: Kill the Irishman

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Kill the Irishman is based on the real story of Danny Greene, a 70s Irish gangster who took on the Cleveland Mafia. Ray Stevenson (Titus Pullo on Rome) stars as the ambitious hood with uncommon charm, ruthless determination and knack for survival.  All-in-all, it’s a worthy crime drama with an excellent cast of veteran “mobsters”: Christopher Walken, Vincent D’Onofrio, Tony Lo Bianco, Paul Sorvino, Steve Schirripa,Robert Davi, Vinny Vella and Mike Starr.

Other recent DVD picks have been The Music Never Stopped, Source Code, Potiche and Another Year.

The Guard: another winner for Brendan Gleeson

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This Irish dark comedy is a showpiece for Brendan Gleeson as a lowbrow cop happening upon an international drug conspiracy.  Gleeson is always very good and was especially memorable in director Martin McDonagh’s  2008 In Bruges, which was either the funniest hit man movie ever or the darkest and most violent buddy comedy ever.  This time, McDonagh’s brother John Michael McDonagh directs Gleeson as a very canny man who convincingly strives to appear much dumber than he is.   The perfect foil for Gleeson’s sloppy local cop is the refined FBI agent played by Don Cheadle.  Those familiar with Ireland will recognize the Connemara Coast.  Don’t miss The Guard.

The Names of Love: amusing but forgettable

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The Names of Love is an amusing but forgettable romantic comedy about the attraction of opposites  – a flighty leftwing women who converts conservatives by sleeping with them and an uptight and controlled guy.  Sara Forestier won the Cesar (France’s Oscar) for her portrayal of the most attention deficient character in recent cinema.  Indeed, Forestier is actually convincing as a woman so distractable that she doesn’t notice that she has left her flat and boarded the Paris Metro without wearing any clothes.

Movies to See Right Now

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Tabloid

What a summer for documentaries!  Errol Morris’ documentary Tabloid delivers the hilarious story of Joyce McKinney, a beauty queen jailed for manacling a Mormon missionary as her sex slave.  The riveting documentary Project Nim tells the story of a chimp taught human language and the humans who nurture, exploit, abuse and rescue him.   Buck is another wonderful documentary about a real-life horse whisperer with a compelling human story.

The sweet, funny and thoughtful comedies Beginners and Midnight in Paris are also on my list of Best Movies of 2011 – So Far.

See the original and heartfelt teen misfit movie Terri if you can still find it.   A Little Help is a funny Jenna Fischer vehicle about a sad sack mom.   Ryan Gosling and Emma Stone are excellent in the romcom Crazy Stupid Love.

If you have kids, Pixar’s Cars 2 is an excellent choice (adults will especially enjoy the James Bond spoof thread).  So is Super 8, a wonderful coming of age story embedded in a sci fi action thriller.  Turkey Bowl is a delightful indie comedy available from iTunes.  

In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. The Hangover Part 2 is just not original enough, and, consequently, not funny enough. Terrence Malick’s The Tree of Life contains a good 90-minute family drama that is completely derailed by an additional hour of mind-numbingly self-important claptrap.

For trailers and other choices,see Movies to See Right Now.

I haven’t yet seen the dark Irish comedy The Guard (starring Brendan Gleeson and Don Cheadle) or the sexy French comedy The Names of Love, which opens this weekend.  You can see trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is The Music Never Stopped, with excellent performances by J.K. Simmons and Lou Taylor Pucci and lots of Grateful Dead.

Movies on TV this week include the classic noir The Third Man on TCM.

DVD of the Week: The Music Never Stopped

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Here’s a crowd pleasing movie.  Parents find their long lost adult son in a hospital, suffering from a brain tumor that has erased his much of his memory (and all of his short term memory).  A speech therapist discovers that the son’s personality is sparked by music that he remembers from his teens.  The father and the son have been estranged since the son left after an argument between them.  The father finds that he can reach over the memory disability and re-connect by learning the son’s music.

The son’s music is all from the period 1964 to 1970 – and this music is another character in the film.  Dad leaves behind his Big Band sensibilities to embrace Bob Dylan, Donovan, Steppenwolf, Crosby Stills & Nash and, especially the Grateful Dead.  Baby Boomers and Dead Heads will really enjoy this movie from the music alone.  Indeed, the Dead’s Bob Weir and Mickey Hart have been out supporting the movie.

The film is a showcase for the excellent actor J.K. Simmons, who plays the father.  Simmons is always very, very good (Juno‘s dad, getting fired in Up in the Air and on TV’s Oz and Law and Order).  Here, he plays a guy who is secure in his own righteousness, but then sees and accepts his own responsibility for the estrangement, and whose love for his son motivates him to make some big changes.  Lou Taylor Pucci is excellent as the son.  Julia Ormond does a good job playing the speech therapist.

Now I generally hate “disease of the week” movies.  Really hate them.  But here the real story is about the relationship between father and son, and the rebuilding of the bond between them.  The memory disability, along with their past and the father’s initial stubbornness,  is just another obstacle to their communication.

The story is based on an actual case described by Oliver Sacks in his essay The Last Hippie.

Other recent DVD picks have been Source Code, Potiche, Step Into Liquid and Riding Giants, and Another Year.

Least Convincing Movie Monsters

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The Killer Shrews: This is a dog in a fright mask.

Given the Cowboys & Aliens hubbub and my post on 1994’s Oblivion, I’ve been thinking about phony looking movie monsters.  So here’s my list of the Least Convincing Movie Monsters.  These monsters are so bad that Godzilla doesn’t even make this list.  And the dogs wearing fright masks in The Killer Shrews (above) are only #3.  Enjoy.

Crazy Stupid Love: Gosling, Stone shine in romcom

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Crazy Stupid Love is an altogether very satisfying romantic comedy starring Steve Carell as the middle-aged sad sack who has been dumped by his longtime wife (Julianne Moore) and comes under the tutelage of uber lounge lizard Ryan Gosling, who in turn is falling for Emma Stone.   Lots of laughs ensue, leading up to a madcap climax in Moore’s back yard, before the film slows down for the last 20 minutes.  But, it’s plenty funny (and not many romcoms are these days).

Gosling, who earned indie favorite status playing tortured/damaged characters,  is great here as the guy who can melt any gal in a bar with stunning ease and speed.  Emma Stone is always good in comedies.  Lisa Lapira shines as Stone’s wingman, and Analeigh Tipton is excellent as Carrel’s babysitter.

The first cowboys & aliens movie

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I really enjoyed the first cowboys and & aliens movie, the sci fi spoof 1994 Oblivion, now available on DVD.    It is set in the year 3030 on the planet Oblivion, which strongly resembles a frontier town from a spaghetti Western, peppered with the occasional cyborg, ray gun and ATM machine.

Oblivion is intentionally campy, has a silly plot and lots of tongue-in-cheek dialogue.  The scene where the funeral is interrupted by the weekly bingo game upstairs is especially funny.  The cast seems to be having lots of fun with the material. Musetta Vander as the  rawhide whip-wielding dominatrix Lash and Carel Struycken as the death-forboding undertaker Gaunt are especially over-the-top good.  In addition, Julie Newmar plays a cougarish saloon proprietor, and Star Trek’s George Takei is the Jim Beam-swilling town doc.  Amazingly, Oblivion rated a 1996 sequel, Oblivion 2:  Backlash, in which most of the cast returned.

I haven’t yet seen the $100 million summer blockbuster Cowboys & Aliens, which opens this weekend.  Cowboys & Aliens is set on the planet Earth, where Daniel Craig, playing a Clint Eastwoodesque Man With No Name, awakes with his memory erased by aliens and a futuristic bracelet.  Harrison Ford’s torch-bearing mounted lynch mob is interrupted by laser attack from an alien spaceship.  Saloon gal Olivia Wilde (House, The OC) is pulled into the sky by alien forces.  It takes itself much more seriously than does Oblivion, and I only hope that it’s half as entertaining as Oblivion.

A Little Help: pulling herself out of malaise

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A Little Help is a Jenna Fischer vehicle that illustrates the depth that Fischer can bring to even a shallow character.  In this dramedy, Fischer is suddenly widowed and must reassemble her life and support her quirky 12-year-old son despite the intrusions of her shrill, micro-controlling sister (Brooke Smith) and their chilly mother (Leslie Anne Warren).  Fischer’s biggest challenge is helping her son navigate social life at his new school, where he has told a preposterous lie on his first day.

Kim Coates steals every scene as a medical malpractice attorney.  Ron Liebman sparkles as the blowhard father.

Writer/Director Michael J. Weithorn made the very smart decision to hold Fischer’s character accountable for the bad choices she has made in her life.  If she were instead written as a completely innocent victim, the story would have lapsed into cliche.  Instead, it’s a pretty good movie and a fine showcase for Jenna Fischer.

[youtube:http://www.youtube.com/watch?v=dI2qIul29Iw]