The Earrings of Madame de… (1953): This is one of the great movies that you have NOT seen, having just been released on DVD in 2009. Max Ophuls directed what is perhaps the most visually evocative romance ever in black and white. It’s worth seeing for the ballroom scene alone. The shallow and privileged wife of a stick-in-the-mud general takes a lover, but the earrings she pawned reveal the affair and consequences ensue. Great Italian director Vittorio De Sica plays the impossibly handsome lover. TCM 10/6
Mademoiselle Chambon is the year’s best romance, and very worth seeking out; The lovers are beautifully acted by Vincent Lindon and Sandrine Kiberlaine in two of the very finest performances of the year. I’m still pushing the hardhitting documentary The Tillman Story. There’s also the George Clooney arty thriller The American. If you can still find them, there are also two excellent crime dramas – Mesrine: Killer Instinct and Animal Kingdom. For a date movie, there is the charming and relatively smart romantic comedy Going the Distance.
Without strongly recommending them, I can say that The Town is a satisfying Hollywood thriller and the silly A Woman, A Gun and a Noodle Shop has its moments. You can skip Wall Street: Money Never Sleeps.
My DVD of the Week is one of the year’s best so far: The Ghost Writer. Don’t miss another of the year’s best, The Secret in Their Eyes either. For my recent DVD choices (including trailers), see DVDs of the Week.
Movies on TVinclude lots of good choices: Seven Days in May, Badlands, Boxcar Bertha, Leave Her to Heaven, Twentieth Century and The Earrings of Madame de…, all coming up on TCM.
If you’re a baseball fan, there’s Ken Burns’ The Tenth Inning on PBS.
Mademoiselle Chambon is the year’s best romance, and very worth seeking out in the next two weeks. The lovers are beautifully acted by Vincent Lindon and Sandrine Kiberlaine in two of the very finest performances of the year.
I’m still recommending the hardhitting documentary The Tillman Story, the George Clooney arty thriller The American and the two gritty crime dramas – Mesrine: Killer Instinct and Animal Kingdom. For a date movie, there is the charming and relatively smart romantic comedy Going the Distance.
Without strongly recommending them, I can say that The Town is a satisfying Hollywood thriller and the silly A Woman, A Gun and a Noodle Shop has its moments.
Well, here’s some grand news – Roger Ebert is bringing back At the Movies as Roger Ebert Presents At the Movies. The co-hosts will be respected film critics Christy LeMire and Elvis Mitchell. Ebert himself will appear with the aid of computer-generated speech in the “Roger’s Office” segment. The show will also include movie bloggers Kim Morgan (sunsetgun.com) and Omar Moore (popcornreel.com). Ebert and his wife Chaz have gone back to the show’s roots and are producing the show for public television stations.
Mademoiselle Chambon is the year’s best romance. Finding one’s soul mate in middle age, when one may have serious commitments, can be heartbreaking. Here, the two people are not looking for romance or even for a fling. He is a happily married construction worker. She is his son’s teacher. They meet (not cute) and do not fall in love (or lust) at first sight. He is unexpectedly touched by something she does, and she is touched that he is touched. Despite their wariness, they fall in love.
The lovers are beautifully acted by Vincent Lindon and Sandrine Kiberlaine in two of the very finest performances of the year.
A Woman, a Gun and a Noodle Shop is a remake of the Coen Brothers great neo-noir Blood Simple, set in feudal China. I love Blood Simple. Woman Gun Noodle Shop is a pretty faithful remake, but is a far less successful film, at least to this Western viewer. Both films tell the story of venal and carnal people committing selfish and deadly acts; in both films, the darkness of the story is leavened by humor. However, Blood Simple works because of the Coen Brothers subversively dry, ironic humor. The humor in Woman Gun Noodle Shop is very broad; a Chinese friend tells me that this “is very Chinese” and reflects traditions of other Chinese performance mediums. Anyway, the humor was too broad for me.
One thing that DOES work: the beautifully severe landscape of northwest China is another character in the film.
Ben Affleck knows Boston, which is the best thing about this crime drama about thieves desperately evading the FBI. The Town is a well made, satisfying Hollywood action thriller, but nothing more. The movie really had me hooked through the second act with the world of Irish professional criminals in Charleston, Mass. But the end of the movie wraps up everything way too neatly.
Ben Affleck the actor, Mad Men’s Jon Hamm, Rebecca Hall, and The Hurt Locker‘s Jeremy Renner are all good. Chris Cooper is excellent in a five-minute scene.
Ben Affleck proved in Gone Baby Gone that he can be a fine director, and hopefully he will reach that standard again.
The more I think about The Tillman Story, the more I admire it. And I am increasingly grateful that Michael Moore didn’t make this movie and degrade it into a screed. Instead, Director Amir Bar-Lev avoids the simplistic and satisfying formulas and respects his subject matter and the audience by letting the story speak for itself.
I thought I knew the story. Tillman left the fame and wealth of an NFL career to enlist in the Army post-911. He was killed in a firefight in Afghanistan. The Army reported that he was killed while heroically charging the enemy to save his comrades. It was later revealed that he was killed by fire from his comrades. Still later, it became clear that the heroic death story was immediately concocted by the military for spin control or, worse, propaganda.
I didn’t know that Tillman predicted that the Army would propagandize his death and smuggled out to his wife the documentation of his wish for a civilian funeral.
I didn’t know that Tillman crouched on a hill watching the bombing of Baghdad, and said, “This war is so fucking illegal.”
I didn’t know that Tillman was with the team that waited hours to “rescue” captured soldier Jessica Lynch (abandoned by her captors) until a film crew arrived.
The US military made a huge miscalculation: they assumed that the family that produced someone with Pat Tillman’s values would be satisfied with a phony narrative of cartoonish heroism.
The Tillman Story weaves three stories together: the making of Pat Tillman, how he died in Afghanistan and his family’s struggle to pull the sheets back on the US military’s cover-up. At its core, it is the story of people who insist on truth dealing with a system that operates on perception.
And here is a sharp insight from Mick LaSalle:
“By the way, “The Tillman Story” has an R rating because of language. Think about that one, too: Lies are rated G and can be heard around the clock on television, but try saying the truth with the proper force and you end up with a restricted audience.”
The good autumn movies have started to roll out, and it’s time to go back to the theaters. This week I’m recommending Mesrine: Killer Instinct, Animal Kingdom, The American and The Tillman Story. I’ll be seeing Soul Kitchen soon and will have a recommendation on that, too. And Inception, Toy Story 3, The Girl Who Played With Fire, Get Low and The Kids Are All Right are all still playing in theaters. For trailers and other choices, see Movies to See Right Now.
For my recent DVD choices (including trailers), see DVDs of the Week.
Movies on TVinclude Rebel Without a Cause, The Graduateand Touch of Evil, all coming up on TCM.
