movie recommendations

A great noir coming up on TV – The Set-Up

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The Set-Up (1949) plays on TCM on Thursday, November 11.  This is one of the great film noirs and one of my 10 Best Boxing Movies .  Robert Ryan plays a washed-up boxer that nobody believes can win again, not even his long-suffering wife.  His manager doesn’t bother to tell him that he is committed to taking a dive in his next fight.  But what if he wins?  Director Robert Wise makes use of then innovative real time narrative.  In this clip, watch for the verisimilitude of the bar where the deal goes down.

For other great movie choices on TV, see my Movies on TV.

Carlos

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I just finished watching the three-part Carlos on the Sundance Channel, Olivier Assayas’  5 1/2 hour miniseries on the 70s/80s terrorist Carlos the Jackal – and it’s really good.

Carlos begins as a playboy who thinks it would be cool to fight for the Palestinians.  It turns out that he is way smarter and more nervy than the other dippy wannabe terrorists, so he rises to lead his own crew.  At first he prudently tries to remain clandestine, but he inadvertently gains some celebrity and LOVES IT.  After his first exposure in the media, he self-consciously dons a Che Guevara beret for his next adventure.  Soon he is a legend in his own mind.  Finally, he learns what happens when he becomes too hot for anyone to shield.

The action sweeps between atrocities in Paris and Vienna, a terrorist training camp in Aden, secret bases in Berlin and Budapest.  Along the way, we meet European goofball radical posers and smarmy Syrian, Iraqi and Libyan intelligence officers.  We see dynamite action scenes as Carlos must pull off escapes and attacks in compressed time.

Carlos is a  star making performance by the Venezuelan actor Edgar Ramirez who plays Carlos and has to carry almost every scene.  Ramirez perfectly captures Carlos’ bravado, audacity, vanity, sexiness, delusion and dissolution.  Ramirez plays a few scenes in the nude, with Carlos at first admiring his own beefy body and later lolling about with a pot belly.

Carlos is a French film, but is mostly in English; there are subtitled scenes with French, Spanish and Arabic dialogue.

Carlos has also been released in a 2 hour 45 minute version on Pay Per View.  I strongly recommend waiting for the DVD release of the full length version (or watching for it to pop up again on Sundance Channel).

Movies to See Right Now – updated for this week

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Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year. It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system. Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various tricks and bamboozles that have hidden behind their own complexity.

Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death. The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.

The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans. Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film. Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.

The Girl Who Kicked the Hornet’s Nest is an acceptable final chapter in Stieg Larsson’s Millenium trilogy and best as the showcase for Noomi Rapace’s final performance as Lisbeth Salander. If you’ve seen the first two movies, you should complete the trilogy by seeing this somewhat plodding film.  As with the first two films, Hornet’s Nest centers on Rapace’s Lisbeth, a tiny fury of a Goth hacker, damaged and driven. Lisbeth is always mad AND always gets even.

The Social Network: The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires. It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War). It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation. Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Welcome to the Rileys, which is just opening.   This Sundance hit features James Gandolfini as a Midwestern plumbing contractor who visits New Orleans for a conference, meets teen runaway Kristin Stewart, and decides to stay.  I also haven’t seen Fair Game, the Valerie Plame/Joe Wilson story.  You can see the trailers at Movies I’m Looking Forward To.

My DVD of the Week is Toy Story 3, the best American studio film of the year. Last week’s choice was my favorite 2010 film, the indie Winter’s Bone.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include Metropolis, M and The Set-Up on TCM.

The Girl Who Kicked the Hornet’s Nest

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The Girl Who Kicked the Hornet’s Nest is an acceptable final chapter in Stieg Larsson’s Millenium trilogy and best as the showcase for Noomi Rapace’s final performance as Lisbeth Salander.  If you’ve seen the first two movies, you should complete the trilogy by seeing this film.

Yet director Daniel Alfredson (who also directed the  second film, The Girl Who Played With Fire) lets the film plod to its climax.  Considering that Alfredson had a great page turner of a story and a singular performance from Rapace, it’s kind of amazing that he let his two movies drag.

This wasn’t a problem with The Girl With the Dragon Tattoo, directed by Niels Arden Opley.  That movie popped off the screen.  After Dragon Tattoo, I was worried that the Hollywood remakes would dumb down the story and soften Lisbeth.  But now, I’m really looking forward to the American versions directed by David Fincher, and starring Daniel Craig and Rooney Mara.  It’s easy to see how Fincher will improve the pacing of the second and third films in particular.

As with the first two films, Hornet’s Nest centers on Rapace’s Lisbeth, a tiny fury of a Goth hacker, damaged and driven.   Lisbeth is always mad AND always gets even.

New Movies to See Right Now

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Jennifer Lawrence and John Hawkes in Winter's Bone

Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year.  It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system.  Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various  tricks and bamboozles that have hidden behind their own complexity.

Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death.   The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.

The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans.  Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film.  Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.

The Social Network:   The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen The Girl Who Kicked the Hornet’s Nest, which opens this week. You can see the trailer at Movies I’m Looking Forward To.

My DVD of the Week is Winter’s Bone, the best American indie film of the year.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  Freaks and Downhill Racer on TCM.

Robert Redford in Downhill Racer

DVD of the Week: Winter's Bone

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My pick for 2010’s best movie to date is Winter’s Bone, which is just now available on DVD.  A 17-year-old Ozarks girl is determined to save the family home by tracking down her meth dealer dad – dead or alive.  The girl’s journey through a series of nasty and nastier Southern Missouri crank cookers is riveting – without any explosions, gunfights or chase scenes.  Every moment of this film seems completely real.  Winter’s Bone won the screenwriting and grand jury prizes at Sundance.

With just her second feature, Debra Granik has emerged as an important filmmaker to watch.  She presents an unflinching look at this subculture without ever resorting to stereotype.  Granik hits a home run with every artistic choice, from the locations to the spare soundtrack to the pacing to the casting.  I’ll be watching for her next film.

As the protagonist, 20-year-old Jennifer Lawrence is in every scene.  With a minimum of dialogue, she creates a lead character of rarely seen determination.

Dale Dickey is exceptional as a criminal matriarch.  John Hawkes (the kind Sol Star in Deadwood)  also gives a tremendous performance as the ready-to-explode Uncle Teardrop.

For my recent DVD choices (including trailers), see DVDs of the Week.  Winter’s Bone is on my lists of Best Movies of 2010 – So Far and 5 Great Hillbilly Movies.

Coming up on TV: The Americanization of Emily

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Julie Andrews and James Garner in The Americanization of Emily

 

One  of my Overlooked Masterworks plays on TCM on October 25th.  Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Updated Movies To See Right Now

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James Coburn and James Garner in The Americanization of Emily

The best movie to see is still The Social Network.   The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.  Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.  You can skip Wall Street: Money Never Sleeps and You Will Meet a Tall, Dark Stranger.  For trailers and other choices, see  Movies to See Right Now.

I have not yet seen Inside Job or Hereafter, which open this week.  You can see their trailers at Movies I’m Looking Forward To.

My DVD of the Week is still The Day of the Jackal.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  The Americanization of Emily (more on that tomorrow) and The Black Stallion, all coming up on TCM.

This week's Movies to See Right Now

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Rooney Mara and Jesse Eisenberg open The Social Network

 

The Social Network is still the top choice in theaters this week. The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.

It’s Kind of a Funny Story is a light and wry coming-of-age comedy set in a locked psychiatric facility.  It’s good-hearted fluff with a few chuckles and an unexpectedly restrained and  heartfelt performance by Zach Galifianakis.

Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.  You can skip Wall Street: Money Never Sleeps and You Will Meet a Tall, Dark Stranger.

For trailers and other choices, see Movies to See Right Now.

My DVD of the Week is The Day of the Jackal, like The American, the tale of an international master assassin – only fact-based and even better.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  Mister Roberts, Repo Man and Arsenic and Old Lace, all coming up on TCM.

It’s Kind of a Funny Story

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This is a light and wry coming-of-age comedy set in a locked psychiatric facility by Directors Ryan Fleck and Anna Boden (Half Nelson, Sugar).  It’s hard for me to find humor in psych wards, but this good-hearted fluff had a few chuckles.  Keir Gilchrist and Emma Roberts star as the teens.  But the film is more of a showcase for Zach Galifianakis’ restrained and textured performance, less Wild Man and more  heartfelt – who knew?