First-time actress Katie Jarvis plays Mia, a damaged and angry young woman from the British lower class. Her party-girl mom is the second-worst mother in recent films (after Mo’Nique’s role in Precious). Can Mia use her passion for dance to escape her grim surroundings? Mom brings home a new boyfriend and everything changes. Michael Fassbinder, starring soon as Mr. Rochester in Jane Eyre, is great as the mother’s boyfriend in Fish Tank.
You can still see True Grit, The King’s Speech, Black Swan, The Fighter andAnother Year. They are on my Best Movies of 2010. 127 Hours and Biutiful are also good movies out now.The Illusionist is the wistful and charming animated story of a small time magician who drifts through an ever bleaker array of gigs while helping a waif blossom. Cedar Rapids is a fun and unpretentious comedy.
Watch this, and you’ll be rooting for veteran Australian actress Jacki Weaver to win an Oscar for Best Supporting Actress.
In this 2010 Aussie crime drama, a high school kid’s mother OD’s on heroin, forcing him into her estranged family of brutal criminals, presided over by his sunny grandmother. Like many teen boys, he is terse in speech and impassive in demeanor. As he is plunged into increasingly desperate situations, neither the characters nor the audience knows what he is thinking in every instance. This, along with his peril, is the key to the movie’s success. Will the teen safely navigate through the maze of his murderous relations? Will evil prevail? We don’t know until the final scene…and then some questions remain. Animal Kingdom won the Grand Jury Prize at Sundance.
The must see films are still True Grit, The King’s Speech, Black Swan, The Fighter and Another Year. All are on my list of Best Movies of 2010. 127 Hours and Biutiful are also good movies out now. The Illusionist is the wistful and charming animated story of a small time magician who drifts through an ever bleaker array of gigs while helping a waif blossom.
Inception was the year’s best Hollywood summer blockbuster. Because it’s written and directed by Christopher Nolan (Memento, The Dark Knight), we expect it to be brilliantly inventive and it exceeds that expectation. The story places the characters in reality and at least three layers of dreams simultaneously. A smart viewer can follow 85% of the story – which is just enough. Then you can go out to dinner and argue over the other 15%. The Wife said it was “like The Wizard of Oz on acid”.
Leonardo DiCaprio leads the cast, but the supporting players give the best performances: Ellen Page, Joseph Gordon-Levitt, Michael Caine, Marion Cotillard, Pete Postlethwaite, Cillian Murphy, Ken Watanabe, Tom Berenger and Tom Hardy.
True Grit, The King’s Speech, Black Swan and The Fighter are all crowd pleasers. A bit more challenging, Another Year and Rabbit Hole are also on my list of Best Movies of 2010. 127 Hours, The Way Back, Somewhere and Biutiful are also good movies out now.The Illusionist is the wistful and charming animated story of a small time magician who drifts through an ever bleaker array of gigs while helping a waif blossom.
Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.
I haven’t seen Cedar Rapids (opening tomorrow), but you can its trailer and those of other upcoming films at Movies I’m Looking Forward To.
My DVD pick is The Social Network. For my recent DVD choices (including trailers), see DVDs of the Week.
It’s a good week for movies on TV, including Quo Vadis, The Graduate, Gone With the Wind, Treasure of the Sierra Madre, Victor/Victoria, Mon Oncle, The Stunt Man, Do the Right Thing and Blow-Up on TCM.
The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires. It’s a triumph for director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War). Sorkin has written a screenplay about nerdy guys writing computer code and has made it fast-paced, understandable, funny and even gripping.
The most compelling aspect of the film is Jesse Eisenberg’s performance as Facebook creator Mark Zuckerberg. Eisenberg’s Zuckerman has few social skills, less social aptitude and exactly one friend, yet creates a framework for other people to share scores and even hundreds of “friends”. Eisenberg carries the film with an especially intense performance of an emotionally remote character. Eisenberg has been underrated despite strong performances in Adventureland, Zombieland and Solitary Man. Here, it is impossible to think of another actor who could so vividly create this Zuckerman.
The rest of the cast is outstanding, especially, Justin Timberlake (as Napster infant terrible Sean Parker), Armie Hammer, Rooney Mara and Douglas Urbanski.
One more thing: Fincher and Sorkin know how to end a movie.
If you want to see the Oscar nominees for Best Picture, I’d suggest catching True Grit, The King’s Speech, Black Swan and The Fighter in a theater.Another Year and Rabbit Hole are also on my list of Best Movies of 2010. 127 Hours, The Way Back, Somewhere and Biutiful are also good movies out now.
Another Year is Mike Leigh’s brilliant observation of the human condition, and asks why some people find contentment and others just cannot; Lesley Manville has the flashiest role – and gives the most remarkable performance – as a woman whose long trail of bad choices hasn’t left her with many options for a happy life. I also strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner.
Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.
The Tillman Story weaves three stories together: the making of Pat Tillman, how he died in Afghanistan and his family’s struggle to pull the sheets back on the US military’s cover-up. At its core, it is the story of people who insist on truth dealing with a system that operates on perception.
I thought I knew the story. Tillman left the fame and wealth of an NFL career to enlist in the Army post-911. He was killed in a firefight in Afghanistan. The Army reported that he was killed while heroically charging the enemy to save his comrades. It was later revealed that he was killed by fire from his comrades. Still later, it became clear that the heroic death story was immediately concocted by the military for spin control or, worse, propaganda.
I didn’t know that Tillman predicted that the Army would propagandize his death and smuggled out to his wife the documentation of his wish for a civilian funeral. I didn’t know that Tillman crouched on a hill watching the bombing of Baghdad, and said, “This war is so fucking illegal.” I didn’t know that Tillman was with the team that waited hours to “rescue” captured soldier Jessica Lynch (abandoned by her captors) until a film crew arrived.
The US military made a huge miscalculation: they assumed that the family that produced someone with Pat Tillman’s values would be satisfied with a phony narrative of cartoonish heroism.
The more I think about The Tillman Story, the more I admire it. And I am increasingly grateful that Michael Moore didn’t make this movie and degrade it into a screed. Instead, Director Amir Bar-Lev avoids the simplistic and satisfying formulas and respects his subject matter and the audience by letting the story speak for itself.
There are more excellent movies in the theaters RIGHT NOW than any other time of the year. Right now, you can see Another Year, True Grit, The King’s Speech, Black Swan, The Way Back, Somewhere, Biutiful, The Fighter, Rabbit Hole and Fair Game. It just doesn’t get any better than this for movie fans.
True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey. Another Year is Mike Leigh’s brilliant observation of the human condition, and asks why some people find contentment and others just cannot; Lesley Manville has the flashiest role – and gives the most remarkable performance – as a woman whose long trail of bad choices hasn’t left her with many options for a happy life.
Biutiful is a grim, grim movie with a great performance by Javier Bardem in a compelling portrait of a desperate man in desperate circumstance, directed by Alejandro Gonzalez Inarritu (Amores perros, 21 Grams, Babel).
Somewhere is Sofia Coppola’s (Lost in Translation) artsy portrait of a man so purposeless that he can find no pleasure in pleasure. An A-list movie star (Steven Dorff) is living at the Chateau Marmont with his expensive toys, booze and drugs and an inexhaustible supply of beautiful, sexually available women, but without Without any purpose or connection to others, his debauchery is completely joyless. To his surprise and discomfort, his eleven-year-old daughter (Elle Fanning) moves in for a few weeks.
The Way Back is inspired by the story of a 1940 escape from a Siberian gulag by men who walk over 4,000 miles to freedom in India – a trek of 4000 miles. It’s beautifully shot by director Peter Weir (Picnic at Hanging Rock, The Year of Living Dangerously, Witness, Master and Commander) but, eleven months of trudging through dangerous, unfamiliar territory while suffering from starvation and exposure is really impressive, but not that engaging.
I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. All are on my list of Best Movies of 2010.
I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. Red Hill is a stylish contemporary Aussie Western. Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.