The Messenger: A soldier’s (Ben Foster) new assignment is visiting military next of kin to inform them face-to-face of their loved one’s death in combat; after you see this movie, you won’t complain about your own job for a while. Despite the challenging material, most people will appreciate this movie because of the brilliant supporting performances of Woody Harrelson and Samantha Morton. There are only 3 or 4 “notifications”, which set the stage for the characters played by Foster, Harrelson and Morton. The plot is leavened by laughs and the possibility of romance.
moviegourmet
Please Give
Please Give: This is another smart comedy from Nicole Holofcener (Love, Actually) starring the irreplaceable Catherine Keener. Keener and husband Oliver Platt are waiting for the demise of the detestable neighboring nonagenarian so they can expand their Manhattan apartment. Holofcener, a master at intelligent, character-driven comedy, has a Best Picture Oscar in her, but not this time – good, but not great.
Best Movies of 2010 – So far
I ‘ve updated my Best Movies of 2010 – So Far page. Go to the page for descriptions. My choices as of mid-May:
The Girl With The Dragon Tattoo
The Secrets in their Eyes (El Secreto de Sus Ojos)
A Prophet
Toy Story 3
Fish Tank
Ghost Writer
Sweetgrass
Dragon Tattoo and Secrets in Their Eyes are in theaters now. Toy Story 3 will be released in June.
A Prophet, Ghost Writer, Fish Tank and Sweetgrass are awaiting DVD release. Put ’em on your Netflix queue now.
Toy Story 3
Just saw a preview of Toy Story 3. It’s the best American movie of the year so far, and belongs in the elevated class of Toy Story and Toy Story 2. I would recommend the film for anyone, not just kids.
Pixar understands that the best animation in human history is not enough by itself, and tells great, great stories. Pixar screenwriting is incredibly superior to that of other animation studios.
The version I saw was in 2D. The 3D version should make the opening and climatic scenes even more compelling.
Tuesday on TV: A better Avatar from 1970
This Tuesday, TCM is showing A Man Called Horse (1970).
Modern viewers will recognize most of the plot of Avatar herein. In the early 19th century, Richard Harris is captured by American Indians and becomes assimilated into their culture. Harris’ initiation into the tribe is one of cinema’s most cringe-worthy moments. The film still stands up well today.
A Man Called Horse fits into the subgenre of Westerns that are sympathetic to Native Americans, including Little Big Man (1970), Jeremiah Johnson (1972), The Outlaw Josey Wales (1976) and Dances With Wolves (1990). The trend became pronounced with Cheyenne Autumn in 1964 and has stayed healthy through the recent retelling of the Pocahontas story in The New Land.
Of course, even a worthy movie subgenre has its cliches. Why is it that when the white guy encounters a native girl – It’s always the chief’s beautiful, unattached, nubile daughter?
Carell and Fey in "Crazy Night"
Date Night has been released in France as Crazy Night. As to the American concept of Date Night, I suspect that the French cannot imagine a planet, let alone a country, where going out to dine with your spouse is a big deal.
Also, we know know that a movie with Steve Carell and Tina Fey is going to be funny. Note how the French movie poster makes this a little more obvious.
French Movie Food
There were no Raisinettes, Milk Duds or (my favorite) Hot Tamales. But there was a candy section that contained scores of bulk candies. You could get either Hagen-Daasz or Ben and Jerry’s. here are some shots of the movie food.
Going to the movies in France
I recently went to the movies in Paris, the world’s greatest movie town. I bypassed the most famous movie palaces and hit the multiplex – the 20 screen UGC at Les Halles.
The French show American movies in version originale (V.O.), which means in their original English with French subtitles. The multiplexes were showing Iron-Man 2, Kick-Ass, Green Zone, Greenberg, Alice in Wonderland and I Love You, New York. The metro was full of posters for Iron Man 2, Robin Hood and the latest Freddy horror movie. And Russell Crowe was shilling the upcoming Robin Hood on French infotainment TV shows.
Julie Delpy was directing and starring in La Comtesse, a period drama. And there were several new French comedies that look interesting. Unfortunately, my French is only workable enough to order excellent food and wine.
There was a ticket window with humans and also automatic ticket vending machines.
The large theater drew in about 75 viewers for a Monday 2 PM show of Iron Man 2. The audience sat silently before the film, and then fled the theater rapidly during the closing credits.
Iron Man 2 got lots of laughs from the French crowd, especially when Sam Rockwell was completely baffled by some questions in French and bumbled away cluelessly. However, the French speakers didn’t seem to get how funny Samuel L. Jackson is, because so much of his humor is in his inflection. “Cheerleaders” was subtitled as “les pompomgirls“.
This week's Movies To See
Click here for this week’s recommendations. Scroll down this blog to watch trailers. My top recommendations are The Secrets in their Eyes (El Secreto de Sus Ojos), Iron Man 2 and, of course, The Girl with the Dragon Tattoo.
My top picks on DVD are still Crazy Heart and Broken Embraces (Abrazos Rotos).
Hail! The Conquering Hero, A Man Called Horse, The Man Who Shot Liberty Valance and Marty are all on TV.
The Secrets in their Eyes (El Secreto de Sus Ojos)
This is one of the year’s best.
I finally got to see The Secrets in their Eyes (El Secreto de Sus Ojos), this year’s Oscar winner for Best Foreign Language Picture over A Prophet (which I admired). It is an outstanding film, and more accessible than A Prophet.
The Secrets in their Eyes is a police procedural set in Argentina with two breathtaking plot twists, original characters, a mature romance and one breathtaking, “how did they do it?” shot. The story centers on a murder in Argentina’s politically turbulent 1970s, but most of the story takes place twenty years later when a retired cop revisits the murder.
Veteran Argentinian actor Ricardo Darin shines once again in a Joe Mantegna-type role. Darin leads an excellent cast, including Guillermo Francella, who brings alive the character of Darin’s drunk assistant.
Director Juan Jose Campanella is receiving justifiable praise for the amazing shot of a police search in a filled and frenzied soccer stadium. It ranks as one of the great single shots, along with the kitchen entrance in Goodfellas and the battle scene in Children of Men.