This documentary chronicles the physically grueling and emotionally draining three-day competition for the MOF, the highest designation for French pastry chefs. Amid impossibly towering sugar sculptures and delectable cream puffs and layer cakes, we see the essential cores of competition – aspiration, ambition, perseverance, commitment, desperation, heartbreak and victory. Kings of Pastry is directed by the brilliant documentarians Chris Hegedus and DA Pennebaker (The War Room).
The searing drama Incendies is the year’s best film so far. Upon their mother’s death, a young man and woman learn for the first time of their father and their brother and journey from Quebec to the Middle East to uncover family secrets. As they bumble around Lebanon, we see the mother’s experience in flashbacks. We learn before they do that their lives were created – literally – by the violence of the Lebanese civil war.
Don’t miss Cave of Forgotten Dreams while it can be seen in 3D; Werner Herzog explores the amazing 30,000 year old Chauvet cave paintings. In the fine French drama Queen to Play, a working class woman discovers a passion for chess in midlife; she and her family, must adjust, along with a French-speaking Kevin Kline.
In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. Meek’s Cutoff is a disappointing misfire.
Source Code is a gripping scifi thriller with intelligence and heart, starring Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan.Hanna is a rip roaring girl-power thriller starring Saiorse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father, and then released upon the CIA.
Movies on TV this week include the underrated Sam Peckinpah classic Junior Bonner and the campy Giant Mutant Bunny horror film Night of the Lepus on TCM.
Meek’s Cutoff is an unfortunate misfire by the excellent director Kelly Reichardt (Old Joy, Wendy and Lucy). The masterpiece Picnic at Hanging Rock has already been made. We didn’t need an indifferent covered wagon version.
The route of the Oregon Trail was not yet well established in 1845, so a covered wagon train hires a mountain man who claims that he has found a shortcut through the Cascades. However, it becomes clear that the mountain man (Bruce Greenwood) is unreliable, and there is a new option of following an Indian of unknown motives. We can’t even tell if the Indian is sane. The men (Will Patton, Paul Dano) must figure out what to do while their wives (Michelle Williams, Shirley Henderson) eavesdrop and guess their fate.
There are possibilities there, but Reichardt hasn’t made much of a point by the time the movie ends. We know that human decision making cannot guarantee survival in a harsh and unfamiliar environment, but that’s not enough of a payoff after tromping around bleak Eastern Oregon for two hours.
Oddly, Reichardt shot the movie in a 1.37:1 Academy screen ratio. This looks especially boxy in a Western set in a vast, horizonless wilderness.
The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress. When he goes missing, the police drain the murky pool where the killers dumped the body, and the killers get a big surprise. Now the suspense from director Henri-Georges Clouzot really starts.
A master of the thriller, Clouzot was nicknamed the French Hitchcock. In an achingly scary scene from Clouzot’s The Wages of Fear, two truck drivers try to get a long truck around a cliff side hairpin curve – and the truck is filled with nitroglycerin. If you like Diabolique, you’ll probably also like another domestic murder – this time set in Paris – Quai des Orfevres. Criterion has released the Diabolique DVD.
Don’t miss Cave of Forgotten Dreams while it can be seen in 3D; Werner Herzog explores the amazing 30,000 year old Chauvet cave paintings. In the fine French drama Queen to Play, a working class woman discovers a passion for chess in midlife; she and her family, must adjust, along with a French-speaking Kevin Kline.
Source Code is a gripping scifi thriller with intelligence and heart, starring Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan. In a Better World is an ambitious contemplation on violence by Danish director Susanne Bier (Brothers, After the Wedding). Potiche, a delightful French farce of feminist self-discovery is the funniest movie in over a year, and another showcase for Catherine Deneuve (as if she needs one).
The Princess of Montpensier is an exquisitely beautiful romance about a 16th century French noblewoman who is forced by her father to marry – but not the man she loves; her new husband is unhealthily jealous and for good reason – various members of the Court fall in love with her and she is too immature to handle it well. Hanna is a rip roaring girl-power thriller starring Saiorse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father, and then released upon the CIA. The Robber is about an emotionless, compulsive bank robber who doesn’t care about the money, and you won’t care about him, either.
I haven’t yet seen Incendies or Meek’s Cutoff, two promising films opening this weekend. You can see trailers of upcoming films at Movies I’m Looking Forward To.
My DVD pick is Hail! The Conquering Hero.
Movies on TV this week include the classic French heist film Rififi and one of my favorite Sam Peckinpah Westerns,Pat Garrett and Billy the Kid, both on TCM.
Come along with Werner Herzog as he explores the 33,000-year-old Chauvet cave paintings in southern France. It’s a great topic for a film – a specially authorized descent into the claustrophobic confines of a prehistoric cave, littered with human footprints and the skulls of extinct cave bears. Surprisingly, some of the paintings look like they were painted in the Renaissance or later.
And, of course, Herzog (Aguirre: The Wrath of God, Grizzly Man) is a great story teller. Here, he made the wise choice to film in 3D. The paintings are not on flat canvasses, but on uneven rock faces. The 3D allows the audience to appreciate how the artists used the curves in the rock to give the illusion of motion in their subjects.
Don’t miss Cave of Forgotten Dreams while it can be seen in 3D.
This brilliantly funny movie is one of Preston Sturges’ less well known great comedies. Eddie Bracken plays a would-be soldier discharged for hay fever – but his hometown mistakenly think that he is sent home a war hero. Hilarity ensues. All the funnier when you realize that this film was made in 1944 amid our nation’s most culturally patriotic period.
Turner Classic Movies broadcasts Hail! The Conquering Hero several times a year, and a new DVD has been released today.
It’s time to revisit a spectacle. On May 9, Turner Classic movies is broadcasting Lawrence of Arabia. For decades, many of us watched this epic squeezed into tinny-sounding TVs. In 1989, I was fortunate enough to see the director’s cut in an old movie palace. Now technology has caught up, and modern large screen HD televisions can do this wide screen classic justice. Similarly, modern home sound systems can work with the great Maurice Jarre soundtrack.
Nobody has ever created better epics than director David Lean (Bridge Over the River Kwai, Dr. Zhivago). Peter O’Toole stars at the moment of his greatest physical beauty. The rest of the cast is unsurpassed: Omar Sharif, Jose Ferrer, Anthony Quinn, Anthony Quayle, Claude Rains, Arthur Kennedy, thousands of extras and entire herds of camels. The vast and severe Arabian desert is a character unto itself.
Settle in and watch the whole thing – and remember what “epic” really means.
Don’t miss Source Code, a gripping scifi thriller with intelligence and heart, starring Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan.Poetry is a troubling, uncomfortable and profound film with a great performance by Koran actress Jeong-hie Yun. In a Better World is an ambitious contemplation on violence by Danish director Susanne Bier (Brothers, After the Wedding). Potiche, a delightful French farce of feminist self-discovery is the funniest movie in over a year, and another showcase for Catherine Deneuve (as if she needs one).
The Princess of Montpensier is an exquisitely beautiful romance about a 16th century French noblewoman who is forced by her father to marry – but not the man she loves; her new husband is unhealthily jealous and for good reason – various members of the Court fall in love with her and she is too immature to handle it well. Hanna is a rip roaring girl-power thriller starring Saiorse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father, and then released upon the CIA. The Robber is about an emotionless, compulsive bank robber who doesn’t care about the money, and you won’t care about him, either.
I haven’t yet seen Cave of Forgotten Dreams, Incendies or Queen to Play, which open this weekend. You can see trailers of upcoming films at Movies I’m Looking Forward To.
My DVD pick is Somewhere.
Movies on TV this week include the epic Lawrence of Arabiaon TCM, which will look great on your wide screen HDTV – more on that tomorrow.
Set in late 16th century France amid the French religious wars, a young noblewoman is forced by her father to marry – but not the man she loves. Her new husband is unhealthily jealous and for good reason – various members of the Court fall in love with her and she is too immature to handle it well.
The 35th film directed by Bertrand Tavernier (Coup de Torchon) is often exquisite. There is brutal 16th century warfare set against the beautiful French countryside, gorgeous costumes, thundering horses, swordplay in the Louvre and heaving bosoms.
It’s a good film that could have been great. Unfortunately, Melanie Thierry doesn’t live up to the great role at the center of this romance. Instead, Lambert Wilson steals the picture with an exceptional performance as the husband’s mentor and the Princess’ confidant.